    Project Gutenberg's The Silver Box (First Series Plays), by John Galsworthy

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever.  You may copy it, give it away or
    re-use it under the terms of the Project Gutenberg License included
    with this eBook or online at www.gutenberg.net

    Title: The Silver Box (First Series Plays)

    Author: John Galsworthy

    Release Date: September 26, 2004 [EBook #2906]
    Last Updated: October 28, 2012

    Language: English

    Character set encoding: ASCII

    *** START OF THIS PROJECT GUTENBERG EBOOK THE SILVER BOX (FIRST SERIES ***

    Produced by David Widger

## GALSWORTHY'S PLAYS

## Links to All Volumes

THE FIRST SERIES: | The Silver Box | Joy | Strife
THE SECOND SERIES: | The Eldest Son | Little Dream | Justice
THE THIRD SERIES: | The Fugitive | The Pigeon | The Mob
THE FOURTH SERIES: | A Bit O'Love | The Foundations | The Skin Game
THE FIFTH SERIES: | A Family Man | Loyalties | Windows
THE SIXTH SERIES: | The First and Last | The Little Man | Four Short Plays

## FIRST SERIES PLAYS

## By John Galsworthy

# THE SILVER BOX

### A COMEDY IN THREE ACTS

            PERSONS OF THE PLAY

    JOHN BARTHWICK, M.P., a wealthy Liberal

    MRS. BARTHWICK, his wife

    JACK BARTHWICK, their son

    ROPER, their solicitor

    MRS. JONES, their charwoman

    MARLOW, their manservant

    WHEELER, their maidservant

    JONES, the stranger within their gates

    MRS. SEDDON, a landlady

    SNOW, a detective

    A POLICE MAGISTRATE

    AN UNKNOWN LADY, from beyond

    TWO LITTLE GIRLS, homeless

    LIVENS, their father

    A RELIEVING OFFICER

    A MAGISTRATE'S CLERK

    AN USHER POLICEMEN, CLERKS, AND OTHERS

TIME: The present. The action of the first two Acts takes place on Easter Tuesday; the action of the third on Easter Wednesday week.

ACT I.

            SCENE I. Rockingham Gate. John Barthwick's dining-room.

            SCENE II. The same.

            SCENE III. The same.

ACT II.

> SCENE I. The Jones's lodgings, Merthyr Street. SCENE II. John Barthwick's dining-room.

ACT III. A London police court.

ACT I ACT II ACT III

# ACT I

### SCENE I

> The curtain rises on the BARTHWICK'S dining-room, large, modern, and well furnished; the window curtains drawn. Electric light is burning. On the large round dining-table is set out a tray with whisky, a syphon, and a silver cigarette-box. It is past midnight. A fumbling is heard outside the door. It is opened suddenly; JACK BARTHWICK seems to fall into the room. He stands holding by the door knob, staring before him, with a beatific smile. He is in evening dress and opera hat, and carries in his hand a sky-blue velvet lady's reticule. His boyish face is freshly coloured and clean-shaven. An overcoat is hanging on his arm.

JACK. Hello! I've got home all ri——[Defiantly.] Who says I sh'd never 've opened th' door without 'sistance. [He staggers in, fumbling with the reticule. A lady's handkerchief and purse of crimson silk fall out.] Serve her joll' well right—everything droppin' out. Th' cat. I 've scored her off—I 've got her bag. [He swings the reticule.] Serves her joly' well right. [He takes a cigarette out of the silver box and puts it in his mouth.] Never gave tha' fellow anything! [He hunts through all his pockets and pulls a shilling out; it drops and rolls away. He looks for it.] Beastly shilling! [He looks again.] Base ingratitude! Absolutely nothing. [He laughs.] Mus' tell him I've got absolutely nothing.

> [He lurches through the door and down a corridor, and presently returns, followed by JONES, who is advanced in liquor. JONES, about thirty years of age, has hollow cheeks, black circles round his eyes, and rusty clothes: He looks as though he might be unemployed, and enters in a hang-dog manner.]

JACK. Sh! sh! sh! Don't you make a noise, whatever you do. Shu' the door, an' have a drink. [Very solemnly.] You helped me to open the door—I 've got nothin, for you. This is my house. My father's name's Barthwick; he's Member of Parliament—Liberal Member of Parliament: I've told you that before. Have a drink! [He pours out whisky and drinks it up.] I'm not drunk [Subsiding on a sofa.] Tha's all right. Wha's your name? My name's Barthwick, so's my father's; I'm a Liberal too—wha're you?

JONES. [In a thick, sardonic voice.] I'm a bloomin' Conservative. My name's Jones! My wife works 'ere; she's the char; she works 'ere.

JACK. Jones? [He laughs.] There's 'nother Jones at College with me. I'm not a Socialist myself; I'm a Liberal—there's ve—lill difference, because of the principles of the Lib—Liberal Party. We're all equal before the law—tha's rot, tha's silly. [Laughs.] Wha' was I about to say? Give me some whisky.

> [JONES gives him the whisky he desires, together with a squirt of syphon.]

Wha' I was goin' tell you was—I 've had a row with her. [He waves the reticule.] Have a drink, Jonessh 'd never have got in without you—tha 's why I 'm giving you a drink. Don' care who knows I've scored her off. Th' cat! [He throws his feet up on the sofa.] Don' you make a noise, whatever you do. You pour out a drink—you make yourself good long, long drink—you take cigarette—you take anything you like. Sh'd never have got in without you. [Closing his eyes.] You're a Tory—you're a Tory Socialist. I'm Liberal myself—have a drink—I 'm an excel'nt chap.

> [His head drops back. He, smiling, falls asleep, and JONES stands looking at him; then, snatching up JACK's glass, he drinks it off. He picks the reticule from off JACK'S shirt-front, holds it to the light, and smells at it.]

JONES. Been on the tiles and brought 'ome some of yer cat's fur. [He stuffs it into JACK's breast pocket.]

JACK. [Murmuring.] I 've scored you off! You cat!

> [JONES looks around him furtively; he pours out whisky and drinks it. From the silver box he takes a cigarette, puffs at it, and drinks more whisky. There is no sobriety left in him.]

JONES. Fat lot o' things they've got 'ere! [He sees the crimson purse lying on the floor.] More cat's fur. Puss, puss! [He fingers it, drops it on the tray, and looks at JACK.] Calf! Fat calf! [He sees his own presentment in a mirror. Lifting his hands, with fingers spread, he stares at it; then looks again at JACK, clenching his fist as if to batter in his sleeping, smiling face. Suddenly he tilts the rest o f the whisky into the glass and drinks it. With cunning glee he takes the silver box and purse and pockets them.] I 'll score you off too, that 's wot I 'll do!

> [He gives a little snarling laugh and lurches to the door. His shoulder rubs against the switch; the light goes out. There is a sound as of a closing outer door.]

> The curtain falls.

The curtain rises again at once.

SCENE II

> In the BARTHWICK'S dining-room. JACK is still asleep; the morning light is coming through the curtains. The time is half-past eight. WHEELER, brisk person enters with a dust-pan, and MRS. JONES more slowly with a scuttle.

WHEELER. [Drawing the curtains.] That precious husband of yours was round for you after you'd gone yesterday, Mrs. Jones. Wanted your money for drink, I suppose. He hangs about the corner here half the time. I saw him outside the "Goat and Bells" when I went to the post last night. If I were you I would n't live with him. I would n't live with a man that raised his hand to me. I wouldn't put up with it. Why don't you take your children and leave him? If you put up with 'im it'll only make him worse. I never can see why, because a man's married you, he should knock you about.

MRS. JONES. [Slim, dark-eyed, and dark-haired; oval-faced, and with a smooth, soft, even voice; her manner patient, her way of talking quite impersonal; she wears a blue linen dress, and boots with holes.] It was nearly two last night before he come home, and he wasn't himself. He made me get up, and he knocked me about; he didn't seem to know what he was saying or doing. Of course I would leave him, but I'm really afraid of what he'd do to me. He 's such a violent man when he's not himself.

WHEELER. Why don't you get him locked up? You'll never have any peace until you get him locked up. If I were you I'd go to the police court tomorrow. That's what I would do.

MRS. JONES. Of course I ought to go, because he does treat me so badly when he's not himself. But you see, Bettina, he has a very hard time—he 's been out of work two months, and it preys upon his mind. When he's in work he behaves himself much better. It's when he's out of work that he's so violent.

WHEELER. Well, if you won't take any steps you 'll never get rid of him.

MRS. JONES. Of course it's very wearing to me; I don't get my sleep at nights. And it 's not as if I were getting help from him, because I have to do for the children and all of us. And he throws such dreadful things up at me, talks of my having men to follow me about. Such a thing never happens; no man ever speaks to me. And of course, it's just the other way. It's what he does that's wrong and makes me so unhappy. And then he 's always threatenin' to cut my throat if I leave him. It's all the drink, and things preying on his mind; he 's not a bad man really. Sometimes he'll speak quite kind to me, but I've stood so much from him, I don't feel it in me to speak kind back, but just keep myself to myself. And he's all right with the children too, except when he's not himself.

WHEELER. You mean when he's drunk, the beauty.

MRS. JONES. Yes. [Without change of voice] There's the young gentleman asleep on the sofa.

> [They both look silently at Jack.]

MRS. JONES. [At last, in her soft voice.] He does n't look quite himself.

WHEELER. He's a young limb, that's what he is. It 's my belief he was tipsy last night, like your husband. It 's another kind of bein' out of work that sets him to drink. I 'll go and tell Marlow. This is his job.

> [She goes.] [Mrs. Jones, upon her knees, begins a gentle sweeping.]

JACK. [Waking.] Who's there? What is it?

MRS. JONES. It's me, sir, Mrs. Jones.

JACK. [Sitting up and looking round.] Where is it—what—what time is it?

MRS. JONES. It's getting on for nine o'clock, sir.

JACK. For nine! Why—what! [Rising, and loosening his tongue; putting hands to his head, and staring hard at Mrs. Jones.] Look here, you, Mrs.——Mrs. Jones—don't you say you caught me asleep here.

MRS. JONES. No, sir, of course I won't sir.

JACK. It's quite an accident; I don't know how it happened. I must have forgotten to go to bed. It's a queer thing. I 've got a most beastly headache. Mind you don't say anything, Mrs. Jones.

> [Goes out and passes MARLOW in the doorway. MARLOW is young and quiet; he is cleanshaven, and his hair is brushed high from his forehead in a coxcomb. Incidentally a butler, he is first a man. He looks at MRS. JONES, and smiles a private smile.]

MARLOW. Not the first time, and won't be the last. Looked a bit dicky, eh, Mrs. Jones?

MRS. JONES. He did n't look quite himself. Of course I did n't take notice.

MARLOW. You're used to them. How's your old man?

MRS. JONES. [Softly as throughout.] Well, he was very bad last night; he did n't seem to know what he was about. He was very late, and he was most abusive. But now, of course, he's asleep.

MARLOW. That's his way of finding a job, eh?

MRS. JONES. As a rule, Mr. Marlow, he goes out early every morning looking for work, and sometimes he comes in fit to drop—and of course I can't say he does n't try to get it, because he does. Trade's very bad. [She stands quite still, her fan and brush before her, at the beginning and the end of long vistas of experience, traversing them with her impersonal eye.] But he's not a good husband to me—last night he hit me, and he was so dreadfully abusive.

MARLOW. Bank 'oliday, eh! He 's too fond of the "Goat and Bells," that's what's the matter with him. I see him at the corner late every night. He hangs about.

MRS. JONES. He gets to feeling very low walking about all day after work, and being refused so often, and then when he gets a drop in him it goes to his head. But he shouldn't treat his wife as he treats me. Sometimes I 've had to go and walk about at night, when he wouldn't let me stay in the room; but he's sorry for it afterwards. And he hangs about after me, he waits for me in the street; and I don't think he ought to, because I 've always been a good wife to him. And I tell him Mrs. Barthwick wouldn't like him coming about the place. But that only makes him angry, and he says dreadful things about the gentry. Of course it was through me that he first lost his place, through his not treating me right; and that's made him bitter against the gentry. He had a very good place as groom in the country; but it made such a stir, because of course he did n't treat me right.

MARLOW. Got the sack?

MRS. JONES. Yes; his employer said he couldn't keep him, because there was a great deal of talk; and he said it was such a bad example. But it's very important for me to keep my work here; I have the three children, and I don't want him to come about after me in the streets, and make a disturbance as he sometimes does.

MARLOW. [Holding up the empty decanter.] Not a drain! Next time he hits you get a witness and go down to the court——

MRS. JONES. Yes, I think I 've made up my mind. I think I ought to.

MARLOW. That's right. Where's the ciga——?

> [He searches for the silver box; he looks at MRS. JONES, who is sweeping on her hands and knees; he checks himself and stands reflecting. From the tray he picks two half-smoked cigarettes, and reads the name on them.]

Nestor—where the deuce——?

> [With a meditative air he looks again at MRS. JONES, and, taking up JACK'S overcoat, he searches in the pockets. WHEELER, with a tray of breakfast things, comes in.]

MARLOW. [Aside to WHEELER.] Have you seen the cigarette-box?

WHEELER. No.

MARLOW. Well, it's gone. I put it on the tray last night. And he's been smoking. [Showing her the ends of cigarettes.] It's not in these pockets. He can't have taken it upstairs this morning! Have a good look in his room when he comes down. Who's been in here?

WHEELER. Only me and Mrs. Jones.

MRS. JONES. I 've finished here; shall I do the drawing-room now?

WHEELER. [Looking at her doubtfully.] Have you seen——Better do the boudwower first.

> [MRS. JONES goes out with pan and brush. MARLOW and WHEELER look each other in the face.]

MARLOW. It'll turn up.

WHEELER. [Hesitating.] You don't think she—— [Nodding at the door.]

MARLOW. [Stoutly.] I don't——I never believes anything of anybody.

WHEELER. But the master'll have to be told.

MARLOW. You wait a bit, and see if it don't turn up. Suspicion's no business of ours. I set my mind against it.

> The curtain falls.

> The curtain rises again at once.

SCENE III

> BARTHWICK and MRS. BARTHWICK are seated at the breakfast table. He is a man between fifty and sixty; quietly important, with a bald forehead, and pince-nez, and the "Times" in his hand. She is a lady of nearly fifty, well dressed, with greyish hair, good features, and a decided manner. They face each other.

BARTHWICK. [From behind his paper.] The Labour man has got in at the by-election for Barnside, my dear.

MRS. BARTHWICK. Another Labour? I can't think what on earth the country is about.

BARTHWICK. I predicted it. It's not a matter of vast importance.

MRS. BARTHWICK. Not? How can you take it so calmly, John? To me it's simply outrageous. And there you sit, you Liberals, and pretend to encourage these people!

BARTHWICK. [Frowning.] The representation of all parties is necessary for any proper reform, for any proper social policy.

MRS. BARTHWICK. I've no patience with your talk of reform—all that nonsense about social policy. We know perfectly well what it is they want; they want things for themselves. Those Socialists and Labour men are an absolutely selfish set of people. They have no sense of patriotism, like the upper classes; they simply want what we've got.

BARTHWICK. Want what we've got! [He stares into space.] My dear, what are you talking about? [With a contortion.] I 'm no alarmist.

MRS. BARTHWICK. Cream? Quite uneducated men! Wait until they begin to tax our investments. I 'm convinced that when they once get a chance they will tax everything—they 've no feeling for the country. You Liberals and Conservatives, you 're all alike; you don't see an inch before your noses. You've no imagination, not a scrap of imagination between you. You ought to join hands and nip it in the bud.

BARTHWICK. You 're talking nonsense! How is it possible for Liberals and Conservatives to join hands, as you call it? That shows how absurd it is for women——Why, the very essence of a Liberal is to trust in the people!

MRS. BARTHWICK. Now, John, eat your breakfast. As if there were any real difference between you and the Conservatives. All the upper classes have the same interests to protect, and the same principles. [Calmly.] Oh! you're sitting upon a volcano, John.

BARTHWICK. What!

MRS. BARTHWICK. I read a letter in the paper yesterday. I forget the man's name, but it made the whole thing perfectly clear. You don't look things in the face.

BARTHWICK. Indeed! [Heavily.] I am a Liberal! Drop the subject, please!

MRS. BARTHWICK. Toast? I quite agree with what this man says: Education is simply ruining the lower classes. It unsettles them, and that's the worst thing for us all. I see an enormous difference in the manner of servants.

BARTHWICK, [With suspicious emphasis.] I welcome any change that will lead to something better. [He opens a letter.] H'm! This is that affair of Master Jack's again. "High Street, Oxford. Sir, We have received Mr. John Barthwick, Senior's, draft for forty pounds!" Oh! the letter's to him! "We now enclose the cheque you cashed with us, which, as we stated in our previous letter, was not met on presentation at your bank. We are, Sir, yours obediently, Moss and Sons, Tailors." H 'm! [Staring at the cheque.] A pretty business altogether! The boy might have been prosecuted.

MRS. BARTHWICK. Come, John, you know Jack did n't mean anything; he only thought he was overdrawing. I still think his bank ought to have cashed that cheque. They must know your position.

BARTHWICK. [Replacing in the envelope the letter and the cheque.] Much good that would have done him in a court of law.

> [He stops as JACK comes in, fastening his waistcoat and staunching a razor cut upon his chin.]

JACK. [Sitting down between them, and speaking with an artificial joviality.] Sorry I 'm late. [He looks lugubriously at the dishes.] Tea, please, mother. Any letters for me? [BARTHWICK hands the letter to him.] But look here, I say, this has been opened! I do wish you would n't——

BARTHWICK. [Touching the envelope.] I suppose I 'm entitled to this name.

JACK. [Sulkily.] Well, I can't help having your name, father! [He reads the letter, and mutters.] Brutes!

BARTHWICK. [Eyeing him.] You don't deserve to be so well out of that.

JACK. Haven't you ragged me enough, dad?

MRS. BARTHWICK. Yes, John, let Jack have his breakfast.

BARTHWICK. If you hadn't had me to come to, where would you have been? It's the merest accident—suppose you had been the son of a poor man or a clerk. Obtaining money with a cheque you knew your bank could not meet. It might have ruined you for life. I can't see what's to become of you if these are your principles. I never did anything of the sort myself.

JACK. I expect you always had lots of money. If you've got plenty of money, of course——

BARTHWICK. On the contrary, I had not your advantages. My father kept me very short of money.

JACK. How much had you, dad?

BARTHWICK. It's not material. The question is, do you feel the gravity of what you did?

JACK. I don't know about the gravity. Of course, I 'm very sorry if you think it was wrong. Have n't I said so! I should never have done it at all if I had n't been so jolly hard up.

BARTHWICK. How much of that forty pounds have you got left, Jack?

JACK. [Hesitating.] I don't know—not much.

BARTHWICK. How much?

JACK. [Desperately.] I have n't got any.

BARTHWICK. What?

JACK. I know I 've got the most beastly headache.

> [He leans his head on his hand.]

MRS. BARTHWICK. Headache? My dear boy! Can't you eat any breakfast?

JACK. [Drawing in his breath.] Too jolly bad!

MRS. BARTHWICK. I'm so sorry. Come with me; dear; I'll give you something that will take it away at once.

> [They leave the room; and BARTHWICK, tearing up the letter, goes to the fireplace and puts the pieces in the fire. While he is doing this MARLOW comes in, and looking round him, is about quietly to withdraw.]

BARTHWICK. What's that? What d 'you want?

MARLOW. I was looking for Mr. John, sir.

BARTHWICK. What d' you want Mr. John for?

MARLOW. [With hesitation.] I thought I should find him here, sir.

BARTHWICK. [Suspiciously.] Yes, but what do you want him for?

MARLOW. [Offhandedly.] There's a lady called—asked to speak to him for a minute, sir.

BARTHWICK. A lady, at this time in the morning. What sort of a lady?

MARLOW. [Without expression in his voice.] I can't tell, sir; no particular sort. She might be after charity. She might be a Sister of Mercy, I should think, sir.

BARTHWICK. Is she dressed like one?

MARLOW. No, sir, she's in plain clothes, sir.

BARTHWICK. Did n't she say what she wanted?

MARLOW. No sir.

BARTHWICK. Where did you leave her?

MARLOW. In the hall, sir.

BARTHWICK. In the hall? How do you know she's not a thief—not got designs on the house?

MARLOW. No, sir, I don't fancy so, sir.

BARTHWICK. Well, show her in here; I'll see her myself.

> [MARLOW goes out with a private gesture of dismay. He soon returns, ushering in a young pale lady with dark eyes and pretty figure, in a modish, black, but rather shabby dress, a black and white trimmed hat with a bunch of Parma violets wrongly placed, and fuzzy-spotted veil. At the Sight of MR. BARTHWICK she exhibits every sign of nervousness. MARLOW goes out.]

UNKNOWN LADY. Oh! but—I beg pardon there's some mistake—I [She turns to fly.]

BARTHWICK. Whom did you want to see, madam?

UNKNOWN. [Stopping and looking back.] It was Mr. John Barthwick I wanted to see.

BARTHWICK. I am John Barthwick, madam. What can I have the pleasure of doing for you?

UNKNOWN. Oh! I—I don't [She drops her eyes. BARTHWICK scrutinises her, and purses his lips.]

BARTHWICK. It was my son, perhaps, you wished to see?

UNKNOWN. [Quickly.] Yes, of course, it's your son.

BARTHWICK. May I ask whom I have the pleasure of speaking to?

UNKNOWN. [Appeal and hardiness upon her face.] My name is——oh! it does n't matter—I don't want to make any fuss. I just want to see your son for a minute. [Boldly.] In fact, I must see him.

BARTHWICK. [Controlling his uneasiness.] My son is not very well. If necessary, no doubt I could attend to the matter; be so kind as to let me know——

UNKNOWN. Oh! but I must see him—I 've come on purpose—[She bursts out nervously.] I don't want to make any fuss, but the fact is, last—last night your son took away—he took away my [She stops.]

BARTHWICK. [Severely.] Yes, madam, what?

UNKNOWN. He took away my—my reticule.

BARTHWICK. Your reti——?

UNKNOWN. I don't care about the reticule; it's not that I want—I 'm sure I don't want to make any fuss—[her face is quivering]—but —but—all my money was in it!

BARTHWICK. In what—in what?

UNKNOWN. In my purse, in the reticule. It was a crimson silk purse. Really, I wouldn't have come—I don't want to make any fuss. But I must get my money back—mustn't I?

BARTHWICK. Do you tell me that my son——?

UNKNOWN. Oh! well, you see, he was n't quite I mean he was

> [She smiles mesmerically.]

BARTHWICK. I beg your pardon.

UNKNOWN. [Stamping her foot.] Oh! don't you see—tipsy! We had a quarrel.

BARTHWICK. [Scandalised.] How? Where?

UNKNOWN. [Defiantly.] At my place. We'd had supper at the——and your son——

BARTHWICK. [Pressing the bell.] May I ask how you knew this house? Did he give you his name and address?

UNKNOWN. [Glancing sidelong.] I got it out of his overcoat.

BARTHWICK. [Sardonically.] Oh! you got it out of his overcoat. And may I ask if my son will know you by daylight?

> UNKNOWN. Know me? I should jolly—I mean, of course he will! [MARLOW comes in.]

BARTHWICK. Ask Mr. John to come down.

> [MARLOW goes out, and BARTHWICK walks uneasily about.]

And how long have you enjoyed his acquaintanceship?

UNKNOWN. Only since—only since Good Friday.

BARTHWICK. I am at a loss—I repeat I am at a——

> [He glances at this unknown lady, who stands with eyes cast down, twisting her hands And suddenly Jack appears. He stops on seeing who is here, and the unknown lady hysterically giggles. There is a silence.]

BARTHWICK. [Portentously.] This young—er—lady says that last night—I think you said last night madam—you took away——

UNKNOWN. [Impulsively.] My reticule, and all my money was in a crimson silk purse.

JACK. Reticule. [Looking round for any chance to get away.] I don't know anything about it.

BARTHWICK. [Sharply.] Come, do you deny seeing this young lady last night?

JACK. Deny? No, of course. [Whispering.] Why did you give me away like this? What on earth did you come here for?

UNKNOWN. [Tearfully.] I'm sure I didn't want to—it's not likely, is it? You snatched it out of my hand—you know you did—and the purse had all my money in it. I did n't follow you last night because I did n't want to make a fuss and it was so late, and you were so——

BARTHWICK. Come, sir, don't turn your back on me—explain!

JACK. [Desperately.] I don't remember anything about it. [In a low voice to his friend.] Why on earth could n't you have written?

UNKNOWN. [Sullenly.] I want it now; I must have, it—I 've got to pay my rent to-day. [She looks at BARTHWICK.] They're only too glad to jump on people who are not—not well off.

JACK. I don't remember anything about it, really. I don't remember anything about last night at all. [He puts his hand up to his head.] It's all—cloudy, and I 've got such a beastly headache.

UNKNOWN. But you took it; you know you did. You said you'd score me off.

JACK. Well, then, it must be here. I remember now—I remember something. Why did I take the beastly thing?

BARTHWICK. Yes, why did you take the beastly——[He turns abruptly to the window.]

UNKNOWN. [With her mesmeric smile.] You were n't quite were you?

JACK. [Smiling pallidly.] I'm awfully sorry. If there's anything I can do——

BARTHWICK. Do? You can restore this property, I suppose.

JACK. I'll go and have a look, but I really don't think I 've got it.

> [He goes out hurriedly. And BARTHWICK, placing a chair, motions to the visitor to sit; then, with pursed lips, he stands and eyes her fixedly. She sits, and steals a look at him; then turns away, and, drawing up her veil, stealthily wipes her eyes. And Jack comes back.]

JACK. [Ruefully holding out the empty reticule.] Is that the thing? I 've looked all over—I can't find the purse anywhere. Are you sure it was there?

UNKNOWN. [Tearfully.] Sure? Of course I'm sure. A crimson silk purse. It was all the money I had.

JACK. I really am awfully sorry—my head's so jolly bad. I 've asked the butler, but he has n't seen it.

UNKNOWN. I must have my money——

JACK. Oh! Of course—that'll be all right; I'll see that that's all right. How much?

UNKNOWN. [Sullenly.] Seven pounds-twelve—it's all I 've got in the world.

JACK. That'll be all right; I'll—send you a cheque.

UNKNOWN. [Eagerly.] No; now, please. Give me what was in my purse; I've got to pay my rent this morning. They won't' give me another day; I'm a fortnight behind already.

JACK. [Blankly.] I'm awfully sorry; I really have n't a penny in my pocket.

> [He glances stealthily at BARTHWICK.]

UNKNOWN. [Excitedly.] Come I say you must—it's my money, and you took it. I 'm not going away without it. They 'll turn me out of my place.

JACK. [Clasping his head.] But I can't give you what I have n't got. Don't I tell you I have n't a beastly cent.

UNKNOWN. [Tearing at her handkerchief.] Oh! do give it me! [She puts her hands together in appeal; then, with sudden fierceness.] If you don't I'll summons you. It's stealing, that's what it is!

BARTHWICK. [Uneasily.] One moment, please. As a matter of—-er —principle, I shall settle this claim. [He produces money.] Here is eight pounds; the extra will cover the value of the purse and your cab fares. I need make no comment—no thanks are necessary.

> [Touching the bell, he holds the door ajar in silence. The unknown lady stores the money in her reticule, she looks from JACK to BARTHWICK, and her face is quivering faintly with a smile. She hides it with her hand, and steals away. Behind her BARTHWICK shuts the door.]

BARTHWICK. [With solemnity.] H'm! This is nice thing to happen!

JACK. [Impersonally.] What awful luck!

BARTHWICK. So this is the way that forty pounds has gone! One thing after another! Once more I should like to know where you 'd have been if it had n't been for me! You don't seem to have any principles. You—you're one of those who are a nuisance to society; you—you're dangerous! What your mother would say I don't know. Your conduct, as far as I can see, is absolutely unjustifiable. It's—it's criminal. Why, a poor man who behaved as you've done —d' you think he'd have any mercy shown him? What you want is a good lesson. You and your sort are—[he speaks with feeling]—a nuisance to the community. Don't ask me to help you next time. You're not fit to be helped.

JACK. [Turning upon his sire, with unexpected fierceness.] All right, I won't then, and see how you like it. You would n't have helped me this time, I know, if you had n't been scared the thing would get into the papers. Where are the cigarettes?

BARTHWICK. [Regarding him uneasily.] Well I 'll say no more about it. [He rings the bell.] I 'll pass it over for this once, but—— [MARLOW Comes in.] You can clear away.

> [He hides his face behind the "Times."]

JACK. [Brightening.] I say, Marlow, where are the cigarettes?

MARLOW. I put the box out with the whisky last night, sir, but this morning I can't find it anywhere.

JACK. Did you look in my room?

MARLOW. Yes, sir; I've looked all over the house. I found two Nestor ends in the tray this morning, so you must have been smokin' last night, sir. [Hesitating.] I 'm really afraid some one's purloined the box.

JACK. [Uneasily.] Stolen it!

BARTHWICK. What's that? The cigarette-box! Is anything else missing?

MARLOW. No, sir; I 've been through the plate.

BARTHWICK. Was the house all right this morning? None of the windows open?

MARLOW. No, sir. [Quietly to JACK.] You left your latch-key in the door last night, sir.

> [He hands it back, unseen by BARTHWICK]

JACK. Tst!

BARTHWICK. Who's been in the room this morning?

MARLOW. Me and Wheeler, and Mrs. Jones is all, sir, as far as I know.

BARTHWICK. Have you asked Mrs. Barthwick?

[To JACK.] Go and ask your mother if she's had it; ask her to look and see if she's missed anything else.

> [JACK goes upon this mission.]

Nothing is more disquieting than losing things like this.

MARLOW. No, sir.

BARTHWICK. Have you any suspicions?

MARLOW, No, sir.

BARTHWICK. This Mrs. Jones—how long has she been working here?

MARLOW. Only this last month, sir.

BARTHWICK. What sort of person?

MARLOW. I don't know much about her, sir; seems a very quiet, respectable woman.

BARTHWICK. Who did the room this morning?

MARLOW. Wheeler and Mrs. Jones, Sir.

BARTHWICK. [With his forefinger upraised.] Now, was this Mrs. Jones in the room alone at any time?

MARLOW. [Expressionless.] Yes, Sir.

BARTHWICK. How do you know that?

MARLOW. [Reluctantly.] I found her here, sir.

BARTHWICK. And has Wheeler been in the room alone?

MARLOW. No, sir, she's not, sir. I should say, sir, that Mrs. Jones seems a very honest——

BARTHWICK. [Holding up his hand.] I want to know this: Has this Mrs. Jones been here the whole morning?

MARLOW. Yes, sir—no, sir—she stepped over to the greengrocer's for cook.

BARTHWICK. H'm! Is she in the house now?

MARLOW. Yes, Sir.

BARTHWICK. Very good. I shall make a point of clearing this up. On principle I shall make a point of fixing the responsibility; it goes to the foundations of security. In all your interests——

MARLOW. Yes, Sir.

BARTHWICK. What sort of circumstances is this Mrs. Jones in? Is her husband in work?

MARLOW. I believe not, sir.

BARTHWICK. Very well. Say nothing about it to any one. Tell Wheeler not to speak of it, and ask Mrs. Jones to step up here.

MARLOW. Very good, sir.

> [MARLOW goes out, his face concerned; and BARTHWICK stays, his face judicial and a little pleased, as befits a man conducting an inquiry. MRS. BARTHWICK and hey son come in.]

BARTHWICK. Well, my dear, you've not seen it, I suppose?

MRS. BARTHWICK. No. But what an extraordinary thing, John! Marlow, of course, is out of the question. I 'm certain none of the maids as for cook!

BARTHWICK. Oh, cook!

MRS. BARTHWICK. Of course! It's perfectly detestable to me to suspect anybody.

BARTHWICK. It is not a question of one's feelings. It's a question of justice. On principle——

MRS. BARTHWICK. I should n't be a bit surprised if the charwoman knew something about it. It was Laura who recommended her.

BARTHWICK. [Judicially.] I am going to have Mrs. Jones up. Leave it to me; and—er—remember that nobody is guilty until they're proved so. I shall be careful. I have no intention of frightening her; I shall give her every chance. I hear she's in poor circumstances. If we are not able to do much for them we are bound to have the greatest sympathy with the poor. [MRS. JONES comes in.] [Pleasantly.] Oh! good morning, Mrs. Jones.

MRS. JONES. [Soft, and even, unemphatic.] Good morning, sir! Good morning, ma'am!

BARTHWICK. About your husband—he's not in work, I hear?

MRS. JONES. No, sir; of course he's not in work just now.

BARTHWICK. Then I suppose he's earning nothing.

MRS. JONES. No, sir, he's not earning anything just now, sir.

BARTHWICK. And how many children have you?

MRS. JONES. Three children; but of course they don't eat very much sir. [A little silence.]

BARTHWICK. And how old is the eldest?

MRS. JONES. Nine years old, sir.

BARTHWICK. Do they go to school?

MRS. JONES, Yes, sir, they all three go to school every day.

BARTHWICK. [Severely.] And what about their food when you're out at work?

MRS. JONES. Well, Sir, I have to give them their dinner to take with them. Of course I 'm not always able to give them anything; sometimes I have to send them without; but my husband is very good about the children when he's in work. But when he's not in work of course he's a very difficult man.

BARTHWICK. He drinks, I suppose?

MRS. JONES. Yes, Sir. Of course I can't say he does n't drink, because he does.

BARTHWICK. And I suppose he takes all your money?

MRS. JONES. No, sir, he's very good about my money, except when he's not himself, and then, of course, he treats me very badly.

BARTHWICK. Now what is he—your husband?

MRS. JONES. By profession, sir, of course he's a groom.

BARTHWICK. A groom! How came he to lose his place?

MRS. JONES. He lost his place a long time ago, sir, and he's never had a very long job since; and now, of course, the motor-cars are against him.

BARTHWICK. When were you married to him, Mrs. Jones?

MRS. JONES. Eight years ago, sir that was in——

MRS. BARTHWICK. [Sharply.] Eight? You said the eldest child was nine.

MRS. JONES. Yes, ma'am; of course that was why he lost his place. He did n't treat me rightly, and of course his employer said he couldn't keep him because of the example.

BARTHWICK. You mean he—ahem——

MRS. JONES. Yes, sir; and of course after he lost his place he married me.

MRS. BARTHWICK. You actually mean to say you—you were——

BARTHWICK. My dear——

MRS. BARTHWICK. [Indignantly.] How disgraceful!

BARTHWICK. [Hurriedly.] And where are you living now, Mrs. Jones?

MRS. JONES. We've not got a home, sir. Of course we've been obliged to put away most of our things.

BARTHWICK. Put your things away! You mean to—to—er—to pawn them?

MRS. JONES. Yes, sir, to put them away. We're living in Merthyr Street—that is close by here, sir—at No. 34. We just have the one room.

BARTHWICK. And what do you pay a week?

MRS. JONES. We pay six shillings a week, sir, for a furnished room.

BARTHWICK. And I suppose you're behind in the rent?

MRS. JONES. Yes, sir, we're a little behind in the rent.

BARTHWICK. But you're in good work, aren't you?

MRS. JONES. Well, Sir, I have a day in Stamford Place Thursdays. And Mondays and Wednesdays and Fridays I come here. But to-day, of course, is a half-day, because of yesterday's Bank Holiday.

BARTHWICK. I see; four days a week, and you get half a crown a day, is that it?

MRS. JONES. Yes, sir, and my dinner; but sometimes it's only half a day, and that's eighteen pence.

BARTHWICK. And when your husband earns anything he spends it in drink, I suppose?

MRS. JONES. Sometimes he does, sir, and sometimes he gives it to me for the children. Of course he would work if he could get it, sir, but it seems there are a great many people out of work.

BARTHWICK. Ah! Yes. We—er—won't go into that. [Sympathetically.] And how about your work here? Do you find it hard?

MRS. JONES. Oh! no, sir, not very hard, sir; except of course, when I don't get my sleep at night.

BARTHWICK. Ah! And you help do all the rooms? And sometimes, I suppose, you go out for cook?

MRS. JONES. Yes, Sir.

BARTHWICK. And you 've been out this morning?

MRS. JONES. Yes, sir, of course I had to go to the greengrocer's.

BARTHWICK. Exactly. So your husband earns nothing? And he's a bad character.

MRS. JONES. No, Sir, I don't say that, sir. I think there's a great deal of good in him; though he does treat me very bad sometimes. And of course I don't like to leave him, but I think I ought to, because really I hardly know how to stay with him. He often raises his hand to me. Not long ago he gave me a blow here [touches her breast] and I can feel it now. So I think I ought to leave him, don't you, sir?

BARTHWICK. Ah! I can't help you there. It's a very serious thing to leave your husband. Very serious thing.

MRS. JONES. Yes, sir, of course I 'm afraid of what he might do to me if I were to leave him; he can be so very violent.

BARTHWICK. H'm! Well, that I can't pretend to say anything about. It's the bad principle I'm speaking of——

MRS. JONES. Yes, Sir; I know nobody can help me. I know I must decide for myself, and of course I know that he has a very hard life. And he's fond of the children, and its very hard for him to see them going without food.

BARTHWICK. [Hastily.] Well—er—thank you, I just wanted to hear about you. I don't think I need detain you any longer, Mrs. Jones.

MRS. JONES. No, sir, thank you, sir.

BARTHWICK. Good morning, then.

MRS. JONES. Good morning, sir; good morning, ma'am.

BARTHWICK. [Exchanging glances with his wife.] By the way, Mrs. Jones—I think it is only fair to tell you, a silver cigarette-box —er—is missing.

MRS. JONES. [Looking from one face to the other.] I am very sorry, sir.

BARTHWICK. Yes; you have not seen it, I suppose?

MRS. JONES. [Realising that suspicion is upon her; with an uneasy movement.] Where was it, sir; if you please, sir?

BARTHWICK. [Evasively.] Where did Marlow say? Er—in this room, yes, in this room.

MRS. JONES. No, Sir, I have n't seen it—of course if I 'd seen it I should have noticed it.

BARTHWICK. [Giving hey a rapid glance.] You—you are sure of that?

MRS. JONES. [Impassively.] Yes, Sir. [With a slow nodding of her head.] I have not seen it, and of course I don't know where it is.

> [She turns and goes quietly out.]

BARTHWICK. H'm!

> [The three BARTHWICKS avoid each other's glances.]

> The curtain falls.

# ACT II

### SCENE I

> The JONES's lodgings, Merthyr Street, at half-past two o'clock. The bare room, with tattered oilcloth and damp, distempered walls, has an air of tidy wretchedness. On the bed lies JONES, half-dressed; his coat is thrown across his feet, and muddy boots are lying on the floor close by. He is asleep. The door is opened and MRS. JONES comes in, dressed in a pinched black jacket and old black sailor hat; she carries a parcel wrapped up in the "Times." She puts her parcel down, unwraps an apron, half a loaf, two onions, three potatoes, and a tiny piece of bacon. Taking a teapot from the cupboard, she rinses it, shakes into it some powdered tea out of a screw of paper, puts it on the hearth, and sitting in a wooden chair quietly begins to cry.

JONES. [Stirring and yawning.] That you? What's the time?

MRS. JONES. [Drying her eyes, and in her usual voice.] Half-past two.

JONES. What you back so soon for?

MRS. JONES. I only had the half day to-day, Jem.

JONES. [On his back, and in a drowsy voice.] Got anything for dinner?

MRS. JONES. Mrs. BARTHWICK's cook gave me a little bit of bacon. I'm going to make a stew. [She prepares for cooking.] There's fourteen shillings owing for rent, James, and of course I 've only got two and fourpence. They'll be coming for it to-day.

JONES. [Turning towards her on his elbow.] Let 'em come and find my surprise packet. I've had enough o' this tryin' for work. Why should I go round and round after a job like a bloomin' squirrel in a cage. "Give us a job, sir"—"Take a man on"—"Got a wife and three children." Sick of it I am! I 'd sooner lie here and rot. "Jones, you come and join the demonstration; come and 'old a flag, and listen to the ruddy orators, and go 'ome as empty as you came." There's some that seems to like that—the sheep! When I go seekin' for a job now, and see the brutes lookin' me up an' down, it's like a thousand serpents in me. I 'm not arskin' for any treat. A man wants to sweat hisself silly and not allowed that's a rum start, ain't it? A man wants to sweat his soul out to keep the breath in him and ain't allowed—that's justice that's freedom and all the rest of it! [He turns his face towards the wall.] You're so milky mild; you don't know what goes on inside o' me. I'm done with the silly game. If they want me, let 'em come for me!

> [MRS. JONES stops cooking and stands unmoving at the table.]

I've tried and done with it, I tell you. I've never been afraid of what 's before me. You mark my words—if you think they've broke my spirit, you're mistook. I 'll lie and rot sooner than arsk 'em again. What makes you stand like that—you long-sufferin', Gawd-forsaken image—that's why I can't keep my hands off you. So now you know. Work! You can work, but you have n't the spirit of a louse!

MRS. JONES. [Quietly.] You talk more wild sometimes when you're yourself, James, than when you 're not. If you don't get work, how are we to go on? They won't let us stay here; they're looking to their money to-day, I know.

JONES. I see this BARTHWICK o' yours every day goin' down to Pawlyment snug and comfortable to talk his silly soul out; an' I see that young calf, his son, swellin' it about, and goin' on the razzle-dazzle. Wot 'ave they done that makes 'em any better than wot I am? They never did a day's work in their lives. I see 'em day after day.

MRS. JONES. And I wish you wouldn't come after me like that, and hang about the house. You don't seem able to keep away at all, and whatever you do it for I can't think, because of course they notice it.

JONES. I suppose I may go where I like. Where may I go? The other day I went to a place in the Edgware Road. "Gov'nor," I says to the boss, "take me on," I says. "I 'aven't done a stroke o' work not these two months; it takes the heart out of a man," I says; "I 'm one to work; I 'm not afraid of anything you can give me!" "My good man," 'e says, "I 've had thirty of you here this morning. I took the first two," he says, "and that's all I want." "Thank you, then rot the world!" I says. "Blasphemin'," he says, "is not the way to get a job. Out you go, my lad!" [He laughs sardonically.] Don't you raise your voice because you're starvin'; don't yer even think of it; take it lyin' down! Take it like a sensible man, carn't you? And a little way down the street a lady says to me: [Pinching his voice] "D' you want to earn a few pence, my man?" and gives me her dog to 'old outside a shop-fat as a butler 'e was—tons o' meat had gone to the makin' of him. It did 'er good, it did, made 'er feel 'erself that charitable, but I see 'er lookin' at the copper standin' alongside o' me, for fear I should make off with 'er bloomin' fat dog. [He sits on the edge of the bed and puts a boot on. Then looking up.] What's in that head o' yours? [Almost pathetically.] Carn't you speak for once?

> [There is a knock, and MRS. SEDDON, the landlady, appears, an anxious, harassed, shabby woman in working clothes.]

MRS. SEDDON. I thought I 'eard you come in, Mrs. Jones. I 've spoke to my 'usband, but he says he really can't afford to wait another day.

JONES. [With scowling jocularity.] Never you mind what your 'usband says, you go your own way like a proper independent woman. Here, jenny, chuck her that.

> [Producing a sovereign from his trousers pocket, he throws it to his wife, who catches it in her apron with a gasp. JONES resumes the lacing of his boots.]

MRS. JONES. [Rubbing the sovereign stealthily.] I'm very sorry we're so late with it, and of course it's fourteen shillings, so if you've got six that will be right.

> [MRS. SEDDON takes the sovereign and fumbles for the change.]

JONES. [With his eyes fixed on his boots.] Bit of a surprise for yer, ain't it?

MRS. SEDDON. Thank you, and I'm sure I'm very much obliged. [She does indeed appear surprised.] I 'll bring you the change.

JONES. [Mockingly.] Don't mention it.

MRS. SEDDON. Thank you, and I'm sure I'm very much obliged. [She slides away.]

> [MRS. JONES gazes at JONES who is still lacing up his boots.]

JONES. I 've had a bit of luck. [Pulling out the crimson purse and some loose coins.] Picked up a purse—seven pound and more.

MRS. JONES. Oh, James!

JONES. Oh, James! What about Oh, James! I picked it up I tell you. This is lost property, this is!

MRS. JONES. But is n't there a name in it, or something?

JONES. Name? No, there ain't no name. This don't belong to such as 'ave visitin' cards. This belongs to a perfec' lidy. Tike an' smell it. [He pitches her the purse, which she puts gently to her nose.] Now, you tell me what I ought to have done. You tell me that. You can always tell me what I ought to ha' done, can't yer?

MRS. JONES. [Laying down the purse.] I can't say what you ought to have done, James. Of course the money was n't yours; you've taken somebody else's money.

JONES. Finding's keeping. I 'll take it as wages for the time I 've gone about the streets asking for what's my rights. I'll take it for what's overdue, d' ye hear? [With strange triumph.] I've got money in my pocket, my girl.

> [MRS. JONES goes on again with the preparation of the meal, JONES looking at her furtively.]

Money in my pocket! And I 'm not goin' to waste it. With this 'ere money I'm goin' to Canada. I'll let you have a pound.

> [A silence.]

You've often talked of leavin' me. You 've often told me I treat you badly—well I 'ope you 'll be glad when I 'm gone.

MRS. JONES. [Impassively.] You have, treated me very badly, James, and of course I can't prevent your going; but I can't tell whether I shall be glad when you're gone.

JONES. It'll change my luck. I 've 'ad nothing but bad luck since I first took up with you. [More softly.] And you've 'ad no bloomin' picnic.

MRS. JONES. Of course it would have been better for us if we had never met. We were n't meant for each other. But you're set against me, that's what you are, and you have been for a long time. And you treat me so badly, James, going after that Rosie and all. You don't ever seem to think of the children that I 've had to bring into the world, and of all the trouble I 've had to keep them, and what 'll become of them when you're gone.

JONES. [Crossing the room gloomily.] If you think I want to leave the little beggars you're bloomin' well mistaken.

MRS. JONES. Of course I know you're fond of them.

JONES. [Fingering the purse, half angrily.] Well, then, you stow it, old girl. The kids 'll get along better with you than when I 'm here. If I 'd ha' known as much as I do now, I 'd never ha' had one o' them. What's the use o' bringin' 'em into a state o' things like this? It's a crime, that's what it is; but you find it out too late; that's what's the matter with this 'ere world.

> [He puts the purse back in his pocket.]

MRS. JONES. Of course it would have been better for them, poor little things; but they're your own children, and I wonder at you talkin' like that. I should miss them dreadfully if I was to lose them.

JONES. [Sullenly.] An' you ain't the only one. If I make money out there—[Looking up, he sees her shaking out his coat—in a changed voice.] Leave that coat alone!

> [The silver box drops from the pocket, scattering the cigarettes upon the bed. Taking up the box she stares at it; he rushes at her and snatches the box away.]

MRS. JONES. [Cowering back against the bed.] Oh, Jem! oh, Jem!

JONES. [Dropping the box onto the table.] You mind what you're sayin'! When I go out I 'll take and chuck it in the water along with that there purse. I 'ad it when I was in liquor, and for what you do when you 're in liquor you're not responsible-and that's Gawd's truth as you ought to know. I don't want the thing—I won't have it. I took it out o' spite. I 'm no thief, I tell you; and don't you call me one, or it'll be the worse for you.

MRS. JONES. [Twisting her apron strings.] It's Mr. Barthwick's! You've taken away my reputation. Oh, Jem, whatever made you?

JONES. What d' you mean?

MRS. JONES. It's been missed; they think it's me. Oh! whatever made you do it, Jem?

JONES. I tell you I was in liquor. I don't want it; what's the good of it to me? If I were to pawn it they'd only nab me. I 'm no thief. I 'm no worse than wot that young Barthwick is; he brought 'ome that purse that I picked up—a lady's purse—'ad it off 'er in a row, kept sayin' 'e 'd scored 'er off. Well, I scored 'im off. Tight as an owl 'e was! And d' you think anything'll happen to him?

MRS. JONES. [As though speaking to herself.] Oh, Jem! it's the bread out of our mouths!

JONES. Is it then? I'll make it hot for 'em yet. What about that purse? What about young BARTHWICK?

[MRS. JONES comes forward to the table and tries to take the box; JONES prevents her.] What do you want with that? You drop it, I say!

MRS. JONES. I 'll take it back and tell them all about it. [She attempts to wrest the box from him.]

JONES. Ah, would yer?

> [He drops the box, and rushes on her with a snarl. She slips back past the bed. He follows; a chair is overturned. The door is opened; Snow comes in, a detective in plain clothes and bowler hat, with clipped moustaches. JONES drops his arms, MRS. JONES stands by the window gasping; SNOW, advancing swiftly to the table, puts his hand on the silver box.]

SNOW. Doin' a bit o' skylarkin'? Fancy this is what I 'm after. J. B., the very same. [He gets back to the door, scrutinising the crest and cypher on the box. To MRS. JONES.] I'm a police officer. Are you Mrs. Jones?

MRS. JONES. Yes, Sir.

SNOW. My instructions are to take you on a charge of stealing this box from J. BARTHWICK, Esquire, M.P., of 6, Rockingham Gate. Anything you say may be used against you. Well, Missis?

MRS. JONES. [In her quiet voice, still out of breath, her hand upon her breast.] Of course I did not take it, sir. I never have taken anything that did n't belong to me; and of course I know nothing about it.

SNOW. You were at the house this morning; you did the room in which the box was left; you were alone in the room. I find the box 'ere. You say you did n't take it?

MRS. JONES. Yes, sir, of course I say I did not take it, because I did not.

SNOW. Then how does the box come to be here?

MRS. JONES. I would rather not say anything about it.

SNOW. Is this your husband?

MRS. JONES. Yes, sir, this is my husband, sir.

SNOW. Do you wish to say anything before I take her?

> [JONES remains silent, with his head bend down.]

Well then, Missis. I 'll just trouble you to come along with me quietly.

MRS. JONES. [Twisting her hands.] Of course I would n't say I had n't taken it if I had—and I did n't take it, indeed I did n't. Of course I know appearances are against me, and I can't tell you what really happened: But my children are at school, and they'll be coming home—and I don't know what they'll do without me.

SNOW. Your 'usband'll see to them, don't you worry. [He takes the woman gently by the arm.]

JONES. You drop it—she's all right! [Sullenly.] I took the thing myself.

SNOW. [Eyeing him] There, there, it does you credit. Come along, Missis.

JONES. [Passionately.] Drop it, I say, you blooming teck. She's my wife; she 's a respectable woman. Take her if you dare!

SNOW. Now, now. What's the good of this? Keep a civil tongue, and it'll be the better for all of us.

> [He puts his whistle in his mouth and draws the woman to the door.]

JONES. [With a rush.] Drop her, and put up your 'ands, or I 'll soon make yer. You leave her alone, will yer! Don't I tell yer, I took the thing myself.

SNOW. [Blowing his whistle.] Drop your hands, or I 'll take you too. Ah, would you?

> [JONES, closing, deals him a blow. A Policeman in uniform appears; there is a short struggle and JONES is overpowered. MRS. JONES raises her hands avid drops her face on them.]

> The curtain falls.

SCENE II

> The BARTHWICKS' dining-room the same evening. The BARTHWICKS are seated at dessert.

MRS. BARTHWICK. John! [A silence broken by the cracking of nuts.] John!

BARTHWICK. I wish you'd speak about the nuts they're uneatable. [He puts one in his mouth.]

MRS. BARTHWICK. It's not the season for them. I called on the Holyroods.

> [BARTHWICK fills his glass with port.]

JACK. Crackers, please, Dad.

> [BARTHWICK passes the crackers. His demeanour is reflective.]

MRS. BARTHWICK. Lady Holyrood has got very stout. I 've noticed it coming for a long time.

BARTHWICK. [Gloomily.] Stout? [He takes up the crackers—with transparent airiness.] The Holyroods had some trouble with their servants, had n't they?

JACK. Crackers, please, Dad.

BARTHWICK. [Passing the crackers.] It got into the papers. The cook, was n't it?

MRS. BARTHWICK. No, the lady's maid. I was talking it over with Lady Holyrood. The girl used to have her young man to see her.

BARTHWICK. [Uneasily.] I'm not sure they were wise——

MRS. BARTHWICK. My dear John, what are you talking about? How could there be any alternative? Think of the effect on the other servants!

BARTHWICK. Of course in principle—I wasn't thinking of that.

JACK. [Maliciously.] Crackers, please, Dad.

> [BARTHWICK is compelled to pass the crackers.]

MRS. BARTHWICK. Lady Holyrood told me: "I had her up," she said; "I said to her, 'You'll leave my house at once; I think your conduct disgraceful. I can't tell, I don't know, and I don't wish to know, what you were doing. I send you away on principle; you need not come to me for a character.' And the girl said: 'If you don't give me my notice, my lady, I want a month's wages. I'm perfectly respectable. I've done nothing.'"'—Done nothing!

BARTHWICK. H'm!

MRS. BARTHWICK. Servants have too much license. They hang together so terribly you never can tell what they're really thinking; it's as if they were all in a conspiracy to keep you in the dark. Even with Marlow, you feel that he never lets you know what's really in his mind. I hate that secretiveness; it destroys all confidence. I feel sometimes I should like to shake him.

JACK. Marlow's a most decent chap. It's simply beastly every one knowing your affairs.

BARTHWICK. The less you say about that the better!

MRS. BARTHWICK. It goes all through the lower classes. You can not tell when they are speaking the truth. To-day when I was shopping after leaving the Holyroods, one of these unemployed came up and spoke to me. I suppose I only had twenty yards or so to walk to the carnage, but he seemed to spring up in the street.

BARTHWICK. Ah! You must be very careful whom you speak to in these days.

MRS. BARTHWICK. I did n't answer him, of course. But I could see at once that he wasn't telling the truth.

BARTHWICK. [Cracking a nut.] There's one very good rule—look at their eyes.

JACK. Crackers, please, Dad.

BARTHWICK. [Passing the crackers.] If their eyes are straight-forward I sometimes give them sixpence. It 's against my principles, but it's most difficult to refuse. If you see that they're desperate, and dull, and shifty-looking, as so many of them are, it's certain to mean drink, or crime, or something unsatisfactory.

MRS. BARTHWICK. This man had dreadful eyes. He looked as if he could commit a murder. "I 've 'ad nothing to eat to-day," he said. Just like that.

BARTHWICK. What was William about? He ought to have been waiting.

JACK. [Raising his wine-glass to his nose.] Is this the '63, Dad?

> [BARTHWICK, holding his wine-glass to his eye, lowers it and passes it before his nose.]

MRS. BARTHWICK. I hate people that can't speak the truth. [Father and son exchange a look behind their port.] It 's just as easy to speak the truth as not. I've always found it easy enough. It makes it impossible to tell what is genuine; one feels as if one were continually being taken in.

BARTHWICK. [Sententiously.] The lower classes are their own enemies. If they would only trust us, they would get on so much better.

MRS. BARTHWICK. But even then it's so often their own fault. Look at that Mrs. Jones this morning.

BARTHWICK. I only want to do what's right in that matter. I had occasion to see Roper this afternoon. I mentioned it to him. He's coming in this evening. It all depends on what the detective says. I've had my doubts. I've been thinking it over.

MRS. BARTHWICK. The woman impressed me most unfavourably. She seemed to have no shame. That affair she was talking about—she and the man when they were young, so immoral! And before you and Jack! I could have put her out of the room!

BARTHWICK. Oh! I don't want to excuse them, but in looking at these matters one must consider——

MRS. BARTHWICK. Perhaps you'll say the man's employer was wrong in dismissing him?

BARTHWICK. Of course not. It's not there that I feel doubt. What I ask myself is——

JACK. Port, please, Dad.

BARTHWICK. [Circulating the decanter in religious imitation of the rising and setting of the sun.] I ask myself whether we are sufficiently careful in making inquiries about people before we engage them, especially as regards moral conduct.

JACK. Pass the-port, please, Mother!

MRS. BARTHWICK. [Passing it.] My dear boy, are n't you drinking too much?

> [JACK fills his glass.]

MARLOW. [Entering.] Detective Snow to see you, Sir.

BARTHWICK. [Uneasily.] Ah! say I'll be with him in a minute.

MRS. BARTHWICK. [Without turning.] Let him come in here, Marlow.

> [SNOW enters in an overcoat, his bowler hat in hand.]

BARTHWICK. [Half-rising.] Oh! Good evening!

SNOW. Good evening, sir; good evening, ma'am. I 've called round to report what I 've done, rather late, I 'm afraid—another case took me away. [He takes the silver box out o f his pocket, causing a sensation in the BARTHWICK family.] This is the identical article, I believe.

BARTHWICK. Certainly, certainly.

SNOW. Havin' your crest and cypher, as you described to me, sir, I 'd no hesitation in the matter.

BARTHWICK. Excellent. Will you have a glass of [he glances at the waning port]—er—sherry-[pours out sherry]. Jack, just give Mr. Snow this.

> [JACK rises and gives the glass to SNOW; then, lolling in his chair, regards him indolently.]

SNOW. [Drinking off wine and putting down the glass.] After seeing you I went round to this woman's lodgings, sir. It's a low neighborhood, and I thought it as well to place a constable below —and not without 'e was wanted, as things turned out.

BARTHWICK. Indeed!

SNOW. Yes, Sir, I 'ad some trouble. I asked her to account for the presence of the article. She could give me no answer, except to deny the theft; so I took her into custody; then her husband came for me, so I was obliged to take him, too, for assault. He was very violent on the way to the station—very violent—threatened you and your son, and altogether he was a handful, I can till you.

MRS. BARTHWICK. What a ruffian he must be!

SNOW. Yes, ma'am, a rough customer.

JACK. [Sipping his mine, bemused.] Punch the beggar's head.

SNOW. Given to drink, as I understand, sir.

MRS. BARTHWICK. It's to be hoped he will get a severe punishment.

SNOW. The odd thing is, sir, that he persists in sayin' he took the box himself.

BARTHWICK. Took the box himself! [He smiles.] What does he think to gain by that?

SNOW. He says the young gentleman was intoxicated last night

> [JACK stops the cracking of a nut, and looks at SNOW.] [BARTHWICK, losing his smile, has put his wine-glass down; there is a silence—SNOW, looking from face to face, remarks]

—took him into the house and gave him whisky; and under the influence of an empty stomach the man says he took the box.

MRS. BARTHWICK. The impudent wretch!

BARTHWICK. D' you mean that he—er—intends to put this forward to-morrow?

SNOW. That'll be his line, sir; but whether he's endeavouring to shield his wife, or whether [he looks at JACK] there's something in it, will be for the magistrate to say.

MRS. BARTHWICK. [Haughtily.] Something in what? I don't understand you. As if my son would bring a man like that into the house!

BARTHWICK. [From the fireplace, with an effort to be calm.] My son can speak for himself, no doubt. Well, Jack, what do you say?

MRS. BARTHWICK. [Sharply.] What does he say? Why, of course, he says the whole story's stuff!

JACK. [Embarrassed.] Well, of course, I—of course, I don't know anything about it.

MRS. BARTHWICK. I should think not, indeed! [To Snow.] The man is an audacious ruffian!

BARTHWICK. [Suppressing jumps.] But in view of my son's saying there's nothing in this—this fable—will it be necessary to proceed against the man under the circumstances?

SNOW. We shall have to charge him with the assault, sir. It would be as well for your son to come down to the Court. There'll be a remand, no doubt. The queer thing is there was quite a sum of money found on him, and a crimson silk purse.

> [BARTHWICK starts; JACK rises and sits dozen again.]

I suppose the lady has n't missed her purse?

BARTHWICK. [Hastily.] Oh, no! Oh! No!

JACK. No!

MRS. BARTHWICK. [Dreamily.] No! [To SNOW.] I 've been inquiring of the servants. This man does hang about the house. I shall feel much safer if he gets a good long sentence; I do think we ought to be protected against such ruffians.

BARTHWICK. Yes, yes, of course, on principle but in this case we have a number of things to think of. [To SNOW.] I suppose, as you say, the man must be charged, eh?

SNOW. No question about that, sir.

BARTHWICK. [Staring gloomily at JACK.] This prosecution goes very much against the grain with me. I have great sympathy with the poor. In my position I 'm bound to recognise the distress there is amongst them. The condition of the people leaves much to be desired. D' you follow me? I wish I could see my way to drop it.

MRS. BARTHWICK. [Sharply.] John! it's simply not fair to other people. It's putting property at the mercy of any one who likes to take it.

BARTHWICK. [Trying to make signs to her aside.] I 'm not defending him, not at all. I'm trying to look at the matter broadly.

MRS. BARTHWICK. Nonsense, John, there's a time for everything.

SNOW. [Rather sardonically.] I might point out, sir, that to withdraw the charge of stealing would not make much difference, because the facts must come out [he looks significantly at JACK] in reference to the assault; and as I said that charge will have to go forward.

BARTHWICK. [Hastily.] Yes, oh! exactly! It's entirely on the woman's account—entirely a matter of my own private feelings.

SNOW. If I were you, sir, I should let things take their course. It's not likely there'll be much difficulty. These things are very quick settled.

BARTHWICK. [Doubtfully.] You think so—you think so?

JACK. [Rousing himself.] I say, what shall I have to swear to?

SNOW. That's best known to yourself, sir. [Retreating to the door.] Better employ a solicitor, sir, in case anything should arise. We shall have the butler to prove the loss of the article. You'll excuse me going, I 'm rather pressed to-night. The case may come on any time after eleven. Good evening, sir; good evening, ma'am. I shall have to produce the box in court to-morrow, so if you'll excuse me, sir, I may as well take it with me.

> [He takes the silver box and leaves them with a little bow.] [BARTHWICK makes a move to follow him, then dashing his hands beneath his coat tails, speaks with desperation.]

BARTHWICK. I do wish you'd leave me to manage things myself. You will put your nose into matters you know nothing of. A pretty mess you've made of this!

MRS. BARTHWICK. [Coldly.] I don't in the least know what you're talking about. If you can't stand up for your rights, I can. I 've no patience with your principles, it's such nonsense.

BARTHWICK. Principles! Good Heavens! What have principles to do with it for goodness sake? Don't you know that Jack was drunk last night!

JACK. Dad!

MRS. BARTHWICK. [In horror rising.] Jack!

JACK. Look here, Mother—I had supper. Everybody does. I mean to say—you know what I mean—it's absurd to call it being drunk. At Oxford everybody gets a bit "on" sometimes——

MRS. BARTHWICK. Well, I think it's most dreadful! If that is really what you do at Oxford?

JACK. [Angrily.] Well, why did you send me there? One must do as other fellows do. It's such nonsense, I mean, to call it being drunk. Of course I 'm awfully sorry. I 've had such a beastly headache all day.

BARTHWICK. Tcha! If you'd only had the common decency to remember what happened when you came in. Then we should know what truth there was in what this fellow says—as it is, it's all the most confounded darkness.

JACK. [Staring as though at half-formed visions.] I just get a— and then—it 's gone——

MRS. BARTHWICK. Oh, Jack! do you mean to say you were so tipsy you can't even remember——

JACK. Look here, Mother! Of course I remember I came—I must have come——

BARTHWICK. [Unguardedly, and walking up and down.] Tcha!—and that infernal purse! Good Heavens! It'll get into the papers. Who on earth could have foreseen a thing like this? Better to have lost a dozen cigarette-boxes, and said nothing about it. [To his wife.] It's all your doing. I told you so from the first. I wish to goodness Roper would come!

MRS. BARTHWICK. [Sharply.] I don't know what you're talking about, John.

BARTHWICK. [Turning on her.] No, you—you—you don't know anything! [Sharply.] Where the devil is Roper? If he can see a way out of this he's a better man than I take him for. I defy any one to see a way out of it. I can't.

JACK. Look here, don't excite Dad—I can simply say I was too beastly tired, and don't remember anything except that I came in and [in a dying voice] went to bed the same as usual.

BARTHWICK. Went to bed? Who knows where you went—I 've lost all confidence. For all I know you slept on the floor.

JACK. [Indignantly.] I did n't, I slept on the——

BARTHWICK. [Sitting on the sofa.] Who cares where you slept; what does it matter if he mentions the—the—a perfect disgrace?

MRS. BARTHWICK. What? [A silence.] I insist on knowing.

JACK. Oh! nothing.

MRS. BARTHWICK. Nothing? What do you mean by nothing, Jack? There's your father in such a state about it!

JACK. It's only my purse.

MRS. BARTHWICK. Your purse! You know perfectly well you have n't got one.

JACK. Well, it was somebody else's—it was all a joke—I did n't want the beastly thing.

MRS. BARTHWICK. Do you mean that you had another person's purse, and that this man took it too?

BARTHWICK. Tcha! Of course he took it too! A man like that Jones will make the most of it. It'll get into the papers.

MRS. BARTHWICK. I don't understand. What on earth is all the fuss about? [Bending over JACK, and softly.] Jack now, tell me dear! Don't be afraid. What is it? Come!

JACK. Oh, don't Mother!

MRS. BARTHWICK. But don't what, dear?

JACK. It was pure sport. I don't know how I got the thing. Of course I 'd had a bit of a row—I did n't know what I was doing—I was—I Was—well, you know—I suppose I must have pulled the bag out of her hand.

MRS. BARTHWICK. Out of her hand? Whose hand? What bag—whose bag?

JACK. Oh! I don't know—her bag—it belonged to—[in a desperate and rising voice] a woman.

MRS. BARTHWICK. A woman? Oh! Jack! No!

JACK. [Jumping up.] You would have it. I did n't want to tell you. It's not my fault.

> [The door opens and MARLOW ushers in a man of middle age, inclined to corpulence, in evening dress. He has a ruddy, thin moustache, and dark, quick-moving little eyes. His eyebrows aye Chinese.]

MARLOW. Mr. Roper, Sir. [He leaves the room.]

ROPER. [With a quick look round.] How do you do?

> [But neither JACK nor MRS. BARTHWICK make a sign.]

BARTHWICK. [Hurrying.] Thank goodness you've come, Roper. You remember what I told you this afternoon; we've just had the detective here.

ROPER. Got the box?

BARTHWICK. Yes, yes, but look here—it was n't the charwoman at all; her drunken loafer of a husband took the things—he says that fellow there [he waves his hand at JACK, who with his shoulder raised, seems trying to ward off a blow] let him into the house last night. Can you imagine such a thing.

> [Roper laughs. ]

BARTHWICK. [With excited emphasis.]. It's no laughing matter, Roper. I told you about that business of Jack's too—don't you see the brute took both the things—took that infernal purse. It'll get into the papers.

ROPER. [Raising his eyebrows.] H'm! The purse! Depravity in high life! What does your son say?

BARTHWICK. He remembers nothing. D—n! Did you ever see such a mess? It 'll get into the papers.

MRS. BARTHWICK. [With her hand across hey eyes.] Oh! it's not that——

> [BARTHWICK and ROPER turn and look at her.]

BARTHWICK. It's the idea of that woman—she's just heard——

> [ROPER nods. And MRS. BARTHWICK, setting her lips, gives a slow look at JACK, and sits down at the table.]

What on earth's to be done, Roper? A ruffian like this Jones will make all the capital he can out of that purse.

MRS. BARTHWICK. I don't believe that Jack took that purse.

BARTHWICK. What—when the woman came here for it this morning?

MRS. BARTHWICK. Here? She had the impudence? Why was n't I told?

> [She looks round from face to face—no one answers hey, there is a pause.]

BARTHWICK. [Suddenly.] What's to be done, Roper?

ROPER. [Quietly to JACK.] I suppose you did n't leave your latch-key in the door?

JACK. [Sullenly.] Yes, I did.

BARTHWICK. Good heavens! What next?

MRS. BARTHWICK. I 'm certain you never let that man into the house, Jack, it's a wild invention. I'm sure there's not a word of truth in it, Mr. Roper.

ROPER. [Very suddenly.] Where did you sleep last night?

JACK. [Promptly.] On the sofa, there—[hesitating]—that is—I——

BARTHWICK. On the sofa? D' you mean to say you did n't go to bed?

JACK.[Sullenly.] No.

BARTHWICK. If you don't remember anything, how can you remember that?

JACK. Because I woke up there in the morning.

MRS. BARTHWICK. Oh, Jack!

BARTHWICK. Good Gracious!

JACK. And Mrs. Jones saw me. I wish you would n't bait me so.

ROPER. Do you remember giving any one a drink?

JACK. By Jove, I do seem to remember a fellow with—a fellow with [He looks at Roper.] I say, d' you want me——?

ROPER. [Quick as lightning.] With a dirty face?

JACK. [With illumination.] I do—I distinctly remember his——

> [BARTHWICK moves abruptly; MRS. BARTHWICK looks at ROPER angrily, and touches her son's arm.]

MRS. BARTHWICK. You don't remember, it's ridiculous! I don't believe the man was ever here at all.

BARTHWICK. You must speak the truth, if it is the truth. But if you do remember such a dirty business, I shall wash my hands of you altogether.

JACK. [Glaring at them.] Well, what the devil——

MRS. BARTHWICK. Jack!

JACK. Well, Mother, I—I don't know what you do want.

MRS. BARTHWICK. We want you to speak the truth and say you never let this low man into the house.

BARTHWICK. Of course if you think that you really gave this man whisky in that disgraceful way, and let him see what you'd been doing, and were in such a disgusting condition that you don't remember a word of it——

ROPER. [Quick.] I've no memory myself—never had.

BARTHWICK. [Desperately.] I don't know what you're to say.

ROPER. [To JACK.] Say nothing at all! Don't put yourself in a false position. The man stole the things or the woman stole the things, you had nothing to do with it. You were asleep on the sofa.

MRS. BARTHWICK. Your leaving the latch-key in the door was quite bad enough, there's no need to mention anything else. [Touching his forehead softly.] My dear, how hot your head is!

JACK. But I want to know what I 'm to do. [Passionately.] I won't be badgered like this.

> [MRS. BARTHWICK recoils from him.]

ROPER. [Very quickly.] You forget all about it. You were asleep.

JACK. Must I go down to the Court to-morrow?

ROPER. [Shaking his head.] No.

BARTHWICK. [In a relieved voice.] Is that so?

ROPER. Yes.

BARTHWICK. But you'll go, Roper.

ROPER. Yes.

JACK. [With wan cheerfulness.] Thanks, awfully! So long as I don't have to go. [Putting his hand up to his head.] I think if you'll excuse me—I've had a most beastly day. [He looks from his father to his mother.]

MRS. BARTHWICK. [Turning quickly.] Goodnight, my boy.

JACK. Good-night, Mother.

> [He goes out. MRS. BARTHWICK heaves a sigh. There is a silence.]

BARTHWICK. He gets off too easily. But for my money that woman would have prosecuted him.

ROPER. You find money useful.

BARTHWICK. I've my doubts whether we ought to hide the truth——

ROPER. There'll be a remand.

BARTHWICK. What! D' you mean he'll have to appear on the remand.

ROPER. Yes.

BARTHWICK. H'm, I thought you'd be able to——Look here, Roper, you must keep that purse out of the papers.

> [ROPER fixes his little eyes on him and nods.]

MRS. BARTHWICK. Mr. Roper, don't you think the magistrate ought to be told what sort of people these Jones's are; I mean about their immorality before they were married. I don't know if John told you.

ROPER. Afraid it's not material.

MRS. BARTHWICK. Not material?

ROPER. Purely private life! May have happened to the magistrate.

BARTHWICK. [With a movement as if to shift a burden.] Then you'll take the thing into your hands?

ROPER. If the gods are kind. [He holds his hand out.]

BARTHWICK. [Shaking it dubiously.] Kind eh? What? You going?

ROPER. Yes. I've another case, something like yours—most unexpected.

> [He bows to MRS. BARTHWICK, and goes out, followed by BARTHWICK, talking to the last. MRS. BARTHWICK at the table bursts into smothered sobs. BARTHWICK returns.]

BARTHWICK. [To himself.] There'll be a scandal!

MRS. BARTHWICK. [Disguising her grief at once.] I simply can't imagine what Roper means by making a joke of a thing like that!

BARTHWICK. [Staring strangely.] You! You can't imagine anything! You've no more imagination than a fly!

MRS. BARTHWICK. [Angrily.] You dare to tell me that I have no imagination.

BARTHWICK. [Flustered.] I—I 'm upset. From beginning to end, the whole thing has been utterly against my principles.

MRS. BARTHWICK. Rubbish! You have n't any! Your principles are nothing in the world but sheer fright!

BARTHWICK. [Walking to the window.] I've never been frightened in my life. You heard what Roper said. It's enough to upset one when a thing like this happens. Everything one says and does seems to turn in one's mouth—it's—it's uncanny. It's not the sort of thing I've been accustomed to. [As though stifling, he throws the window open. The faint sobbing of a child comes in.] What's that?

> [They listen.]

MRS. BARTHWICK. [Sharply.] I can't stand that crying. I must send Marlow to stop it. My nerves are all on edge. [She rings the bell.]

BARTHWICK. I'll shut the window; you'll hear nothing. [He shuts the window. There is silence.]

MRS. BARTHWICK. [Sharply.] That's no good! It's on my nerves. Nothing upsets me like a child's crying.

> [MARLOW comes in.]

What's that noise of crying, Marlow? It sounds like a child.

BARTHWICK. It is a child. I can see it against the railings.

MARLOW. [Opening the window, and looking out quietly.] It's Mrs. Jones's little boy, ma'am; he came here after his mother.

MRS. BARTHWICK. [Moving quickly to the window.] Poor little chap! John, we ought n't to go on with this!

BARTHWICK. [Sitting heavily in a chair.] Ah! but it's out of our hands!

> [MRS. BARTHWICK turns her back to the window. There is an expression of distress on hey face. She stands motionless, compressing her lips. The crying begins again. BARTHWICK coveys his ears with his hands, and MARLOW shuts the window. The crying ceases.]

> The curtain falls.

# ACT III

> Eight days have passed, and the scene is a London Police Court at one o'clock. A canopied seat of Justice is surmounted by the lion and unicorn. Before the fire a worn-looking MAGISTRATE is warming his coat-tails, and staring at two little girls in faded blue and orange rags, who are placed before the dock. Close to the witness-box is a RELIEVING OFFICER in an overcoat, and a short brown beard. Beside the little girls stands a bald POLICE CONSTABLE. On the front bench are sitting BARTHWICK and ROPER, and behind them JACK. In the railed enclosure are seedy-looking men and women. Some prosperous constables sit or stand about.

MAGISTRATE. [In his paternal and ferocious voice, hissing his s's.] Now let us dispose of these young ladies.

USHER. Theresa Livens, Maud Livens.

> [The bald CONSTABLE indicates the little girls, who remain silent, disillusioned, inattentive.]

Relieving Officer!

> [The RELIEVING OFFICER Steps into the witness-box.]

USHER. The evidence you give to the Court shall be the truth, the whole truth, and nothing but the truth, so help you God! Kiss the book!

> [The book is kissed.]

RELIEVING OFFICER. [In a monotone, pausing slightly at each sentence end, that his evidence may be inscribed.] About ten o'clock this morning, your Worship, I found these two little girls in Blue Street, Fulham, crying outside a public-house. Asked where their home was, they said they had no home. Mother had gone away. Asked about their father. Their father had no work. Asked where they slept last night. At their aunt's. I 've made inquiries, your Worship. The wife has broken up the home and gone on the streets. The husband is out of work and living in common lodging-houses. The husband's sister has eight children of her own, and says she can't afford to keep these little girls any longer.

MAGISTRATE. [Returning to his seat beneath the canopy of justice.] Now, let me see. You say the mother is on the streets; what evidence have you of that?

RELIEVING OFFICER. I have the husband here, your Worship.

MAGISTRATE. Very well; then let us see him.

> [There are cries of "LIVENS." The MAGISTRATE leans forward, and stares with hard compassion at the little girls. LIVENS comes in. He is quiet, with grizzled hair, and a muffler for a collar. He stands beside the witness-box.]

And you, are their father? Now, why don't you keep your little girls at home. How is it you leave them to wander about the streets like this?

LIVENS. I've got no home, your Worship. I'm living from 'and to mouth. I 've got no work; and nothin' to keep them on.

MAGISTRATE. How is that?

LIVENS. [Ashamedly.] My wife, she broke my 'ome up, and pawned the things.

MAGISTRATE. But what made you let her?

LEVINS. Your Worship, I'd no chance to stop 'er, she did it when I was out lookin' for work.

MAGISTRATE. Did you ill-treat her?

LIVENS. [Emphatically.] I never raised my 'and to her in my life, your Worship.

MAGISTRATE. Then what was it—did she drink?

LIVENS. Yes, your Worship.

MAGISTRATE. Was she loose in her behaviour?

LIVENS. [In a low voice.] Yes, your Worship.

MAGISTRATE. And where is she now?

LIVENS. I don't know your Worship. She went off with a man, and after that I——

MAGISTRATE. Yes, yes. Who knows anything of her? [To the bald CONSTABLE.] Is she known here?

RELIEVING OFFICER. Not in this district, your Worship; but I have ascertained that she is well known——

MAGISTRATE. Yes—yes; we'll stop at that. Now [To the Father] you say that she has broken up your home, and left these little girls. What provision can you make for them? You look a strong man.

LIVENS. So I am, your Worship. I'm willin' enough to work, but for the life of me I can't get anything to do.

MAGISTRATE. But have you tried?

LIVENS. I've tried everything, your Worship—I 've tried my 'ardest.

MAGISTRATE. Well, well—— [There is a silence.]

RELIEVING OFFICER. If your Worship thinks it's a case, my people are willing to take them.

MAGISTRATE. Yes, yes, I know; but I've no evidence that this man is not the proper guardian for his children.

> [He rises oval goes back to the fire.]

RELIEVING OFFICER. The mother, your Worship, is able to get access to them.

MAGISTRATE. Yes, yes; the mother, of course, is an improper person to have anything to do with them. [To the Father.] Well, now what do you say?

LIVENS. Your Worship, I can only say that if I could get work I should be only too willing to provide for them. But what can I do, your Worship? Here I am obliged to live from 'and to mouth in these 'ere common lodging-houses. I 'm a strong man—I'm willing to work —I'm half as alive again as some of 'em—but you see, your Worship, my 'airs' turned a bit, owing to the fever—[Touches his hair]—and that's against me; and I don't seem to get a chance anyhow.

MAGISTRATE. Yes-yes. [Slowly.] Well, I think it 's a case. [Staring his hardest at the little girls.] Now, are you willing that these little girls should be sent to a home.

LIVENS. Yes, your Worship, I should be very willing.

MAGISTRATE. Well, I'll remand them for a week. Bring them again to-day week; if I see no reason against it then, I 'll make an order.

RELIEVING OFFICER. To-day week, your Worship.

> [The bald CONSTABLE takes the little girls out by the shoulders. The father follows them. The MAGISTRATE, returning to his seat, bends over and talks to his CLERK inaudibly.]

BARTHWICK. [Speaking behind his hand.] A painful case, Roper; very distressing state of things.

ROPER. Hundreds like this in the Police Courts.

BARTHWICK. Most distressing! The more I see of it, the more important this question of the condition of the people seems to become. I shall certainly make a point of taking up the cudgels in the House. I shall move——

> [The MAGISTRATE ceases talking to his CLERK.]

CLERK. Remands!

> [BARTHWICK stops abruptly. There is a stir and MRS. JONES comes in by the public door; JONES, ushered by policemen, comes from the prisoner's door. They file into the dock.]

CLERK. James Jones, Jane Jones.

USHER. Jane Jones!

BARTHWICK. [In a whisper.] The purse—the purse must be kept out of it, Roper. Whatever happens you must keep that out of the papers.

> [ROPER nods.]

BALD CONSTABLE. Hush!

> [MRS. JONES, dressed in hey thin, black, wispy dress, and black straw hat, stands motionless with hands crossed on the front rail of the dock. JONES leans against the back rail of the dock, and keeps half turning, glancing defiantly about him. He is haggard and unshaven.]

CLERK. [Consulting with his papers.] This is the case remanded from last Wednesday, Sir. Theft of a silver cigarette-box and assault on the police; the two charges were taken together. Jane Jones! James Jones!

MAGISTRATE. [Staring.] Yes, yes; I remember.

CLERK. Jane Jones.

MRS. JONES. Yes, Sir.

CLERK. Do you admit stealing a silver cigarette-box valued at five pounds, ten shillings, from the house of John BARTHWICK, M.P., between the hours of 11 p.m. on Easter Monday and 8.45 a.m. on Easter Tuesday last? Yes, or no?

MRS. JONES. [In a logy voice.] No, Sir, I do not, sir.

CLERK. James Jones? Do you admit stealing a silver cigarette-box valued at five pounds, ten shillings, from the house of John BARTHWICK, M.P., between the hours of 11 p.m. on Easter Monday and 8.45 A.M. on Easter Tuesday last. And further making an assault on the police when in the execution of their duty at 3 p.m. on Easter Tuesday? Yes or no?

JONES. [Sullenly.] Yes, but I've got a lot to say about it.

MAGISTRATE. [To the CLERK.] Yes—yes. But how comes it that these two people are charged with the same offence? Are they husband and wife?

CLERK. Yes, Sir. You remember you ordered a remand for further evidence as to the story of the male prisoner.

MAGISTRATE. Have they been in custody since?

CLERK. You released the woman on her own recognisances, sir.

MAGISTRATE. Yes, yes, this is the case of the silver box; I remember now. Well?

CLERK. Thomas Marlow.

> [The cry of "THOMAS MARLOW" is repeated MARLOW comes in, and steps into the witness-box.]

USHER. The evidence you give to the court shall be the truth, the whole truth, and nothing but the truth, so help you God. Kiss the book.

> [The book is kissed. The silver box is handed up, and placed on the rail.]

CLERK. [Reading from his papers.] Your name is Thomas Marlow? Are you, butler to John BARTHWICK, M.P., of 6, Rockingham Gate?

MARLOW. Yes, Sir.

CLERK. Is that the box?

MARLOW. Yes Sir.

CLERK. And did you miss the same at 8.45 on the following morning, on going to remove the tray?

MARLOW. Yes, Sir.

CLERK. Is the female prisoner known to you?

> [MARLOW nods.]

Is she the charwoman employed at 6, Rockingham Gate?

> [Again MARLOW nods.]

Did you at the time of your missing the box find her in the room alone?

MARLOW. Yes, Sir.

CLERK. Did you afterwards communicate the loss to your employer, and did he send you to the police station?

MARLOW. Yes, Sir.

CLERK. [To MRS. JONES.] Have you anything to ask him?

MRS. JONES. No, sir, nothing, thank you, sir.

CLERK. [To JONES.] James Jones, have you anything to ask this witness?

JONES. I don't know 'im.

MAGISTRATE. Are you sure you put the box in the place you say at the time you say?

MARLOW. Yes, your Worship.

MAGISTRATE. Very well; then now let us have the officer.

> [MARLOW leaves the box, and Snow goes into it.]

USHER. The evidence you give to the court shall be the truth, the whole truth, and nothing but the truth, so help you God. [The book is kissed.]

CLERK. [Reading from his papers.] Your name is Robert Allow? You are a detective in the X. B. division of the Metropolitan police force? According to instructions received did you on Easter Tuesday last proceed to the prisoner's lodgings at 34, Merthyr Street, St. Soames's? And did you on entering see the box produced, lying on the table?

SNOW. Yes, Sir.

CLERK. Is that the box?

Snow. [Fingering the box.] Yes, Sir.

CLERK. And did you thereupon take possession of it, and charge the female prisoner with theft of the box from 6, Rockingham Gate? And did she deny the same?

SNOW. Yes, Sir.

CLERK. Did you take her into custody?

Snow. Yes, Sir.

MAGISTRATE. What was her behaviour?

SNOW. Perfectly quiet, your Worship. She persisted in the denial. That's all.

MAGISTRATE. DO you know her?

SNOW. No, your Worship.

MAGISTRATE. Is she known here?

BALD CONSTABLE. No, your Worship, they're neither of them known, we 've nothing against them at all.

CLERK. [To MRS. JONES.] Have you anything to ask the officer?

MRS. JONES. No, sir, thank you, I 've nothing to ask him.

MAGISTRATE. Very well then—go on.

CLERK. [Reading from his papers.] And while you were taking the female prisoner did the male prisoner interpose, and endeavour to hinder you in the execution of your duty, and did he strike you a blow?

SNOW. Yes, Sir.

CLERK. And did he say, "You, let her go, I took the box myself"?

SNOW. He did.

CLERK. And did you blow your whistle and obtain the assistance of another constable, and take him into custody?

SNOW. I did.

CLERK. Was he violent on the way to the station, and did he use bad language, and did he several times repeat that he had taken the box himself?

> [Snow nods.]

Did you thereupon ask him in what manner he had stolen the box? And did you understand him to say he had entered the house at the invitation of young Mr. BARTHWICK

> [BARTHWICK, turning in his seat, frowns at ROPER.]

after midnight on Easter Monday, and partaken of whisky, and that under the influence of the whisky he had taken the box?

SNOW. I did, sir.

CLERK. And was his demeanour throughout very violent?

SNOW. It was very violent.

JONES. [Breaking in.] Violent—-of course it was! You put your 'ands on my wife when I kept tellin' you I took the thing myself.

MAGISTRATE. [Hissing, with protruded neck.] Now—you will have your chance of saying what you want to say presently. Have you anything to ask the officer?

JONES. [Sullenly.] No.

MAGISTRATE. Very well then. Now let us hear what the female prisoner has to say first.

MRS. JONES. Well, your Worship, of course I can only say what I 've said all along, that I did n't take the box.

MAGISTRATE. Yes, but did you know that it was taken?

MRS. JONES. No, your Worship. And, of course, to what my husband says, your Worship, I can't speak of my own knowledge. Of course, I know that he came home very late on the Monday night. It was past one o'clock when he came in, and he was not himself at all.

MAGISTRATE. Had he been drinking?

MRS. JONES. Yes, your Worship.

MAGISTRATE. And was he drunk?

MRS. JONES. Yes, your Worship, he was almost quite drunk.

MAGISTRATE. And did he say anything to you?

MRS. JONES. No, your Worship, only to call me names. And of course in the morning when I got up and went to work he was asleep. And I don't know anything more about it until I came home again. Except that Mr. BARTHWICK—that 's my employer, your Worship—told me the box was missing.

MAGISTRATE. Yes, yes.

MRS. JONES. But of course when I was shaking out my husband's coat the cigarette-box fell out and all the cigarettes were scattered on the bed.

MAGISTRATE. You say all the cigarettes were scattered on the bed? [To SNOW.] Did you see the cigarettes scattered on the bed?

SNOW. No, your Worship, I did not.

MAGISTRATE. You see he says he did n't see them.

JONES. Well, they were there for all that.

SNOW. I can't say, your Worship, that I had the opportunity of going round the room; I had all my work cut out with the male prisoner.

MAGISTRATE. [To MRS. JONES.] Well, what more have you to say?

MRS. JONES. Of course when I saw the box, your Worship, I was dreadfully upset, and I could n't think why he had done such a thing; when the officer came we were having words about it, because it is ruin to me, your Worship, in my profession, and I have three little children dependent on me.

MAGISTRATE. [Protruding his neck]. Yes—yes—but what did he say to you?

MRS. JONES. I asked him whatever came over him to do such a thing —and he said it was the drink. He said he had had too much to drink, and something came over him. And of course, your Worship, he had had very little to eat all day, and the drink does go to the head when you have not had enough to eat. Your Worship may not know, but it is the truth. And I would like to say that all through his married life, I have never known him to do such a thing before, though we have passed through great hardships and [speaking with soft emphasis] I am quite sure he would not have done it if he had been himself at the time.

MAGISTRATE. Yes, yes. But don't you know that that is no excuse?

MRS. JONES. Yes, your Worship. I know that it is no excuse.

> [The MAGISTRATE leans over and parleys with his CLERK.]

JACK. [Leaning over from his seat behind.] I say, Dad——

BARTHWICK. Tsst! [Sheltering his mouth he speaks to ROPER.] Roper, you had better get up now and say that considering the circumstances and the poverty of the prisoners, we have no wish to proceed any further, and if the magistrate would deal with the case as one of disorder only on the part of——

BALD CONSTABLE. HSSShh!

> [ROPER shakes his head.]

MAGISTRATE. Now, supposing what you say and what your husband says is true, what I have to consider is—how did he obtain access to this house, and were you in any way a party to his obtaining access? You are the charwoman employed at the house?

MRS. JONES. Yes, your Worship, and of course if I had let him into the house it would have been very wrong of me; and I have never done such a thing in any of the houses where I have been employed.

MAGISTRATE. Well—so you say. Now let us hear what story the male prisoner makes of it.

JONES. [Who leans with his arms on the dock behind, speaks in a slow, sullen voice.] Wot I say is wot my wife says. I 've never been 'ad up in a police court before, an' I can prove I took it when in liquor. I told her, and she can tell you the same, that I was goin' to throw the thing into the water sooner then 'ave it on my mind.

MAGISTRATE. But how did you get into the HOUSE?

JONES. I was passin'. I was goin' 'ome from the "Goat and Bells."

MAGISTRATE. The "Goat and Bells,"—what is that? A public-house?

JONES. Yes, at the corner. It was Bank 'oliday, an' I'd 'ad a drop to drink. I see this young Mr. BARTHWICK tryin' to find the keyhole on the wrong side of the door.

MAGISTRATE. Well?

JONES. [Slowly and with many pauses.] Well—-I 'elped 'im to find it—drunk as a lord 'e was. He goes on, an' comes back again, and says, I 've got nothin' for you, 'e says, but come in an' 'ave a drink. So I went in just as you might 'ave done yourself. We 'ad a drink o' whisky just as you might have 'ad, 'nd young Mr. BARTHWICK says to me, "Take a drink 'nd a smoke. Take anything you like, 'e says." And then he went to sleep on the sofa. I 'ad some more whisky—an' I 'ad a smoke—and I 'ad some more whisky—an' I carn't tell yer what 'appened after that.

MAGISTRATE. Do you mean to say that you were so drunk that you can remember nothing?

JACK. [Softly to his father.] I say, that's exactly what——

BARTHWICK. TSSh!

JONES. That's what I do mean.

MAGISTRATE. And yet you say you stole the box?

JONES. I never stole the box. I took it.

MAGISTRATE. [Hissing with protruded neck.] You did not steal it— you took it. Did it belong to you—what is that but stealing?

JONES. I took it.

MAGISTRATE. You took it—you took it away from their house and you took it to your house——

JONES. [Sullenly breaking in.] I ain't got a house.

MAGISTRATE. Very well, let us hear what this young man Mr.—Mr. BARTHWICK has to say to your story.

> [SNOW leaves the witness-box. The BALD CONSTABLE beckons JACK, who, clutching his hat, goes into the witness-box. ROPER moves to the table set apart for his profession.]

SWEARING CLERK. The evidence you give to the court shall be the truth, the whole truth, and nothing but the truth, so help you God. Kiss the book.

> [The book is kissed.]

ROPER. [Examining.] What is your name?

JACK. [In a low voice.] John BARTHWICK, Junior.

> [The CLERK writes it down.]

ROPER. Where do you live?

JACK. At 6, Rockingham Gate.

> [All his answers are recorded by the Clerk.]

ROPER. You are the son of the owner?

JACK. [In a very low voice.] Yes.

ROPER. Speak up, please. Do you know the prisoners?

JACK. [Looking at the JONESES, in a low voice.] I 've seen Mrs. Jones. I [in a loud voice] don't know the man.

JONES. Well, I know you!

BALD CONSTABLE. HSSh!

ROPER. Now, did you come in late on the night of Easter Monday?

JACK. Yes.

ROPER. And did you by mistake leave your latch key in the door?

JACK. Yes.

MAGISTRATE. Oh! You left your latch-key in the door?

ROPER. And is that all you can remember about your coming in?

JACK. [In a loud voice.] Yes, it is.

MAGISTRATE. Now, you have heard the male prisoner's story, what do you say to that?

JACK. [Turning to the MAGISTRATE, speaks suddenly in a confident, straight-forward voice.] The fact of the matter is, sir, that I 'd been out to the theatre that night, and had supper afterwards, and I came in late.

MAGISTRATE. Do you remember this man being outside when you came in?

JACK. No, Sir. [He hesitates.] I don't think I do.

MAGISTRATE. [Somewhat puzzled.] Well, did he help you to open the door, as he says? Did any one help you to open the door?

JACK. No, sir—I don't think so, sir—I don't know.

MAGISTRATE. You don't know? But you must know. It is n't a usual thing for you to have the door opened for you, is it?

JACK. [With a shamefaced smile.] No.

MAGISTRATE. Very well, then——

JACK. [Desperately.] The fact of the matter is, sir, I'm afraid I'd had too much champagne that night.

MAGISTRATE. [Smiling.] Oh! you'd had too much champagne?

JONES. May I ask the gentleman a question?

MAGISTRATE. Yes—yes—you may ask him what questions you like.

JONES. Don't you remember you said you was a Liberal, same as your father, and you asked me wot I was?

JACK. [With his hand against his brow.] I seem to remember——

JONES. And I said to you, "I'm a bloomin' Conservative," I said; an' you said to me, "You look more like one of these 'ere Socialists. Take wotever you like," you said.

JACK. [With sudden resolution.] No, I don't. I don't remember anything of the sort.

JONES. Well, I do, an' my word's as good as yours. I 've never been had up in a police court before. Look 'ere, don't you remember you had a sky-blue bag in your 'and [BARTHWICK jumps.]

ROPER. I submit to your worship that these questions are hardly to the point, the prisoner having admitted that he himself does not remember anything. [There is a smile on the face of Justice.] It is a case of the blind leading the blind.

JONES. [Violently.] I've done no more than wot he 'as. I'm a poor man; I've got no money an' no friends—he 's a toff—he can do wot I can't.

MAGISTRATE: Now, now? All this won't help you—you must be quiet. You say you took this box? Now, what made you take it? Were you pressed for money?

JONES. I'm always pressed for money.

MAGISTRATE. Was that the reason you took it?

JONES. No.

MAGISTRATE. [To SNOW.] Was anything found on him?

SNOW. Yes, your worship. There was six pounds twelve shillin's found on him, and this purse.

> [The red silk purse is handed to the MAGISTRATE. BARTHWICK rises his seat, but hastily sits down again.]

MAGISTRATE. [Staring at the purse.] Yes, yes—let me see [There is a silence.] No, no, I 've nothing before me as to the purse. How did you come by all that money?

JONES. [After a long pause, suddenly.] I declines to say.

MAGISTRATE. But if you had all that money, what made you take this box?

JONES. I took it out of spite.

MAGISTRATE. [Hissing, with protruded neck.] You took it out of spite? Well now, that's something! But do you imagine you can go about the town taking things out of spite?

JONES. If you had my life, if you'd been out of work——

MAGISTRATE. Yes, yes; I know—because you're out of work you think it's an excuse for everything.

JONES. [Pointing at JACK.] You ask 'im wot made 'im take the——

ROPER. [Quietly.] Does your Worship require this witness in the box any longer?

MAGISTRATE. [Ironically.] I think not; he is hardly profitable.

> [JACK leaves the witness-box, and hanging his head, resumes his seat.]

JONES. You ask 'im wot made 'im take the lady's——

> [But the BALD CONSTABLE catches him by the sleeve.]

BALD CONSTABLE. SSSh!

MAGISTRATE. [Emphatically.] Now listen to me.

I 've nothing to do with what he may or may not have taken. Why did you resist the police in the execution of their duty?

JONES. It war n't their duty to take my wife, a respectable woman, that 'ad n't done nothing.

MAGISTRATE. But I say it was. What made you strike the officer a blow?

JONES. Any man would a struck 'im a blow. I'd strike 'im again, I would.

MAGISTRATE. You are not making your case any better by violence. How do you suppose we could get on if everybody behaved like you?

JONES. [Leaning forward, earnestly.] Well, wot, about 'er; who's to make up to 'er for this? Who's to give 'er back 'er good name?

MRS. JONES. Your Worship, it's the children that's preying on his mind, because of course I 've lost my work. And I've had to find another room owing to the scandal.

MAGISTRATE. Yes, yes, I know—but if he had n't acted like this nobody would have suffered.

JONES. [Glaring round at JACK.] I 've done no worse than wot 'e 'as. Wot I want to know is wot 's goin' to be done to 'im.

> [The BALD CONSTABLE again says "HSSh"]

ROPER. Mr. BARTHWICK wishes it known, your Worship, that considering the poverty of the prisoners, he does not press the charge as to the box. Perhaps your Worship would deal with the case as one of disorder.

JONES. I don't want it smothered up, I want it all dealt with fair —I want my rights——

MAGISTRATE. [Rapping his desk.] Now you have said all you have to say, and you will be quiet.

> [There is a silence; the MAGISTRATE bends over and parleys with his CLERK.]

Yes, I think I may discharge the woman. [In a kindly voice he addresses MRS. JONES, who stands unmoving with her hands crossed on the rail.] It is very unfortunate for you that this man has behaved as he has. It is not the consequences to him but the consequences to you. You have been brought here twice, you have lost your work— [He glares at JONES]—and this is what always happens. Now you may go away, and I am very sorry it was necessary to bring you here at all.

MRS. JONES. [Softly.] Thank you very much, your Worship.

> [She leaves the dock, and looking back at JONES, twists her fingers and is still.]

MAGISTRATE. Yes, yes, but I can't pass it over. Go away, there's a good woman.

> [MRS. JONES stands back. The MAGISTRATE leans his head on his hand; then raising it he speaks to JONES.]

Now, listen to me. Do you wish the case to be settled here, or do you wish it to go before a jury?

JONES. [Muttering.] I don't want no jury.

MAGISTRATE. Very well then, I will deal with it here. [After a pause.] You have pleaded guilty to stealing this box——

JONES. Not to stealin'——

BALD CONSTABLE. HSSShh!

MAGISTRATE. And to assaulting the police——

JONES. Any man as was a man——

MAGISTRATE. Your conduct here has been most improper. You give the excuse that you were drunk when you stole the box. I tell you that is no excuse. If you choose to get drunk and break the law afterwards you must take the consequences. And let me tell you that men like you, who get drunk and give way to your spite or whatever it is that's in you, are—are—a nuisance to the community.

JACK. [Leaning from his seat.] Dad! that's what you said to me!

BARTHWICK. TSSt!

> [There is a silence, while the MAGISTRATE consults his CLERK; JONES leans forward waiting.]

MAGISTRATE. This is your first offence, and I am going to give you a light sentence. [Speaking sharply, but without expression.] One month with hard labour.

> [He bends, and parleys with his CLERK. The BALD CONSTABLE and another help JONES from the dock.]

JONES. [Stopping and twisting round.] Call this justice? What about 'im? 'E got drunk! 'E took the purse—'e took the purse but [in a muffled shout] it's 'is money got 'im off—JUSTICE!

> [The prisoner's door is shut on JONES, and from the seedy-looking men and women comes a hoarse and whispering groan.]

MAGISTRATE. We will now adjourn for lunch! [He rises from his seat.]

> [The Court is in a stir. ROPER gets up and speaks to the reporter. JACK, throwing up his head, walks with a swagger to the corridor; BARTHWICK follows.]

MRS. JONES. [Turning to him zenith a humble gesture.] Oh! sir!

> [BARTHWICK hesitates, then yielding to his nerves, he makes a shame-faced gesture of refusal, and hurries out of court. MRS. JONES stands looking after him.]

> The curtain falls.

## GALSWORTHY'S PLAYS

## Links to All Volumes

THE FIRST SERIES: | The Silver Box | Joy | Strife
THE SECOND SERIES: | The Eldest Son | Little Dream | Justice
THE THIRD SERIES: | The Fugitive | The Pigeon | The Mob
THE FOURTH SERIES: | A Bit O'Love | The Foundations | The Skin Game
THE FIFTH SERIES: | A Family Man | Loyalties | Windows
THE SIXTH SERIES: | The First and Last | The Little Man | Four Short Plays

    End of the Project Gutenberg EBook of The Silver Box (First Series Plays)
    by John Galsworthy

    *** END OF THIS PROJECT GUTENBERG EBOOK THE SILVER BOX (FIRST SERIES ***

    ***** This file should be named 2906-h.htm or 2906-h.zip *****
    This and all associated files of various formats will be found in:
            http://www.gutenberg.net/2/9/0/2906/

    Produced by David Widger

    Updated editions will replace the previous one--the old editions
    will be renamed.

    Creating the works from public domain print editions means that no
    one owns a United States copyright in these works, so the Foundation
    (and you!) can copy and distribute it in the United States without
    permission and without paying copyright royalties.  Special rules,
    set forth in the General Terms of Use part of this license, apply to
    copying and distributing Project Gutenberg-tm electronic works to
    protect the PROJECT GUTENBERG-tm concept and trademark.  Project
    Gutenberg is a registered trademark, and may not be used if you
    charge for the eBooks, unless you receive specific permission.  If you
    do not charge anything for copies of this eBook, complying with the
    rules is very easy.  You may use this eBook for nearly any purpose
    such as creation of derivative works, reports, performances and
    research.  They may be modified and printed and given away--you may do
    practically ANYTHING with public domain eBooks.  Redistribution is
    subject to the trademark license, especially commercial
    redistribution.

    *** START: FULL LICENSE ***

    THE FULL PROJECT GUTENBERG LICENSE
    PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

    To protect the Project Gutenberg-tm mission of promoting the free
    distribution of electronic works, by using or distributing this work
    (or any other work associated in any way with the phrase "Project
    Gutenberg"), you agree to comply with all the terms of the Full Project
    Gutenberg-tm License (available with this file or online at
    http://gutenberg.net/license).

    Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
    electronic works

    1.A.  By reading or using any part of this Project Gutenberg-tm
    electronic work, you indicate that you have read, understand, agree to
    and accept all the terms of this license and intellectual property
    (trademark/copyright) agreement.  If you do not agree to abide by all
    the terms of this agreement, you must cease using and return or destroy
    all copies of Project Gutenberg-tm electronic works in your possession.
    If you paid a fee for obtaining a copy of or access to a Project
    Gutenberg-tm electronic work and you do not agree to be bound by the
    terms of this agreement, you may obtain a refund from the person or
    entity to whom you paid the fee as set forth in paragraph 1.E.8.

    1.B.  "Project Gutenberg" is a registered trademark.  It may only be
    used on or associated in any way with an electronic work by people who
    agree to be bound by the terms of this agreement.  There are a few
    things that you can do with most Project Gutenberg-tm electronic works
    even without complying with the full terms of this agreement.  See
    paragraph 1.C below.  There are a lot of things you can do with Project
    Gutenberg-tm electronic works if you follow the terms of this agreement
    and help preserve free future access to Project Gutenberg-tm electronic
    works.  See paragraph 1.E below.

    1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
    or PGLAF), owns a compilation copyright in the collection of Project
    Gutenberg-tm electronic works.  Nearly all the individual works in the
    collection are in the public domain in the United States.  If an
    individual work is in the public domain in the United States and you are
    located in the United States, we do not claim a right to prevent you from
    copying, distributing, performing, displaying or creating derivative
    works based on the work as long as all references to Project Gutenberg
    are removed.  Of course, we hope that you will support the Project
    Gutenberg-tm mission of promoting free access to electronic works by
    freely sharing Project Gutenberg-tm works in compliance with the terms of
    this agreement for keeping the Project Gutenberg-tm name associated with
    the work.  You can easily comply with the terms of this agreement by
    keeping this work in the same format with its attached full Project
    Gutenberg-tm License when you share it without charge with others.

    1.D.  The copyright laws of the place where you are located also govern
    what you can do with this work.  Copyright laws in most countries are in
    a constant state of change.  If you are outside the United States, check
    the laws of your country in addition to the terms of this agreement
    before downloading, copying, displaying, performing, distributing or
    creating derivative works based on this work or any other Project
    Gutenberg-tm work.  The Foundation makes no representations concerning
    the copyright status of any work in any country outside the United
    States.

    1.E.  Unless you have removed all references to Project Gutenberg:

    1.E.1.  The following sentence, with active links to, or other immediate
    access to, the full Project Gutenberg-tm License must appear prominently
    whenever any copy of a Project Gutenberg-tm work (any work on which the
    phrase "Project Gutenberg" appears, or with which the phrase "Project
    Gutenberg" is associated) is accessed, displayed, performed, viewed,
    copied or distributed:

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever.  You may copy it, give it away or
    re-use it under the terms of the Project Gutenberg License included
    with this eBook or online at www.gutenberg.net

    1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
    from the public domain (does not contain a notice indicating that it is
    posted with permission of the copyright holder), the work can be copied
    and distributed to anyone in the United States without paying any fees
    or charges.  If you are redistributing or providing access to a work
    with the phrase "Project Gutenberg" associated with or appearing on the
    work, you must comply either with the requirements of paragraphs 1.E.1
    through 1.E.7 or obtain permission for the use of the work and the
    Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
    1.E.9.

    1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
    with the permission of the copyright holder, your use and distribution
    must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
    terms imposed by the copyright holder.  Additional terms will be linked
    to the Project Gutenberg-tm License for all works posted with the
    permission of the copyright holder found at the beginning of this work.

    1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
    License terms from this work, or any files containing a part of this
    work or any other work associated with Project Gutenberg-tm.

    1.E.5.  Do not copy, display, perform, distribute or redistribute this
    electronic work, or any part of this electronic work, without
    prominently displaying the sentence set forth in paragraph 1.E.1 with
    active links or immediate access to the full terms of the Project
    Gutenberg-tm License.

    1.E.6.  You may convert to and distribute this work in any binary,
    compressed, marked up, nonproprietary or proprietary form, including any
    word processing or hypertext form.  However, if you provide access to or
    distribute copies of a Project Gutenberg-tm work in a format other than
    "Plain Vanilla ASCII" or other format used in the official version
    posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
    you must, at no additional cost, fee or expense to the user, provide a
    copy, a means of exporting a copy, or a means of obtaining a copy upon
    request, of the work in its original "Plain Vanilla ASCII" or other
    form.  Any alternate format must include the full Project Gutenberg-tm
    License as specified in paragraph 1.E.1.

    1.E.7.  Do not charge a fee for access to, viewing, displaying,
    performing, copying or distributing any Project Gutenberg-tm works
    unless you comply with paragraph 1.E.8 or 1.E.9.

    1.E.8.  You may charge a reasonable fee for copies of or providing
    access to or distributing Project Gutenberg-tm electronic works provided
    that

    - You pay a royalty fee of 20% of the gross profits you derive from
         the use of Project Gutenberg-tm works calculated using the method
         you already use to calculate your applicable taxes.  The fee is
         owed to the owner of the Project Gutenberg-tm trademark, but he
         has agreed to donate royalties under this paragraph to the
         Project Gutenberg Literary Archive Foundation.  Royalty payments
         must be paid within 60 days following each date on which you
         prepare (or are legally required to prepare) your periodic tax
         returns.  Royalty payments should be clearly marked as such and
         sent to the Project Gutenberg Literary Archive Foundation at the
         address specified in Section 4, "Information about donations to
         the Project Gutenberg Literary Archive Foundation."

    - You provide a full refund of any money paid by a user who notifies
         you in writing (or by e-mail) within 30 days of receipt that s/he
         does not agree to the terms of the full Project Gutenberg-tm
         License.  You must require such a user to return or
         destroy all copies of the works possessed in a physical medium
         and discontinue all use of and all access to other copies of
         Project Gutenberg-tm works.

    - You provide, in accordance with paragraph 1.F.3, a full refund of any
         money paid for a work or a replacement copy, if a defect in the
         electronic work is discovered and reported to you within 90 days
         of receipt of the work.

    - You comply with all other terms of this agreement for free
         distribution of Project Gutenberg-tm works.

    1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
    electronic work or group of works on different terms than are set
    forth in this agreement, you must obtain permission in writing from
    both the Project Gutenberg Literary Archive Foundation and Michael
    Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
    Foundation as set forth in Section 3 below.

    1.F.

    1.F.1.  Project Gutenberg volunteers and employees expend considerable
    effort to identify, do copyright research on, transcribe and proofread
    public domain works in creating the Project Gutenberg-tm
    collection.  Despite these efforts, Project Gutenberg-tm electronic
    works, and the medium on which they may be stored, may contain
    "Defects," such as, but not limited to, incomplete, inaccurate or
    corrupt data, transcription errors, a copyright or other intellectual
    property infringement, a defective or damaged disk or other medium, a
    computer virus, or computer codes that damage or cannot be read by
    your equipment.

    1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
    of Replacement or Refund" described in paragraph 1.F.3, the Project
    Gutenberg Literary Archive Foundation, the owner of the Project
    Gutenberg-tm trademark, and any other party distributing a Project
    Gutenberg-tm electronic work under this agreement, disclaim all
    liability to you for damages, costs and expenses, including legal
    fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
    LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
    PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
    TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
    LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
    INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
    DAMAGE.

    1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
    defect in this electronic work within 90 days of receiving it, you can
    receive a refund of the money (if any) you paid for it by sending a
    written explanation to the person you received the work from.  If you
    received the work on a physical medium, you must return the medium with
    your written explanation.  The person or entity that provided you with
    the defective work may elect to provide a replacement copy in lieu of a
    refund.  If you received the work electronically, the person or entity
    providing it to you may choose to give you a second opportunity to
    receive the work electronically in lieu of a refund.  If the second copy
    is also defective, you may demand a refund in writing without further
    opportunities to fix the problem.

    1.F.4.  Except for the limited right of replacement or refund set forth
    in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
    WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
    WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

    1.F.5.  Some states do not allow disclaimers of certain implied
    warranties or the exclusion or limitation of certain types of damages.
    If any disclaimer or limitation set forth in this agreement violates the
    law of the state applicable to this agreement, the agreement shall be
    interpreted to make the maximum disclaimer or limitation permitted by
    the applicable state law.  The invalidity or unenforceability of any
    provision of this agreement shall not void the remaining provisions.

    1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
    trademark owner, any agent or employee of the Foundation, anyone
    providing copies of Project Gutenberg-tm electronic works in accordance
    with this agreement, and any volunteers associated with the production,
    promotion and distribution of Project Gutenberg-tm electronic works,
    harmless from all liability, costs and expenses, including legal fees,
    that arise directly or indirectly from any of the following which you do
    or cause to occur: (a) distribution of this or any Project Gutenberg-tm
    work, (b) alteration, modification, or additions or deletions to any
    Project Gutenberg-tm work, and (c) any Defect you cause.

    Section  2.  Information about the Mission of Project Gutenberg-tm

    Project Gutenberg-tm is synonymous with the free distribution of
    electronic works in formats readable by the widest variety of computers
    including obsolete, old, middle-aged and new computers.  It exists
    because of the efforts of hundreds of volunteers and donations from
    people in all walks of life.

    Volunteers and financial support to provide volunteers with the
    assistance they need, is critical to reaching Project Gutenberg-tm's
    goals and ensuring that the Project Gutenberg-tm collection will
    remain freely available for generations to come.  In 2001, the Project
    Gutenberg Literary Archive Foundation was created to provide a secure
    and permanent future for Project Gutenberg-tm and future generations.
    To learn more about the Project Gutenberg Literary Archive Foundation
    and how your efforts and donations can help, see Sections 3 and 4
    and the Foundation web page at http://www.pglaf.org.

    Section 3.  Information about the Project Gutenberg Literary Archive
    Foundation

    The Project Gutenberg Literary Archive Foundation is a non profit
    501(c)(3) educational corporation organized under the laws of the
    state of Mississippi and granted tax exempt status by the Internal
    Revenue Service.  The Foundation's EIN or federal tax identification
    number is 64-6221541.  Its 501(c)(3) letter is posted at
    http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
    Literary Archive Foundation are tax deductible to the full extent
    permitted by U.S. federal laws and your state's laws.

    The Foundation's principal office is located at 4557 Melan Dr. S.
    Fairbanks, AK, 99712., but its volunteers and employees are scattered
    throughout numerous locations.  Its business office is located at
    809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
    business@pglaf.org.  Email contact links and up to date contact
    information can be found at the Foundation's web site and official
    page at http://pglaf.org

    For additional contact information:
         Dr. Gregory B. Newby
         Chief Executive and Director
         gbnewby@pglaf.org

    Section 4.  Information about Donations to the Project Gutenberg
    Literary Archive Foundation

    Project Gutenberg-tm depends upon and cannot survive without wide
    spread public support and donations to carry out its mission of
    increasing the number of public domain and licensed works that can be
    freely distributed in machine readable form accessible by the widest
    array of equipment including outdated equipment.  Many small donations
    ($1 to $5,000) are particularly important to maintaining tax exempt
    status with the IRS.

    The Foundation is committed to complying with the laws regulating
    charities and charitable donations in all 50 states of the United
    States.  Compliance requirements are not uniform and it takes a
    considerable effort, much paperwork and many fees to meet and keep up
    with these requirements.  We do not solicit donations in locations
    where we have not received written confirmation of compliance.  To
    SEND DONATIONS or determine the status of compliance for any
    particular state visit http://pglaf.org

    While we cannot and do not solicit contributions from states where we
    have not met the solicitation requirements, we know of no prohibition
    against accepting unsolicited donations from donors in such states who
    approach us with offers to donate.

    International donations are gratefully accepted, but we cannot make
    any statements concerning tax treatment of donations received from
    outside the United States.  U.S. laws alone swamp our small staff.

    Please check the Project Gutenberg Web pages for current donation
    methods and addresses.  Donations are accepted in a number of other
    ways including including checks, online payments and credit card
    donations.  To donate, please visit: http://pglaf.org/donate

    Section 5.  General Information About Project Gutenberg-tm electronic
    works.

    Professor Michael S. Hart is the originator of the Project Gutenberg-tm
    concept of a library of electronic works that could be freely shared
    with anyone.  For thirty years, he produced and distributed Project
    Gutenberg-tm eBooks with only a loose network of volunteer support.

    Project Gutenberg-tm eBooks are often created from several printed
    editions, all of which are confirmed as Public Domain in the U.S.
    unless a copyright notice is included.  Thus, we do not necessarily
    keep eBooks in compliance with any particular paper edition.

    Most people start at our Web site which has the main PG search facility:

         http://www.gutenberg.net

    This Web site includes information about Project Gutenberg-tm,
    including how to make donations to the Project Gutenberg Literary
    Archive Foundation, how to help produce our new eBooks, and how to
    subscribe to our email newsletter to hear about new eBooks.