    Project Gutenberg's Cape Cod Ballads, and Other Verse, by Joseph C. Lincoln

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    Title: Cape Cod Ballads, and Other Verse

    Author: Joseph C. Lincoln

    Illustrator: Edward W. Kemble

    Release Date: July 20, 2009 [EBook #11351]

    Language: English

    Character set encoding: ASCII

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# CAPE COD BALLADS AND OTHER VERSE

## By Joseph C. Lincoln

### With Drawings by Edward W. Kemble

## 1902

              To My Wife

              This book is affectionately dedicated

## Preface

A friend has objected to the title of this book on the ground that, as many of the characters and scenes described are to be found in almost any coast village of the United States, the title might, with equal fitness, be "New Jersey Ballads," or "Long Island Ballads," or something similar.

The answer to this is, simply, that while "School-committee Men" and "Village Oracles" are, doubtless, pretty much alike throughout Yankeedom, the particular specimens here dealt with were individuals whom the author knew in his boyhood "down on the Cape." So, "Cape Cod Ballads" it is.

The verses in this collection originally appeared in Harper's Weekly, The Youth's Companion, The Saturday Evening Post, Puck, Types, The League of American Wheelmen Bulletin, and the publications of the American Press Association. Thanks are due to the editors of these periodicals for their courteous permission to reprint.

J.C.L.

## Contents

## List of Illustrations

# CAPE COD BALLADS

## THE COD-FISHER

      Where leap the long Atlantic swells
        In foam-streaked stretch of hill and dale,
      Where shrill the north-wind demon yells,
        And flings the spindrift down the gale;
      Where, beaten 'gainst the bending mast,
        The frozen raindrop clings and cleaves,
      With steadfast front for calm or blast
        His battered schooner rocks and heaves.

      To same the gain, to some the loss,
        To each the chance, the risk, the fight:
      For men must die that men may live—
        Lord, may we steer our course aright..

      The dripping deck beneath him reels,
        The flooded scuppers spout the brine;
      He heeds them not, he only feels
        The tugging of a tightened line.

      The grim white sea-fog o'er him throws
        Its clammy curtain, damp and cold;
      He minds it not—his work he knows,
        'T is but to fill an empty hold.

      Oft, driven through the night's blind wrack,
        He feels the dread berg's ghastly breath,
      Or hears draw nigh through walls of black
        A throbbing engine chanting death;
      But with a calm, unwrinkled brow
        He fronts them, grim and undismayed,
      For storm and ice and liner's bow—
        These are but chances of the trade.

      Yet well he knows—where'er it be,
        On low Cape Cod or bluff Cape Ann—
      With straining eyes that search the sea
        A watching woman waits her man:
      He knows it, and his love is deep,
        But work is work, and bread is bread,
      And though men drown and women weep
        The hungry thousands must be fed.

      To some the gain, to some the loss,
        To each his chance, the game with Fate:
      For men must die that men may live—
        Dear Lord, be kind to those who wait.

## THE SONG OF THE SEA

        Oh, the song of the Sea—
        The wonderful song of the Sea!
      Like the far-off hum of a throbbing drum
        It steals through the night to me:
        And my fancy wanders free
        To a little seaport town,
      And a spot I knew, where the roses grew
        By a cottage small and brown;
        And a child strayed up and down
        O'er hillock and beach and lea,
      And crept at dark to his bed, to hark
        To the wonderful song of the Sea.

        Oh, the song of the Sea—
        The mystical song of the Sea!
      What strains of joy to a dreaming boy
        That music was wont to be!
        And the night-wind through the tree
        Was a perfumed breath that told
      Of the spicy gales that filled the sails
        Where the tropic billows rolled
        And the rovers hid their gold
        By the lone palm on the key,—
      But the whispering wave their secret gave
        In the mystical song of the Sea.

        Oh, the song of the Sea—
        The beautiful song of the Sea!
      The mighty note from the ocean's throat,
        The laugh of the wind in glee!
        And swift as the ripples flee
        With the surges down the shore,
      It bears me back, o'er life's long track,
        To home and its love once more.
        I stand at the open door,
        Dear mother, again with thee,
      And hear afar on the booming bar
        The beautiful song of the Sea.

## THE WIND'S SONG

        Oh, the wild November wind,
          How it blew!
      How the dead leaves rasped and rustled,
      Soared and sank and buzzed and bustled
          As they flew;
      While above the empty square,
      Seeming skeletons in air,
      Battered branches, brown and bare,
          Gauntly grinned;
      And the frightened dust-clouds, flying.
      Heard the calling and the crying
          Of the wind,—
        The wild November wind.

        Oh, the wild November wind,
          How it screamed!
      How it moaned and mocked and muttered
      At the cottage window, shuttered,
          Whence there streamed
      Fitful flecks of firelight mild:
      And within, a mother smiled,
      Singing softly to her child
          As there dinned
      Round the gabled roof and rafter
      Long and loud the shout and laughter
          Of the wind,—
        The wild November wind.

        Oh, the wild November wind,
          How it rang
      Through the rigging of a vessel
      Rocking where the great waves wrestle!
          And it sang,
      Light and low, that mother's song;
      And the master, staunch and strong,
      Heard the sweet strain drift along—
          Softened, thinned,—
      Heard the tightened cordage ringing
      Till it seemed a loved voice singing
          In the wind,—
        The wild November wind.

## THE LIFE-SAVER

      (Dedicated to the Men in the United States Life-saving Service.)

      When the Lord breathes his wrath above the bosom of the waters,
        When the rollers are a-poundin' on the shore,
      When the mariner's a-thinkin' of his wife and sons and daughters,
        And the little home he'll, maybe, see no more;
      When the bars are white and yeasty and the shoals are all a-frothin',
        When the wild no'theaster's cuttin' like a knife;
      Through the seethin' roar and screech he's patrollin' on the beach,—
        The Gov'ment's hired man fer savin' life.

      He's strugglin' with the gusts that strike and bruise him like a hammer,
        He's fightin' sand that stings like swarmin' bees,
      He's list'nin' through the whirlwind and the thunder and the clamor—
        A-list'nin' fer the signal from the seas;
      He's breakin' ribs and muscles launchin' life-boats in the surges,
        He's drippin' wet and chilled in every bone,
      He's bringin' men from death back ter flesh and blood and breath,
        And he never stops ter think about his own;

      He's a-pullin' at an oar that is freezin' to his fingers,
        He's a-clingin' in the riggin' of a wreck,
      He knows destruction's nearer every minute that he lingers,
        But it do'n't appear ter worry him a speck:
      He's draggin' draggled corpses from the clutches of the combers—
        The kind of job a common chap would shirk—
      But he takes 'em from the wave and he fits 'em fer the grave,
        And he thinks it's all included in his work.

      He is rigger, rower, swimmer, sailor, doctor, undertaker,
        And he's good at every one of 'em the same:
      And he risks his life fer others in the quicksand and the breaker,
        And a thousand wives and mothers bless his name.
      He's an angel dressed in oilskins, he's a saint in a "sou'wester",
        He's as plucky as they make, or ever can;
      He's a hero born and bred, but it hasn't swelled his head,
        And he's jest the U.S. Gov'ment's hired man.

## "THE EVENIN' HYMN"

      When the hot summer daylight is dyin',
        And the mist through the valley has rolled,
      And the soft velvet clouds ter the west'ard
        Are purple with trimmings of gold,—
      Then, down in the medder-grass, dusky,
        The crickets chirp out from each nook,
      And the frogs with their voices so husky
        Jine in from the marsh and the brook.

      The chorus grows louder and deeper,
        An owl sends a hoot from the hill,
      The leaves on the elm-trees are rustling
        A whippoorwill calls by the mill.
      Where swamp honeysuckles are bloomin'
        The breeze scatters sweets on the night,
      Like incense the evenin' perfumin',
        With fireflies fer candles alight.

      And the noise of the frogs and the crickets
        And the birds and the breeze are ter me
      Lots better than high-toned supraners,
        Although they don't get to "high C";
      And the church, with its grand painted skylight,
        Seems cramped and forbiddin' and grim
      'Side of my old front porch in the twilight
        When God's choir sings its "Evenin' Hymn."

## THE MEADOW ROAD

      Just a simple little picture of a sunny country road
        Leading down beside the ocean's pebbly shore,
      Where a pair of patient oxen slowly drag their heavy load,
        And a barefoot urchin trudges on before:
      Yet I'm dreaming o'er it, smiling, and my thoughts are far away
        'Mid the glorious summer sunshine long ago,
      And once more a happy, careless boy, in memory I stray
        Down a little country road I used to know.

      I hear the voice of "Father" as he drives the lumbering steers,
        And the pigeons coo and flutter on the shed,
      While all the simple, homelike sounds come whispering to my ears,
        And the cloudless sky of June is overhead;
      And again the yoke is creaking as the oxen swing and sway,
        The old cart rattles loudly as it jars,
      Then we pass beneath the elm trees where the robin's song is gay,
        And go out beyond the garden through the bars;

      Down the lane, behind the orchard where the wild rose blushes sweet,
        Through the pasture, past the spring beside the brook
      Where the clover blossoms press their dewy kisses on my feet
        And the honeysuckle scents each shady nook;
      By the meadow and the bushes, where the blackbirds build their nests,
        Up the hill, beneath the shadow of the pine,
      Till the breath of Ocean meets us, dancing o'er his sparkling crests,
        And our faces feel the tingling of the brine.

      And my heart leaps gayly upward, like the foam upon the sea,
        As I watch the breakers tumbling with a roar,
      And the ships that dot the azure seem to wave a hail to me,
        And to beckon to a wondrous, far-off shore.

      Just a simple little picture, yet its charm is o'er me still,
        And again my boyish spirit seems to glow,
      And once more a barefoot urchin am I wandering at will
        Down that little country road I used to know.

## THE BULLFROG SERENADE

        When the toil of day is over
        And the dew is on the clover,
      And the night-hawk whirls in circles overhead;
        When the cow-bells melt and mingle
        In a softened, silver jingle,
      And the old hen calls the chickens in to bed;
        When the marshy meadows glimmer
        With a misty, purple shimmer,
      And the twilight flush is changing into shade;
        When the firefly lamps are burning
        And the dusk to dark is turning,—
      Then the bullfrogs chant their evening serenade:

      "Deep-deep, deep-deep, deep-deep, deep-deep!
      Better go 'round! Better go 'round! Better go 'round,"

        First the little chaps begin it,
        Raise their high-pitched voices in it,
      And the shrill soprano piping sets the pace;
        Then the others join the singing
        Till the echoes soon are ringing
      With the big green-coated leader's double-bass.
        All the lilies are a-quiver,
        And the grasses by the river
      Feel the mighty chorus shaking every blade,
        While the dewy rushes glisten
        As they bend their heads to listen
      To the bullfrogs' summer evening serenade:

      "Deep-deep, deep-deep, deep-deep, deep-deep!
      Better go 'round! Better go 'round! Better go 'round!"

        And the melody they're tuning
        Has the sweet and sleepy crooning
      That the mother hums the baby at her breast,
        Till the world forgets its sorrow
        And the cares that haunt the morrow,
      And is sinking, hushed and happy, to its rest
        Sometimes bubbling o'er with gladness,
        Sometimes soft and fall of sadness,
      Through my dreaming rings the music they have played,
        And my memory's dearest treasures
        Have been fitted to the measures
      Of the bullfrogs' summer evening serenade:

      "Deep-deep, deep-deep, deep-deep, deep-deep!
      Better go 'round! Better go 'round! Better go 'round!"

## SUNDAY AFTERNOONS

      From the window of the chapel softly sounds an organ's note,
      Through the wintry Sabbath gloaming drifting shreds of music float,
      And the quiet and the firelight and the sweetly solemn tunes
      Bear me, dreaming, back to boyhood and its Sunday afternoons:

      When we gathered in the parlor, in the parlor stiff and grand,
      Where the haircloth chairs and sofas stood arrayed, a gloomy band,
      Where each queer oil portrait watched us with a countenance of wood,
      And the shells upon the what-not in a dustless splendor stood.

      Then the quaint old parlor organ with the quaver in its tongue,
      Seemed to tremble in its fervor as the sacred songs were sung,
      As we sang the homely anthems, sang the glad revival hymns
      Of the glory of the story and the light no sorrow dims.

      While the dusk grew ever deeper and the evening settled down,
      And the lamp-lit windows twinkled in the drowsy little town,
      Old and young we sang the chorus and the echoes told it o'er
      In the dear familiar voices, hushed or scattered evermore.

      From the window of the chapel faint and low the music dies,
      And the picture in the firelight fades before my tear-dimmed eyes,
      But my wistful fancy, listening, hears the night-wind hum the tunes
      That we sang there in the parlor on those Sunday afternoons.

## THE OLD DAGUERREOTYPES

      Up in the attic I found them, locked in the cedar chest,
      Where the flowered gowns lie folded, which once were brave as the best;
      And like the queer old jackets and the waistcoats gay with stripes,
      They tell of a worn-out fashion—these old daguerreotypes.
      Quaint little folding cases fastened with tiny hook,
      Seemingly made to tempt one to lift up the latch and look;
      Linings of purple velvet, odd little frames of gold,
      Circling the faded faces brought from the days of old.

      Grandpa and grandma, taken ever so long ago,
      Grandma's bonnet a marvel, grandpa's collar a show,
      Mother, a tiny toddler, with rings on her baby hands
      Painted—lest none should notice—in glittering, gilded bands.

      Aunts and uncles and cousins, a starchy and stiff array,
      Lovers and brides, then blooming,—now so wrinkled and gray:
      Out through the misty glasses they gaze at me, sitting here
      Opening the quaint old cases with a smile that is half a tear.

      I will smile no more, little pictures, for heartless it was, in truth,
      To drag to the cruel daylight these ghosts of a vanished youth;
      Go back to your cedar chamber, your gowns and your lavender,
      And dream, 'mid their bygone graces, of the wonderful days that were.

## THE BEST SPARE ROOM

      I remember, when a youngster, all the happy hours I spent
      When to visit Uncle Hiram in the country oft I went;
      And the pleasant recollection still in memory has a charm
      Of my boyish romps and rambles round the dear old-fashioned farm.
      But at night all joyous fancies from my youthful bosom crept,
      For I knew they'd surely put me where the "comp'ny" always slept,
      And my spirit sank within me, as upon it fell the gloom
      And the vast and lonely grandeur of the best spare room.

      Ah, the weary waste of pillow where I laid my lonely head!
      Sinking, like a shipwrecked sailor, in a patchwork sea of bed,
      While the moonlight through the casement cast a grim and ghastly glare
      O'er the stiff and stately presence of each dismal haircloth chair;
      And it touched the mantel's splendor, where the wax fruit used to be,
      And the alabaster image Uncle Josh brought home from sea;
      While the breeze that shook the curtains spread a musty, faint perfume
      And a subtle scent of camphor through the best spare room.

      Round the walls were hung the pictures of the dear ones passed away,
      "Uncle Si and A'nt Lurany," taken on their wedding day;
      Cousin Ruth, who died at twenty, in the corner had a place
      Near the wreath from Eben's coffin, dipped in wax and in a case;
      Grandpa Wilkins, done in color by some artist of the town,
      Ears askew and somewhat cross-eyed, but with fixed and awful frown,
      Seeming somehow to be waiting to enjoy the dreadful doom
      Of the frightened little sleeper in the best spare room.

      Every rustle of the corn-husks in the mattress underneath
      Was to me a ghostly whisper muttered through a phantom's teeth,
      And the mice behind the wainscot, as they scampered round about,
      Filled my soul with speechless horror when I'd put the candle out.
      So I'm deeply sympathetic when some story I have read
      Of a victim buried living by his friends who thought him dead;
      And I think I know his feelings in the cold and silent tomb,
      For I've slept at Uncle Hiram's in the best spare room.

## THE OLD CARRYALL

      It's alone in the dark of the old wagon-shed,
      Where the spider-webs swing from the beams overhead,
      And the sun, siftin' in through the dirt and the mold
      Of the winder's dim pane, specks it over with gold.
      Its curtains are tattered, its cushions are worn,
      It's a kind of a ghost of a carriage, forlorn,
      And the dust from the roof settles down like a pall
      On the sorrowin' shape of the old carryall.

      It was built long ago, when the world seemed ter be
      A heaven, jest made up for Mary and me,
      And my mind wanders back to that first happy ride
      When she sat beside me,—my beauty and bride.
      Ah, them were the days when the village was new
      And folks took time to live, as God meant 'em ter do;
      And there's many a huskin' and quiltin' and ball
      That we drove to and back in the old carryall.

      And here in the paint are the marks of the feet
      Where a little form climbed ter the high-fashioned seat,
      And soft baby fingers them curtains have swung,
      And a curly head's nestled the cushions among;
      And then come the gloom of that black, bitter day
      When "Thy will be done" looked so wicked ter say
      As we drove to the grave, while the rain seemed to fall
      Like the tears of the sky on the old carryall.

      And so it has served us through sunshine and cloud,
      Through fun'rals and weddin's, from bride-wreath ter shroud;
      It's old and it's rusty, it's shaky and lame,
      But I love every j'int of its rickety frame.
      And it's restin' at last, for its race has been run,
      It's lived out its life and its work has been done,
      And I hope, in my soul, at the last trumpet call
      I'll have done mine as well as the old carryall.

## OUR FIRST FIRE-CRACKERS

      O you boys grown gray and bearded, you that used ter chum with me
      In that lazy little village down beside the tumblin' sea,
      When yer sniff the burnin' powder, when yer see the banners fly,
      Don't yer thoughts, like mine, go driftin' back to Fourths long since
          gone by?
      And, amongst them days of gladness, ain't there one that stands alone,
      When yer had yer first fire-crackers—jest one bunch, but all yer own?

      Don't yer 'member how yer envied bigger chaps their fuss and noise,
      'Cause yer Ma had said that crackers wasn't good fer little boys?
      Do yer 'member how yer teased her, morn and eve and noon and night,
      And how all the world yelled "Glory!" when at last she said yer might?

      Do yer 'member how yer bought 'em, weeks and weeks ahead of time,
      After savin' all yer pennies till they footed up a dime?
      Do yer 'member what they looked like? I can see 'em plain as plain,
      With a dragon on the package, grinnin' through a fiery rain.

      Do yer 'member how yer fired 'em, slow and careful, one by one?
      Do'n't it seem like each was louder than the grandest sort of gun?
      Can't yer see the big, red flashes, if yer only shut yer eyes,
      And jest smell the burnin' powder, sweeter'n breaths from paradise?

      O you boys, gray-haired and bearded. O you youngsters grown ter men,
      We can't buy them kind of crackers now, nor never shall again!
      Fer the joys thet used ter glitter through the fizz and puff and crash,
      Has, ter most of us, been deadened by the grindin' chink of cash;
      But I'd like ter ask yer, fellers, how much of yer hoarded gold
      Would yer give if it could buy yer one glad Fourth like them of old?
      How much would yer spend ter gain it—that light-hearted, joyous glow
      That come with yer fust fire-crackers, when yer bought 'em long ago?

## WHEN NATHAN LED THE CHOIR

      I s'pose I hain't progressive, but I swan, it seems ter me
      Religion isn't nigh so good as what it used ter be!
      I go ter meetin' every week and rent my reg'lar pew,
      But hain't a mite uplifted when the sarvices are through;
      I take my orthodoxy straight, like Gran'pop did his rum,
      (It never hurt him, neither, and a deacon, too, by gum!)
      But now the preachin' 's mushy and the singin' 's lost its fire:
      I 'd like ter hear old Parson Day, with Nathan leadin' choir.

      I'd like ter know who told these folks that all was perfect peace,
      And glidin' inter heaven was as slick as meltin' grease;
      Old Parson Day, I tell yer what, his sermons made yer think!
      He'd shake yer over Tophet till yer heard the cinders clink.
      And then, when he'd gin out the tune and Nate would take his stand
      Afore the chosen singers, with the tuning-fork in hand,
      The meetin'-house jest held its breath, from cellar plum ter spire,
      And then bu'st forth in thunder-tones with Nathan leadin' choir.

      They didn't chime so pretty, p'r'aps, as does our new quartette,
      But all them folks was there ter sing, and done it, too, you bet!
      The basses they 'd be rollin' on, with faces swelled and red,
      And racin' the supraners, who was p'r'aps a bar ahead;
      While Nate beat time with both his hands and worked like drivin' plow,
      With drops o' sweat a-standin' out upon his face and brow;
      And all the congregation felt that Heav'n was shorely nigher
      Whene'er they heerd the chorus sung with Nathan leadin' choir.

      Rube Swan was second tenor, and his pipes was kinder cracked,
      But Rube made up in loudness what in tune he might have lacked;
      But 'twas a leetle cur'us, though, for p'r'aps his voice would balk,
      And when he'd fetch a high note give a most outrageous squawk;
      And Uncle Elkanah was deef and kind er'd lose the run,
      And keep on singin' loud and high when all the rest was done;
      But, notwithstandin' all o' this, I think I'd never tire
      Of list'nin' ter the good old tunes with Nathan leadin' choir.

      We've got a brand-new organ now, and singers—only four—
      But, land! we pay 'em cash enough ter fee a hundred more;
      They sing newfangled tunes and things that some folks think are sweet,
      But don't appeal ter me no more'n a fish-horn on the street.
      I'd like once more ter go ter church and watch old Nathan wave
      His tunin'-fork above the crowd and lead the glorious stave;
      I'd like ter hear old Parson Day jest knock the sinners higher,
      And then set back and hear a hymn with Nathan leadin' choir.

## HEZEKIAH'S ART

      My son Hezekiah's a painter; yes, that's the purfession he's at;
      An artist, I mean,—course he ain't a whitewasher or nothin' like that.
      At home he was always a-drawin' and shirkin' his work 'round the place,
      And kept me continyerly jawin' or dressin' him down with a trace;
      Till I says ter Mother, "Between us, this thing might's well be understood;
      Our Hez is jest simply a gen'us, and a gen'us is never no good;
      He won't stop fer jawin's and dressin's; he'll daub and he'll draw
          all the while;
      So he might as well have a few lessons, and learn how ter do it in style."

      So I sold a slice of the wood-lot ter the folks at the summer hotel,
      That fetched me some cash—quite a good lot—so now he's been gone a
          long spell;
      He's got a room up ter the City, an' calls it a name that is queer—
      I ain't up in French, more's the pity—but something that's like
          "attyleer."
      I went up last month on a visit, and blamed if that place wa'n't a sight!
      The fourteenth or fifteenth—which is it?—well, anyhow, it's the top
         flight;
      I wouldn't have b'lieved he could be there, way up on that
         breath-takin' floor,
      If't wa'n't fer the sign that I see there—"H. Lafayette Boggs"—on
         the door.

      That room was a wonder fer certain! The floor was all paint-spots and dirt,
      Each window was hung with a curtain, striped gay as a calico shirt;
      The walls was jest like a museum, all statoos and flim-flam and gush
      And picters—good land! when I see 'em I jest had ter turn 'round and
          blush;
      And Hez! he looked like a gorilla,—a leetle round hat on his head,
      And hair that would stuff a big piller, and necktie blue, yeller, and red;
      I swan, he did look like a daisy! I tell yer, it went ter my heart,
      'Cause, course I supposed he was crazy, until he explained it was ART.

      This Art, it does stagger a feller that ain't got a connerseer's view,
      Fer trees by its teachin' is yeller, and cows is a shade of sky-blue.
      Hez says that ter paint 'em like natur' is common and tawdry and vile;
      He says it's a plaguey sight greater to do 'em "impressionist style."
      He done me my portrait, and, reely, my nose is a ultrymarine,
      My whiskers is purple and steely, and both of my cheeks is light green.
      When Mother first viewed it she fainted—she ain't up in Art, don't
          yer see?
      And she had a notion 'twas painted when Hez had been off on a spree.

      We used ter think Hezzy would shame us by bein' no good anyhow,
      But he says some day he'l be famous, so we're sort er proud of him, now.
      He says that the name he's a-makin' shall ring in Fame's thunderin' tone;
      He says that earth's dross he's forsaken, he's livin' fer Art's sake alone.
      That's nice, but what seems ter me funny, and what I can't get through
          my head
      Is why he keeps writin' fer money and can't seem ter earn nary red.
      I've been sort er thinkin' it over, and seems ter me, certain enough,
      That livin' for Art is just clover, but that livin' on it is tough.

## THE SUNDAY-SCHOOL PICNIC

      Oh! the horns are all a-tootin' as we rattle through the town,
      And we fellers are a-hootin' and a-jumpin' up and down,
      And the girls are all a-gigglin' and a-tryin' ter be smart,
      With their braided pig-tails wigglin' at the joltin' of the cart;
      There's the teachers all a-beamin', rigged up in their Sunday clothes,
      And the parson's specs a-gleamin' like two moons acrost his nose,
      And the sup'rintendent lookin' mighty dignerfied and cool,
      And a-bossin' of the picnic of the Baptist Sunday-school.

      Everybody's got their basket brimmin' full of things ter eat,
      And I've got one—if yer ask it—that is purty hard ter beat,—
      'Cept that Sis put in some pound-cake that she made herself alone,
      And I bet yer never found cake that was quite so much like stone.
      There'll be quarts of sass'parilla; yes, and "lemmo" in a tub;
      There'll be ice-cream—it's vernilla—and all kinds of fancy grub;
      And they're sure ter spread the table on the ground beside the spring,
      So's the ants and hoppergrasses can just waltz on everything.

      Then the girls they'll be a-yippin', 'cause a bug is in the cream;
      And a "daddy-long-legs" skippin' round the butter makes 'em scream;
      And a fuzzy caterpillar—jest the littlest kind they make—
      Sets 'em holl'rin', "Kill her! kill her!" like as if it was a snake.
      Then, when dinner-time is over and we boys have et enough,
      Why, the big girls they'll pick clover, or make wreaths of leaves and
          stuff;
      And the big chaps they'll set 'round 'em, lookin' soft as ever wuz,
      Talkin' gush and actin' silly, same as that kind always does.

      Then, we'll ride home when it's dark'nin' and the leaves are wet with dew,
      And the lightnin'-bugs are sparklin' and the moon is shinin', too;
      We'll sing "Jingle bells" and "Sailing," "Seein' Nelly home," and more;
      And that one that's slow and wailin', "Home ag'in from somethin' shore."
      Then a feller's awful sleepy and he kinder wants ter rest,
      But the stuff he's et feels creepy and like bricks piled on his chest;
      And, perhaps, he dreams his stummick has been stepped on by a mule;
      But it ain't: it's jest the picnic of the Baptist Sunday school!

## "AUNT 'MANDY"

      Our Aunt 'Mandy thinks that boys
      Never ought ter make a noise,
      Or go swimming or play ball,
      Or have any fun at all;
      Thinks a boy had ought ter be
      Dressed up all the time, and she
      Hollers jest as if she's hurt
      At the littlest mite er dirt
      On a feller's hands or face,
      Or his clothes, or any place.

      Then at dinner-time she's there,
      Sayin', "Mustn't kick the chair!"
      Or "Why don't yer sit up straight?"
      "'Tain't perlite to drum yer plate."
      An' yer got ter eat as slow,
      'Cause she's dingin' at yer so.
      Then, when Chris'mus comes, she brings
      Nothin', only useful things:
      Han'kershi'fs an' gloves an' ties,
      Sunday stuff yer jest despise.

      She's a ole maid, all alone,
      'Thout no children of her own,
      An' I s'pose that makes her fuss
      'Round our house a-bossin' us.
      If she 'd had a boy, I bet,
      'Tween her bossin' and her fret
      She'd a-killed him, jest about;
      So God made her do without,
      For he knew no boy could stay
      With Aunt 'Mandy every day.

## THE STORY-BOOK BOY

      Oh, the story-book boy! he's a wonderful youth,
      A prodigy reeking with goodness and truth;
      As brave as a lion, as wise as a sage,
      And sharp as a razor, though twelve years of age.
      His mother is good and she's awfully poor,
      But he says, "Do not fret, I'll provide for you, sure!"
      And the hard grasping landlord, who comes to annoy,
      Is braved to his teeth by the story-book boy.

      Oh, the story-book boy! when he sees that young churl.
      The Squire's spoiled son, kick the poor crippled girl,
      He darts to the rescue as quick as he can,
      And dusts the hard road with the cruel young man;
      And when he is sought by the vengeful old Squire,
      He withers the latter with tongue-lashing ire;
      For the town might combine his young nerve to destroy,
      And never once shake him—the story-book boy.

      Oh, the story-book boy! when the Judge's dear child
      Is dragged through the streets by a runaway wild,
      Of course he's on hand, and a "ten-strike" he makes,
      For he stops the mad steed in a couple of "shakes";
      And he tells the glad Judge, who has wept on his hat,
      "I did but my duty!" or something like that;
      And the very best place in the Judge's employ
      Is picked out at once for the story-book boy.

      Oh, the story-book boy! all his troubles are o'er,
      For he gets to be Judge in a year or two more;
      And the wicked old landlord in poverty dies,
      And the Squire's son drinks, and in gutters he lies;
      But the girl whom he saved is our hero's fair bride,
      And his old mother comes to their home to abide;
      In silks and sealskins, she cries, in her joy:
      "Thank Heaven, I'm Ma of a story-book boy!"

## THE SCHOOL-COMMITTEE MAN

      Sometimes when we're in school, and it's the afternoon and late,
        And kinder warm and sleepy, don't yer know;
      And p'r'aps a feller's studyin' or writin' on his slate,
        Or, maybe chewin' paper-balls to throw,
      And teacher's sort er lazy, too—why, then there'll come a knock
        And everybody'll brace up quick's they can;
      We boys and girls'll set up straight, and teacher'll smooth her frock,
        Because it's him—the school-committee man.

      He'll walk in kinder stately-like and say, "How do, Miss Brown?"
        And teacher, she'll talk sweet as choclate cake;
      And he'll put on his specs and cough and pull his eyebrows down
        And look at us so hard 't would make yer shake.
      We'll read and spell, so's he can hear, and speak a piece or two,
        While he sets there so dreadful grand and cool;
      Then teacher'll rap her desk and say, "Attention!" soon's we're through,
        And ask him, won't he please address the school.

      He'll git up kinder calm and slow, and blow his nose real loud,
        And put his hands behind beneath his coat,
      Then kinder balance on his toes and look 'round sort er proud
        And give a big "Ahem!" ter clear his throat;
      And then he'll say: "Dear scholars, I am glad ter see yer here,
        A-drinkin'—er—the crystal fount of lore;
      Here with your books, and—er—and—er—your teacher kind and dear,
        And with—ahem—er—as I said before."

      We have ter listen awful hard ter every word of his
        And watch him jest like kittens do a rat,
      And laugh at every joke he makes, don't care how old it is,
        'Cause he can boss the teacher,—think of that!
      I useter say, when I growed up I 'd be a circus chap
        And drive two lions hitched up like a span;
      But, honest, more I think of it, I b'lieve the bestest snap
        Is jest ter be a school-committee man.

## WASTED ENERGY

      South Pokus is religious,—that's the honest, livin' truth;
      South Pokus folks are pious,—man and woman, maid and youth;
      And they listen every Sunday, though it rains or snows or shines,
      In their seven shabby churches, ter their seven poor divines,
      Who dispense the balm and comfort that the thirstin' sperit needs,
      By a-fittin' of the gospel ter their seven different creeds,
      Each one sure his road ter Heaven is the only sartin way,—
      Fer South Pokus is religious, as I started off ter say.

      Now the Pokus population is nine hundred, more or less,
      Which, in one big congregation, would be quite a church, I guess,
      And do lots of good, I reckon; but yer see it couldn't be,—
      Long's one's tweedledum was diff'rent from the other's tweedledee.
      So the Baptists they are Baptists, though the church is swamped in debt,
      And the Orthodox is rigid, though expenses can't be met,
      And the twenty Presbyterians 'll be Calvinists or bust,—
      Fer South Pokus is religious, as I said along at fust.

      And the Methodist is buried, when his time comes 'round ter die,
      In the little weedy graveyard where no other sect can lie,
      And at Second Advent socials, every other Wednesday night,
      No one's ever really welcome but a Second Adventite;
      While the Unitarian brother, as he walks the village streets,
      Seldom bows unless another Unitarian he meets;
      And there's only Univers'lists in a Univers'list's store,—
      Fer South Pokus is religious, as I think I said before.

      I thought I'd read that Jesus come ter do the whole world good,—
      Come ter bind the Jew and Gentile in a lovin' brotherhood;
      But it seems that I'm mistaken, and I haven't read it right,
      And the text of "Love your neighbor" must be somewhere written "Fight";
      But I want ter tell yer, church folks, and ter put it to yer strong,
      While you're fighting Old Nick's fellers pull tergether right along:
      So yer'd better stop your squabblin', be united if yer can,
      Fer the Pokus way of doin' ain't no use ter God or man.

## WHEN THE MINISTER COMES TO TEA

      Oh! they've swept the parlor carpet, and they've dusted every chair,
      And they've got the tidies hangin' jest exactly on the square;
      And the what-not's fixed up lovely, and the mats have all been beat,
      And the pantry's brimmin' over with the bully things ter eat;
      Sis has got her Sunday dress on, and she's frizzin' up her bangs;
      Ma's got on her best alpacky, and she's askin' how it hangs;
      Pa has shaved as slick as can be, and I'm rigged way up in G,—
      And it's all because we're goin' ter have the minister ter tea.

      Oh! the table's fixed up gaudy with the gilt-edged chiny set,
      And we'll use the silver tea-pot and the comp'ny spoons, you bet;
      And we're goin' ter have some fruit-cake and some thimbleberry jam,
      And "riz biscuits," and some doughnuts, and some chicken, and some ham.
      Ma, she'll 'polergize like fury and say everything is bad,
      And "Sich awful luck with cookin'," she is sure she never had;
      But, er course, she's only bluffin', for it's as prime as it can be,
      And she's only talkin' that way 'cause the minister's ter tea.

      Everybody'll be a-smilin' and as good as ever was,
      Pa won't growl about the vittles, like he generally does,
      And he'll ask me would I like another piece er pie; but, sho!
      That, er course, is only manners, and I'm s'posed ter answer "No."
      Sis'll talk about the church-work and about the Sunday-school,
      Ma'll tell how she liked that sermon that was on the Golden Rule,
      And if I upset my tumbler they won't say a word ter me:—
      Yes, a boy can eat in comfort with the minister ter tea!

      Say! a minister, you'd reckon, never 'd say what wasn't true;
      But that isn't so with ours, and I jest can prove it, too;
      'Cause when Sis plays on the organ so it makes yer want ter die,
      Why, he sets and says it's lovely; and that, seems ter me, 's a lie:
      But I like him all the samey, and I only wish he'd stay
      At our house fer good and always, and eat with us every day;
      Only think of havin' goodies every evenin'! Jimminee!
      And I'd never git a scoldin' with the minister ter tea!

## "YAP"

      I've got a little yaller dog, a wuthless kind of chap,
      Who jest ain't good fer nothin' but ter eat and sleep and "yap."
      Fer all 'round general wuthlessness I never see his beat,
      And yet he makes more fuss and noise than all the farm complete.
      There ain't a mite of sense inside that yaller hide of his;
      But, as he ain't no good, he likes ter pester them that is.
      The critters all despise him, but there ain't a one but feels
      A little mite oneasy when he's "yappin'" round their heels.

      Yer see, he loves ter sneak around behind 'em, out of sight,
      And give a sudden snap and snarl as if he meant ter bite;
      Of course they know he wouldn't hurt, and only means to scare,
      But still, it worries 'em ter know the little scamp is there;
      And if they do git nervous-like and try to hit him back
      He swells up so with pride it seems as if his skin would crack;
      And then he's wuss than ever, so they find it doesn't pay,
      But let him keep on "yappin'" till he's tired and goes away.

      There's lots of people built like him—yer see 'em everywhere—
      Who, 'cause they ain't no use themselves, can't somehow seem ter bear
      Ter see another feller rise, but in their petty spite
      And natural meanness, snarl and snap and show they'd like ter bite.
      They don't come out in front like men, and squarely speak their mind,
      But like that wuthless yaller pup, they're hangin' 'round behind.
      They're little and contemptible, but if yer make a slip
      It must be bothersome ter know they'll take that chance ter nip.

      But there! perhaps it isn't right ter mind 'em, after all;
      Perhaps we ought ter thank the Lord our souls ain't quite so small;
      And they, with all their sneakin' ways, must be, I rather guess,
      The thorns that prick your fingers 'round the roses of success:
      Fer, when yer come ter think of it, they never bark until
      A feller's really started and a good ways up the hill;
      So, 'f I was climbin' up ter fame I wouldn't care a rap,
      But I'd think I was somebody when the curs begun ter "yap."

## THE MINISTER'S WIFE

      She's little and modest and purty,
        As red as a rose and as sweet;
      Her children don't ever look dirty,
        Her kitchen ain't no way but neat.
      She's the kind of a woman ter cherish,
        A help ter a feller through life,
      Yet every old hen in the parish
        Is down on the minister's wife.

      'Twas Mrs. 'Lige Hawkins begun it;
        She always has had the idee
      That the church was built so's she could run it,
        'Cause Hawkins is deacon, yer see;
      She thought that the whole congregation
        Kept step ter the tune of her fife,
      But she found 't was a wrong calkerlation
        Applied ter the minister's wife.

      Then Mrs. Jedge Jenks got excited—
        She thinks she's the whole upper crust;—
      When she found the Smiths was invited
        Ter meet'n', she quit in disgust.
      "You can have all the paupers yer choose to,"
        Says she, jest as sharp as a knife;
      "But if they go ter church I refuse to!"
        "Good-by!" says the minister's wife.

      And then Mrs. Jackson got stuffy
        At her not comin' sooner ter call,
      And old Miss Macgregor is huffy
        'Cause she went up ter Jackson's at all.
      Each one of the crowd hates the other,
        The church has been full of their strife;
      But now they're all hatin' another,
        And that one's the minister's wife.

      But still, all their cackle unheedin',
        She goes, in her ladylike way,
      A-givin' the poor what they're needing
        And helpin' the church every day:
      Our numbers each Sunday is swelling
        And real, true religion is rife,
      And sometimes I feel like a-yellin',
        "Three cheers fer the minister's wife!"

## THE VILLAGE ORACLE

      "I am Sir Oracle, and when I ope my lips let no dog bark!"

      Old Dan'l Hanks he says this town
        Is jest the best on earth;
      He says there ain't one, up nor down,
        That's got one half her worth;
      He says there ain't no other state
        That's good as ourn, nor near;
      And all the folks that's good and great
        Is settled right 'round here.

            Says I "D'jer ever travel, Dan?"
              "You bet I ain't!" says he;
            "I tell you what! the place I've got
              Is good enough fer me!"

      He says the other party's fools,
        'Cause they don't vote his way;
      He says the "feeble-minded schools"
        Is where they ought ter stay;
      If he was law their mouths he'd shut,
        Or blow 'em all ter smash;
      He says their platform's nawthin' but
        A great big mess of trash.

            Says I, "D'jer ever read it, Dan?"
              "You bet I ain't!" says he;
            "And when I do; well, I tell you,
              I'll let you know, by gee!"

      He says that all religion's wrong
        'Cept jest what he believes;
      He says them ministers belong
        In jail, the same as thieves;
      He says they take the blessed Word
        And tear it all ter shreds;
      He says their preachin's jest absurd;
        They're simply leatherheads.

            Says I, "D'jer ever hear 'em, Dan?"
              "You bet I ain't!" says he;
            "I'd never go ter hear 'em; no;
              They make me sick ter see!"

      Some fellers reckon, more or less,
        Before they speak their mind,
      And sometimes calkerlate or guess,—
        But them ain't Dan'l's kind.
      The Lord knows all things, great or small,
        With doubt he's never vexed;
      He, in his wisdom, knows it all,—
        But Dan'l Hanks comes next.

             Says I, "How d' yer know you're right?"
               "How do I know?" says he;
            "Well, now, I vum! I know, by gum!
              I'm right because I be!"

## THE TIN PEDDLER

      Jason White has come ter town
        Drivin' his tin peddler's cart,
      Pans a-bangin' up an' down
        Like they'd tear theirselves apart;
      Kittles rattlin' underneath,
        Coal-hods scrapin' out a song,—
      Makes a feller grit his teeth
        When old Jason comes along.

      Jason drives a sorrel mare,
        Bones an' skin at all her j'ints,
      "Blooded stock," says Jase; "I swear,
        Jest see how she shows her p'ints!
      Walkin' 's her best lay," says he,
        Eyes a-twinklin' full of fun,
      "Named her Keely Motor. See?
        Sich hard work ter make her run."

      Jason's jest the slickest scamp,
        Full of jokes as he can hold;
      Says he beats Aladdin's lamp,
        Givin' out new stuff fer old;
      "Buy your rags fer more 'n they're worth,
        Give yer bran'-new, shiny tin,
      I'm the softest snap on earth,"
        Says old Jason, with a grin.

      Jason gits the women's ear
        Tellin' news and talkin' dress;
      Can 't be peddlin' forty year
        An' not know 'em more or less;
      Children like him; sakes alive!
        Why, my Jim, the other night,
      Says, "When I git big I'll drive
        Peddler's cart, like Jason White!"

## "SARY EMMA'S PHOTYGRAPHS"

      Our Sary Emma is possessed ter be at somethin' queer;
      She's allers doin' loony things, unheard of fur and near.
      One time there wa'n't no limit ter the distance she would tramp
      Ter get a good-fer-nothin', wuthless, cancelled postage-stamp;
      Another spell folks couldn't rest ontil, by hook or crook,
      She got 'em all ter write their names inside a leetle book;
      But though them fits was bad enough, the wust is nowadays,
      Fer now she's got that pesky freak, the photygraphin' craze.

      She had ter have a camera—and them things cost a sight—
      So she took up subscriptions fer the "Woman's Home Delight"
      And got one fer a premium—a blamed new-fangled thing,
      That takes a tin-type sudden, when she presses on a spring;
      And sence she got it, sakes alive! there's nothin' on the place
      That hain't been pictured lookin' like a horrible disgrace:
      The pigs, the cows, the horse, the colt, the chickens large and small;
      She goes a-gunnin' fer 'em, and she bags 'em, one and all.

      She tuk me once a-settin' up on top a load er hay:
      My feet shets out the wagon, and my head's a mile away;
      She took her Ma in our back yard, a-hanging out the clothes,
      With hands as big as buckets, and a face that's mostly nose.
      A yard of tongue and monstrous teeth is what she calls a dog;
      The cat's a kind er fuzzy-lookin' shadder in a fog;
      And I've got a suspicion that what killed the brindle calf
      Was that he seen his likeness in our Sary's photygraph.

      She's "tonin'," er "develerpin'," er "printin'," ha'f the time;
      She's allers buyin' pasteboard ter mount up her latest crime:
      Our front room and the settin'-room is like some awful show,
      With freaks and framed outrages stuck all 'round 'em in a row:
      But soon I'll take them picters, and I'll fetch some of 'em out
      And hang 'em 'round the garden when the corn begins ter sprout;
      We'll have no crows and blackbirds ner that kind er feathered trash,
      'Cause them photygraphs of Sary's, they beat scarecrows all ter smash.

## WHEN PAPA'S SICK

      When Papa's sick, my goodness sakes!
      Such awful, awful times it makes.
      He speaks in, oh! such lonesome tones,
      And gives such ghas'ly kind of groans,
      And rolls his eyes and holds his head,
      And makes Ma help him up to bed,
      While Sis and Bridget run to heat
      Hot-water bags to warm his feet,
      And I must get the doctor quick,—
      We have to jump when Papa's sick.

      When Papa's sick Ma has to stand
      Right 'side the bed and hold his hand,
      While Sis, she has to fan an' fan,
      For he says he's "a dyin' man,"
      And wants the children round him to
      Be there when "sufferin' Pa gets through";
      He says he wants to say good-by
      And kiss us all, and then he'll die;
      Then moans and says his "breathin''s thick",—
      It's awful sad when Papa's sick.

      When Papa's sick he acts that way
      Until he hears the doctor say,
      "You've only got a cold, you know;
      You'll be all right 'n a day or so";
      And then—well, say! you ought to see—
      He's different as he can be,
      And growls and swears from noon to night
      Just 'cause his dinner ain't cooked right;
      And all he does is fuss and kick,—
      We're all used up when Papa's sick.

      THE BALLAD OF McCARTY'S TROMBONE

      Sure, Felix McCarty he lived all alone
      On the top av a hill be the town av Athione,
      And the pride av his heart was a batthered trombone,
      That he played in an iligant style av his own.
      And often I've heard me ould grandfather say,
      That, long as he lived, on Saint Patherick's Day,
      the minute the dawn showed the first streak av gray
      McCarty would rise and this tune he would play:

        "Pertaters and fishes make very good dishes,
          Saint Patherick's Day in the mornin'!"
        With tootin' and blowin' he kept it a-goin',
          For rest was a thing he was scornin';
        And thim that were lazy could niver lie aisy,
          But jumped out av bed at the warnin';
        For who could be stayin' aslape with him playin'
          "Saint Patherick's Day in the mornin'?"

      And thin whin the b'ys would fall in fer parade,
      McCarty'd be gay with his buttons and braid,
      And whin he stipped out fer ter head the brigade,
      Why, this was the beautiful tune that he played:

        "By—Killarney's—lakes—and—fells,
        Toot—tetoot toot—toot—toot—dells!"
        And—the heel av—McCart—y's—boot
        Marked—the time at—iv'—ry—toot,
        While—the slide at—aich—bass—note
        Seemed—ter slip half—down—his throat,
        As—he caught his—breath—be—spells:—
        "By—Killarney's—lakes—and—fells!"

      Now McCarty he lived ter be wrinkled and lean,
      But he died wan fine day playin' "Wearin' the green,"
      And they sould the ould horn to a British spalpeen,
      And it bu'st whin he tried ter blow "God save the Queen";

      But the nights av Saint Patherick's Days in Athlone
      Folks dare not go by the ould graveyard alone,
      For they say that McCarty sits on his tombstone
      And plays this sad tune on a phantom trombone:

        "The harp that wance through Tara's halls
          The sowl av music shed,
        Now hangs as mute on Tara's walls
          As if that sowl were dead."
        And all who've heard the lonesome keens
          That that grim ghost has blown,
        Know well by Tara's harp he means
          That batthered ould trombone.

## SUSAN VAN DOOZEN

      I'll write, for I'm witty, a popular ditty,
        To bring to me shekels and fame,
      And the only right way one may write one to-day
        Is to give it some Irish girl's name.
      There's "Rosy O'Grady," that dear "steady lady,"
        And sweet "Annie Rooney" and such,
      But mine shall be nearly original, really,
        For Susan Van Doozen is Dutch.

      O Susan Van Doozen! the girl of my choos'n',
        You stick in my bosom like glue;
      While this you're perusin', remember I'm mus'n',
        Sweet Susan Van Doozen, on you.
      So don't be refus'n' my offer, and bruis'n'
        A heart that is willing to woo;
      And please be excus'n', not cold and refus'n',—
        O Susan Van Doozen, please do!

      Now through it I'll scatter—a quite easy matter—
        Some lines that we all of us know,
      How "The neighbors all cry as she passes them by,
        'There's Susan, the pride of the row!'"
      And something like "daisy" and "setting me crazy,"
       —These lines the dear public would miss—
      Then chuck a "sweetheart" in, and "never to part" in,
        And end with a chorus like this:

        O Susan Van Doozen! before I'd be los'n'
          One glance from your eyes of sky-blue,
        I vow I'd quit us'n' tobacco and booz'n',
          (That word is not nice, it is true).
        I wear out my shoes, 'n' I'm los'n' my roos'n'
          My reason, I should say, dear Sue,—
        So please change your views 'n' become my own Susan,
          O Susan Van Doozen, please do!

## SISTER SIMMONS

      Almost every other evening jest as reg'lar as the clock
      When we're settin' down ter supper, wife and I, there comes a knock
      An' a high-pitched voice, remarking', "Don't get up; it's me, yer know";
      An' our mercury drops from "summer" down ter "twenty-five below,"
      An' our cup of bliss turns sudden inter wormwood mixed with gall,
      Fer we know it's Sister Simmons come ter make her "reg'lar call."

      In she comes an' takes the rocker. Thinks she'll slip her bunnit off,
      But she'll keep her shawl on, coz she's 'fraid of addin' ter her cough.
      No, she won't set down ter supper. Tea? well, yes, a half er cup.
      Her dyspepsy's been so lately, seems as if she should give up;
      An', 'tween rheumatiz an' as'ma, she's jest worn ter skin an' bone.
      It's a good thing that she told us,—by her looks we'd never known.

      Next, she starts in on the neighbors; tells us all their private cares,
      While we have the fun er knowin' how she talks of our affairs;
      Says, with sobs, that Christmas comin' makes her feel so bad, for, oh!
      Her Isaiah, the dear departed, allers did enjoy it so.
      Her Isaiah, poor henpecked critter, 's been dead seven years er more,
      An' looked happier in his coffin than he ever did afore.

      So she sits, her tongue a-waggin' in the same old mournful tones,
      Spoilin' all our quiet evenin's with her troubles an' her groans,
      Till, by Jude, I'm almost longin' fer those mansions of the blest,
      "Where the wicked cease from troublin' an' the weary are at rest!"
      But if Sister Simmons' station is before the Throne er Grace,
      I'll just ask 'em to excuse me, an' I'll try the other place.

## "THE FIFT' WARD J'INT DEBATE"

      Now Councilman O'Hoolihan do'n't b'lave in annixation,
      He says thim Phillypynos air the r-r-ruin av the nation.
      He says this counthry's job is jist a-mindin' av her biz,
      And imparyilism's thrayson, so ut is, so ut is.
      But big Moike Macnamara, him that runs the gin saloon,
      He wants the nomina-a-tion, so he sings a different chune;
      He's a-howlin' fer ixpansion, so he puts ut on the shlate
      Thot he challenged Dan O'Hoolihan ter have a j'int debate.

      Ho, ho! Begorra! Oi wisht that ye 'd been there!
      Ho, ho! Begorra! 'Twas lovely, Oi declare;
        The langwudge, sure 't was iligant, the rhitoric was great,
      Whin Dan and Mack, they had ut back,
        At our big j'int debate.

      'T was in the War-r-d Athletic Club we had ut fixed ter hear 'em,
      And all the sates was crowded, fer the gang was there ter cheer 'em;
      A foine debatin' platfor-r-m had been built inside the ring,
      And iverybuddy said 't was jist the thing, jist the thing.
      O'Hoolihan, he shtarted off be sayin', ut was safe
      Ter say that aich ixpansionist was jist a murth'rin thafe;
      And, whin I saw big Mack turn rid, and shtart ter lave his sate,
      Oi knew we 'd have a gor-r-geous toime at our big j'int debate.

      Thin Moike he tuk his tur-r-n ter shpake, "Av Oi wance laid me hand,"
      Says he, "upon an 'Anti,' faith! Oi'd make his nose ixpand;
      Oi 'd face the schnakin' blackguar-r-d, and Oi'd baste him where he shtood.
      Oi'd annix him to a graveyard, so Oi would, so Oi would!"
      Thin up jumped Dan O'Hoolihan a-roar-r-in' out "Yez loie!"
      And flung his b'aver hat at Mack, and plunked him in the eye;
      And Moike he niver shtopped ter talk, but grappled wid him straight,
      And the ar-r-gymint got loively thin, at our big j'int debate.

      Oi niver in me loife have seen sich char-r-min' illycution,
      The gistures av thim wid their fists was grand in ixecution;
      We tried to be impar-r-tial, so no favoroite we made,
      But jist sicked them on tergither, yis indade, yis indade.
      And nayther wan was half convinced whin Sar-r-gint Leary came,
      Wid near a dozen other cops, and stopped the purty game;
      But niver did Oi see dhress-suits in sich a mortial state
      As thim the or-r-ators had on at our big j'int debate.

      Ho, ho! Begorra! Oi wisht that ye'd been there!
      Ho, ho! Begorra! The foight was on the square;
        Ter see the wagon goin' off, wid thim two on the sate!—
      Oi 'd loike ter shtroike, 'twixt Dan and Moilce,
        Another j'int debate.

## HIS NEW BROTHER

      Say, I've got a little brother,
      Never teased to have him, nuther,
        But he's here;
      They just went ahead and bought him,
      And, last week the doctor brought him,
        Wa'n't that queer?

      When I heard the news from Molly,
      Why, I thought at first 't was jolly,
        'Cause, you see,
      I s'posed I could go and get him
      And then Mama, course, would let him
        Play with me.

      But when I had once looked at him,
      "Why!" I says, "My sakes, is that him?
        Just that mite!"
      They said, "Yes," and, "Ain't he cunnin'?"
      And I thought they must be funnin',—
        He's a sight!

      He's so small, it's just amazin',
      And you 'd think that he was blazin',
        He's so red;
      And his nose is like a berry,
      And he's bald as Uncle Jerry
        On his head.

      Why, he isn't worth a dollar!
      All he does is cry and holler
        More and more;
      Won't sit up—you can't arrange him,—
      I don't see why Pa do'n't change him
        At the store.

      Now we've got to dress and feed him,
      And we really didn't need him
        More 'n a frog;
      Why'd they buy a baby brother,
      When they know I'd good deal ruther
        Have a dog?

## CIRCLE DAY

      Me and Billy's in the woodshed; Ma said, "Run outdoors and play;
      Be good boys and don't be both'rin', till the company's gone away."
      She and sister Mary's hustlin', settin' out the things for tea,
      And the parlor's full of women, such a crowd you never see;
      Every one a-cuttin' patchwork or a-sewin' up a seam,
      And the way their tongues is goin', seems as if they went by steam.
      Me and Billy's been a-listenin' and, I tell you what, it beats
      Circus day to hear 'em gabbin', when the Sewin' Circle meets.

      First they almost had a squabble, fightin' 'bout the future life;
      When they'd settled that they started runnin' down the parson's wife.
      Then they got a-goin' roastin' all the folks there is in town,
      And they never stopped, you bet yer, till they'd done 'em good and brown.
      They knew everybody's business and they made it mighty free,
      But the way they loved each other would have done yer good to see;
      Seems ter me the only way ter keep yer hist'ry off the streets
      Is to be on hand a-waitin' when the Sewin' Circle meets.

      Pretty quick they'll have their supper, then's the time to see the fun;
      Ma'll say the rolls is awful, and she's 'fraid the pie ain't done.
      Really everything is bully, and she knows it well enough,
      But the folks that's havin' comp'ny always talks that kind of stuff.
      That sets all the women goin', and they say, "How can you make
      Such delicious pies and biscuits, and such lovely choc'late cake?"
      Me and Billy don't say nothin' when we pitches in and eats
      Up the things there is left over when the Sewin' Circle meets.

      I guess Pa do'n't like the Circle, 'cause he said ter Uncle Jim
      That there cacklin' hen convention was too peppery for him.
      And he'll say to Ma, "I'm sorry, but I've really got ter dodge
      Down t' the hall right after supper—there's a meetin' at the lodge."
      Ma'll say, "Yes, so I expected." Then a-speakin' kinder cold,
      "Seems ter me, I'd get a new one; that excuse is gettin' old!"
      Pa'll look sick, just like a feller when he finds you know he cheats,
      But he do'n't stay home, you bet yer, when the Sewin' Circle meets.

## SERMON TIME

      "Blessed are the poor in spirit": there, I'll just remember that,
      And I'll say it over 'n over, till I've got it good and pat,
      For when I get home from meetin', Gran'ma'll ask me for the text,
      And if I say I've forgot it, she'll be goin' for me next,
      Say in', I don't pay attention, and what am I comin' to;
      Tellin' 'bout when she was little, same as old folks always do.
      Say, I'll bet she didn't like it any better than the rest,
      Sittin' 'round all stiff and starchy, dressed up in your Sunday best.

      "Blessed are the poor"—I tell yer, some day I'll be clearin' out,
      Leavin' all this dressin' nonsense, 'cause I'm goin' ter be a scout,
      Same as "Deadwood Dick," a-killin' all the Injuns on the plains:
      He do'n't comb his hair, you bet yer; no, nor wash, unless it rains.
      And bimeby I'll come home, bringin' loads of gold and di'mon' rings;
      My, won't all the boys be jealous when they see those kind of things!
      'N' I'll have a reputation, folks'll call me "Lariat Ben,"
      Gran'ma'll think I 'mount ter somethin', maybe, when she sees me then.

      "Blessed are the"—There's a blackbird, outside, sittin' on a limb,—
      Gosh! I wish it wasn't Sunday, p'raps I wouldn't go for him.
      Sis says stonin' birds is wicked, but she's got one on her hat,—
      S'pose that makes it right and proper, if yer kill 'em just for that.
      There's that dudey city feller, sittin' in the Deacon's pew.
      Needn't feel so big now, Smarty, just because your clothes are new;
      Me and Sam has rigged a hat line; when it's dark to-morrer night
      We'll just catch your shiny beaver and we'll send it out of sight.

      "Blessed are"—There's Mr. Wiggin sound asleep. I wish he'd snore.
      Cracky! Now he's been and done it, dropped his hymn-book on the floor.
      See how cross his wife is lookin'. Say, I bet they'll have a row;
      Pa said that she wore the breeches, but she's got a dress on now.
      There's Nell Baker with her uncle. Her 'n I don't speak at school,
      'Cause she wouldn't help a feller when I clean forgot the rule.
      Used to be my girl before that—Gee! what was that text about?
      "Blessed—blessed—blessed" something. I'll ask Sis when we get out.

## "TAKIN' BOARDERS"

      We'd never thought of takin' 'em,—'t was Mary Ann's idee,—
      Sence she got back from boardin'-school she's called herself "Maree"
      An' scattered city notions like a tom-cat sheds his fur.
      She thought our old melodeon wa'n't good enough fer her,
      An' them pianners cost so that she said the only way
      Was ter take in summer boarders till we 'd made enough to pay;
      So she wrote advertisements out to fetch 'em inter camp,
      An' now there's boarders thicker here than June bugs round a lamp.

      Our best front parlor'll jest be sp'iled; they h'ist up every shade
      An' open all the blinds, by gum! an' let the carpet fade.
      They're in there week days jest the same as Sunday; I declare,
      I really think our haircloth set is showin' signs o' wear!
      They set up ha'f the night an' sing,—no use ter try ter sleep,
      With them a-askin' folks ter "Dig a grave both wide an' deep,"
      An' "Who will smoke my mashum pipe?" By gee! I tell yer what:
      If they want me to dig their graves, I'd jest as soon as not!

      There ain't no comfort now at meals; I can't take off my coat,
      Nor use my knife to eat, nor tie my napkin 'round my throat,
      Nor drink out of my sasser. Gosh! I hardly draw my breath
      'Thout Mary Ann a-tellin' me she's "mortified to death!"
      Before they came our breakfast time was allus ha'f-past six;
      By thunderation! 't wouldn't do; you'd orter hear the kicks!
      So jest to suit 'em 't was put off till sometime arter eight,
      An' when a chap gits up at four that's mighty long ter wait.

      The idee was that Mary Ann would help her Ma; but, land!
      She can't be round a minute but some boarder's right on hand
      Ter take her out ter walk or ride—she likes it well enough,
      But when you 're gittin' grub for twelve, Ma finds it kinder tough.
      We ain't a-sayin' nothin' now, we'll see this season through,
      But folks that bought one gold brick ain't in love with number two;
      An' if you're passin' down our way next summer, cast your eye
      At our front fence. You'll see a sign,
        "NO BOARDERS NEED APPLY."

## A COLLEGE TRAINING

      Home from college came the stripling, calm and cool and debonair,
      With a weird array of raiment and a wondrous wealth of hair,
      With a lazy love of languor and a healthy hate of work
      And a cigarette devotion that would shame the turbaned Turk.
      And he called his father "Guv'nor," with a cheek serene and rude,
      While that raging, wrathful rustic calld his son a "blasted dude."
      And in dark and direful language muttered threats of coming harm
      To the "idle, shif'less critter" from his father's good right arm.

      And the trouble reached a climax on the lawn behind the shed,—
      "Now, I'm gon' ter lick yer, sonny," so the sturdy parent said,
      "And I'll knock the college nonsense from your noddle, mighty quick!"—
      Then he lit upon that chappy like a wagon-load of brick.
      But the youth serenely murmured, as he gripped his angry dad,
      "You're a clever rusher, Guv'nor, but you tackle very bad";
      And he rushed him through the center and he tripped him for a fall,
      And he scored a goal and touchdown with his papa as the ball.

      Then a cigarette he lighted, as he slowly strolled away,
      Saying, "That was jolly, Guv'nor, now we'll practice every day";
      While his father from the puddle, where he wallowed in disgrace,
      Smiled upon his offspring, proudly, from a bruised and battered face,
      And with difficulty rising, quick he hobbled to the house.
      "Henry's all right, Ma!" he shouted to his anxious, waiting spouse,
      "He jest licked me good and solid, and I tell yer, Mary Ann,
      When a chap kin lick your husband he's a mighty able man!"

## A CRUSHED HERO

      On a log behind the pigsty of a modest little farm,
      Sits a freckled youth and lanky, red of hair and long of arm;
      But his mien is proud and haughty and his brow is high and stern,
      And beneath their sandy lashes, fiery eyes with purpose burn.
      Bow before him, gentle reader, he's the hero we salute,
      He is Hiram Adoniram Andrew Jackson Shute.

      Search not Fame's immortal marbles, never there his name you'll find,
      For our hero, let us whisper, is a hero in his mind;
      And a youth may bathe in glory, wade in slaughter time on time,
      When a novel, wild and gory, may be purchased for a dime.
      And through reams of lurid pages has he slain the Sioux and Ute,
      Bloody Hiram Adoniram Andrew Jackson Shute.

      Hark, a heavy step advancing,—list, a father's angry cry,
      "He hain't shucked a single nubbin; where's that good-fer-nothin' Hi?"
      "Here, base catiff," comes the answer, "here am I who was your slave,
      But no more I'll do your shuckin', though I fill a bloody grave!
      Freedom's fire my breast has kindled; there'll be bloodshed, tyrant!
          brute!"
      Quoth brave Hiram Adoniram Andrew Jackson Shute.

      "Breast's a-blazin', is it, Sonny?" asks his father with a smile,
      "Kind er like a stove, I reckon, what they call 'gas-burner' style.
      Good 'base-burner' 's what your needin'"—here he pins our hero fast,
      "Come, young man, we'll try the woodshed, keep the bloodshed till the
          last."
      Then an atmosphere of horse-whip, interspersed with cow-hide boot,
      Wraps young Hiram Adoniram Andrew Jackson Shute.

      Weep ye now, oh, gentle reader, for the fallen, great of heart,
      As ye wept o'er Saint Helena and the exiled Bonaparte;
      For a picture, sad as that one, to your pity I would show
      Of a spirit crushed and broken,—of a hero lying low;
      For where husks are heaped the highest, working swiftly, hushed and mute,
      Shucketh Hiram Adoniram Andrew Jackson Shute.

## A THANKSGIVING DREAM

      I'm pretty nearly certain that't was 'bout two weeks ago,—
      It might be more, or, p'raps 't was less,—but, anyhow, I know
      'T was on the night I ate the four big saucers of ice cream
      That I dreamed jest the horriblest, most awful, worstest dream.
      I dreamed that 'twas Thanksgiving and I saw our table laid
      With every kind of goody that, I guess, was ever made;
      With turkey, and with puddin', and with everything,—but, gee!
      'T was dreadful, 'cause they was alive, and set and looked at me.

      And then a great big gobbler, that was on a platter there,
      He stood up on his drumsticks, and he says, "You boy, take care!
      For if, Thanksgivin' Day, you taste my dark meat or my white,
      I'll creep up to your bedroom in the middle of the night;
      I'll throw off all the blankets, and I'll pull away the sheet,
      I'll prance and dance upon you with my prickly, tickly feet;
      I'll kick you, and I'll pick you, and I'll screech, 'Remember me!'
      Beware, my boy! Take care, my boy!" that gobbler says, says he.

      And then a fat plum puddin' kind er grunted-like and said:
      "I'm round and hot and steamin', and I'm heavier than lead,
      And if you dare to eat me, boy, upon Thanksgivin' Day,
      I'll come at night and tease you in a frightful sort of way.
      I'll thump you, and I'll bump you, and I'll jump up high and fall
      Down on your little stomach like a sizzlin' cannon-ball
      I'll hound you, and I'll pound you, and I'll screech 'Remember me!'
      Beware, my boy! Take care, my boy!" that puddin says, says he.

      And then, soon as the puddin' stopped, a crusty ol' mince pie
      Jumped from its plate and glared at me and winked its little eye;
      "You boy," it says, "Thanksgivin' Day, don't dare ter touch a slice
      Of me, for if you do, I'll come and cramp you like a vise.
      I'll root you, and I'll boot you, and I'll twist you till you squeal,
      I'll stand on edge and roll around your stomach like a wheel;
      I'll hunch you, and I'll punch you, and I'll screech, 'Remember me!'"

      I don't know what came after that, 'cause I woke up, you see.

      You wouldn't b'lieve that talk like that one ever could forget,
      But, say! ter-day's Thanksgivin,' and I've et, and et, and et!
      And when I'd stuffed jest all I could, I jumped and gave a scream,
      'Cause all at once, when 't was too late, I 'membered 'bout that dream.
      And now it's almost bedtime, and I ought ter say my prayers
      And tell the folks "good-night" and go a-pokin' off up-stairs;
      But, oh, my sakes! I dasn't, 'cause I know them things'll be
      All hidin' somewheres 'round my bed and layin there fer me.

## O'REILLY'S BILLY-GOAT

      A solemn Sabbath stillness lies along the Mudville lanes,
      Among the crags of Shantytown a peaceful quiet reigns,
      For down upon McCarty's dump, in fiery fight for fame,
      The Shanties meet the Mudvilles in the final pennant game;
      And heedless of the frantic fray, in center field remote,
      Behind the biggest ash-heap lies O'Reilly's billy-goat.

      The eager crowd bends forward now, in fierce excitement's thrall,
      The pitcher writhes in serpent twist, the umpire says, "Play ball!"
      The batsman swings with sudden spite,—a loud, resounding "spat,"
      And hissing through the ambient air the horse-hide leaves the bat;
      With one terrific battle-cry, the "rooter" clears his throat,
      But still serene in slumber lies O'Reilly's billy-goat.

      Alas, alas for Shantytown! the Mudvilles forge ahead;
      Alas for patriotic hopes! the green's below the red;
      With one half inning still to play the score is three to two,
      The Shantys have a man on base,—be brave my lads, and true;
      Bold Captain Muggsy comes to bat, a batsman he of note,
      And slowly o'er the ash-heap walks O'Reilly's billy-goat.

      The yelling Mudville hosts have wrecked his slumbers so serene,
      With deep disgust and sullen eye he gazes o'er the scene.
      He notes the center-fielder's garb, the Mudvilles' shirt of red;
      He firmly plants his sturdy legs, he bows his horned head,
      And, as upon his shaggy ears the Mudville slogan smote,
      A sneer played 'mid the whiskers of O'Reilly's billy-goat.

      The valiant Muggsy hits the ball. Oh, deep and dark despair!
      He hits it hard and straight, but ah, he hits it in the air!
      The Mudville center-fielder smiles and reaches forth in glee,
      He knows that fly's an easy out for such a man as he.
      Beware, oh rash and reckless youth, nor o'er your triumph gloat,
      For toward you like a comet flies O'Reilly's billy-goat.

      Across the battle-field is borne a dull and muffled sound,
      The fielder like a bullock falls, the ball rolls on the ground.
      Around the bases on the wing the gallant Muggsy speeds,
      And follows swiftly in the track where fast his comrade leads.
      And from the field of chaos where the dusty billows float,
      With calm, majestic mien there stalks O'Reilly's billy-goat.

      Above the crags of Shantytown the flaunting pennant waves,
      And cheering myriads chant the praise of Muggsy's lusty braves.
      The children shout in gladsome glee, each fair one waves her hand,
      As down the street the heroes march with lively German band;
      But wilder grows the tumult when, with ribboned horns and coat,
      They see, on high in triumph borne, O'Reilly's billy-goat.

## THE CUCKOO CLOCK

      When Ezry, that's my sister's son, come home from furrin parts,
      He fetched the folks a lot of things ter brighten up their hearts;
      He fetched 'em silks and gloves and clothes, and knick-knacks, too, a
          stock,
      But all he fetched fer us was jest a fancy cuckoo clock.
      'T was all fixed up with paint and gilt, and had a little door
      Where sat the cutest little bird, and when 't was three or four
      Or five or six or any time, that bird would jest come out
      And, 'cordin' ter what time it was, he'd flap his wings and shout:
          "Hoo-hoo! Hoo-hoo! Hoo-hoo!"

      Well, fust along we had it, why, I thought 'twas simply prime!
      And used to poke the hands around ter make it "cuckoo" time;
      And allers when we'd company come, they had ter see the thing,
      And, course they almost had a fit when "birdie" come ter sing.
      But, by and by, b'gosh! I found it somehow lost its joys,
      I found it kind er made me sick to hear that senseless noise;
      I wished 't was jest a common clock, that struck a gong, yer know,
      And didn't have no foolish bird ter flap his wings and go:
          "Hoo-hoo! Hoo-hoo! Hoo-hoo!"

      Well, things git on from bad to wuss, until I'm free ter grant,
      I'd smash it into kindlin', but a present, so, I can't!
      And, though a member of the church, and deacon, I declare,
      That thing jest sets me up on end and makes me want ter swear!
      I try ter be religious and ter tread the narrer way,
      But seems as if that critter knew when I knelt down ter pray,
      And all my thoughts of heaven go a-tumblin' down ter,—well,
      A different kind of climate—when that bird sets out ter yell:
          "Hoo-hoo! Hoo-hoo! Hoo-hoo!"

      I read once in a poetry book, that Ezry had ter home,
      The awful fuss a feller made about a crow, that come
      And pestered him about ter death and made him sick and sore,
      By settin' on his mantel-piece and hollerin' "Nevermore!"
      But, say, I'd ruther have the crow, with all his fuss and row,
      His bellerin' had some sense, b'gosh! 'T was English, anyhow;
      And all the crows in Christendom that talked a Christian talk
      Would seem like nightingales, compared ter that air furrin squawk:
          "Hoo-hoo! Hoo-hoo! Hoo-hoo!"

## THE POPULAR SONG

      I never was naturally vicious;
        My spirit was lamb-like and mild;
      I never was bad or malicious;
        I loved with the trust of a child.
      But hate now my bosom is burning,
        And all through my being I long
      To get one solid thump on the head of the chump
        Who wrote the new popular song.

          The office-boy hums it,
          The book-keeper drums it,
            It's whistled by all on the street;
          The hand-organ grinds it,
          The music-box winds it,
            It's sung by the "cop" on the beat.
          The newsboy, he spouts it,
          The bootblack, he shouts it,
            The washwoman sings it all wrong;
          And I laugh, and I weep,
          And I wake, and I sleep,
            To the tune of that popular song.

      Its measures are haunting my dreaming;
        I rise at the breakfast-bell's call
      To hear the new chambermaid screaming
        The chorus aloud through the hall.
      The landlady's daughter's piano
        Is helping the concert along,
      And my molars I break on the tenderloin steak
        As I chew to that popular song.

          The orchestra plays it,
          The German band brays it,
            'T is sung on the platform and stage;
          All over the city
          They're chanting the ditty;
            At summer resorts it's the rage.
          The drum corps, it beats it,
          The echo repeats it,
            The bass-drummer brings it out strong,
          And we speak, and we talk,
          And we dance, and we walk,
            To the notes of that popular song.

      It really is driving me crazy;
        I feel that I'm wasting away;
      My brain is becoming more hazy,
        My appetite less every day.
      But, ah! I'd not pray for existence,
        Nor struggle my life to prolong,
      If, up some dark alley, with him I might dally
        Who wrote that new popular song.

          The bone-player clicks it,
          The banjoist picks it,
            It 'livens the clog-dancer's heels;
          The bass-viol moans it,
          The bagpiper drones it,
            They play it for waltzes and reels.
          I shall not mind quitting
          The earthly, and flitting
            Away 'mid the heavenly throng,
          If the mourners who come
          To my grave do not hum
            That horrible popular song.

## MATILDY'S BEAU

      I hain't no great detective, like yer read about,—the kind
      That solves a whole blame murder case by footmarks left behind;
      But then, again, on t'other hand, my eyes hain't shut so tight
      But I can add up two and two and get the answer right;
      So, when prayer-meet'ns, Friday nights, got keepin' awful late,
      And, fer an hour or so, I'd hear low voices at the gate—
      And when that gate got saggin' down 'bout ha'f a foot er so—
      I says ter mother: "Ma," says I, "Matildy's got a beau."

      We ought ter have expected it—she's 'most eighteen, yer see;
      But, sakes alive! she's always seemed a baby, like, ter me;
      And so, a feller after her! why, that jest did beat all!
      But, t' other Sunday, bless yer soul, he come around ter call;
      And when I see him all dressed up as dandy as yer please,
      But sort er lookin' 's if he had the shivers in his knees,
      I kind er realized it then, yer might say, like a blow—
      Thinks I, "No use! I'm gittin' old; Matildy's got a beau."

      Just twenty-four short years gone by—it do'n't seem five, I vow!—
      I fust called on Matildy—that's Matildy's mother now;
      I recollect I spent an hour a-tyin' my cravat,
      And I'd sent up ter town and bought a bang-up shiny hat.
      And, my! oh, my! them new plaid pants; well, wa'n't I something grand
      When I come up the walk with some fresh posies in my hand?
      And didn't I feel like a fool when her young brother, Joe,
      Sang out: "Gee crickets! Looky here! Here comes Matildy's beau!"

      And now another feller comes up my walk, jest as gay,
      And here's Matildy blushin' red in jest her mother's way;
      And when she says she's got ter go an errand to the store,
      We know he 's waitin' 'round the bend, jest as I've done afore;
      Or, when they're in the parlor and I knock, why, bless yer heart!
      I have ter smile ter hear how quick their chairs are shoved apart.
      They think us old folks don't "catch on" a single mite; but, sho!
      I reckon they fergit I was Matildy's mother's beau.

## "SISTER'S BEST FELLER"

      My sister's best feller is 'most six-foot-three,
      And handsome and strong as a feller can be;
      And Sis, she's so little, and slender, and small,
      You never would think she could boss him at all;
          But, my jing!
          She do'n't do a thing
          But make him jump 'round, like he worked with a string!
      It jest makes me 'shamed of him sometimes, you know,
      To think that he'll let a girl bully him so.

      He goes to walk with her and carries her muff
      And coat and umbrella, and that kind of stuff;
      She loads him with things that must weigh 'most a ton;
      And, honest, he likes it,—as if it was fun!
          And, oh, say!
          When they go to a play,
          He'll sit in the parlor and fidget away,
      And she won't come down till it's quarter past eight,
      And then she'll scold him 'cause they get there so late.

      He spends heaps of money a-buyin' her things,
      Like candy, and flowers, and presents, and rings;
      And all he's got for 'em 's a handkerchief case—
      A fussed-up concern, made of ribbons and lace;
          But, my land!
          He thinks it's just grand,
          "'Cause she made it," he says, "with her own little hand";
      He calls her "an angel"—I heard him—and "saint,"
      And "beautif'lest bein' on earth"—but she ain't.

      'Fore I go an errand for her any time
      I jest make her coax me, and give me a dime;
      But that great, big silly—why, honest and true—
      He'd run forty miles if she wanted him to.
          Oh, gee whiz!
          I tell you what 'tis!
          I jest think it's awful—those actions of his.
      I won't fall in love, when I'm grown—no sir-ee!
      My sister's best feller's a warnin' to me!

## "THE WIDDER CLARK"

      It's getting on ter winter now, the nights are crisp and chill,
      The wind comes down the chimbly with a whistle sharp and shrill,
      The dead leaves rasp and rustle in the corner by the shed,
      And the branches scratch and rattle on the skylight overhead.
      The cracklin' blaze is climbin' up around the old backlog,
      As we set by the fireplace here, myself and cat and dog;
      And as fer me, I'm thinkin', as the fire burns clear and bright,
      That it must be mighty lonesome fer the Widder Clark ter-night.

      It's bad enough fer me, b'gosh, a-pokin' round the place,
      With jest these two dumb critters here, and nary human face
      To make the house a home agin, same as it used ter be
      While mother lived, for she was 'bout the hull wide world ter me.
      My bein' all the son she had, we loved each other more—
      That's why, I guess, I'm what they call a "bach" at forty-four.
      It's hard fer me to set alone, but women folks—'t ain't right,
      And it must be mighty lonesome fer the Widder Clark ter-night.

      I see her t' other mornin', and, I swan, 't wa'n't later 'n six,
      And there she was, out in the cold, a-choppin' up the sticks
      To kindle fire fer breakfast, and she smiled so bright and gay,
      By gee, I simply couldn't bear ter see her work that way!
      Well, I went in and chopped, I guess, enough ter last a year,
      And she said "Thanks," so pretty, gosh! it done me good ter hear!
      She do'n't look over twenty-five, no, not a single mite;
      Ah, hum! it must be lonesome fer the Widder Clark ter-night.

      I sez ter her, "Our breakfasts ain't much fun fer me or you;
      Seems's if two lonesome meals might make one social one fer two."
      She blushed so red that I did, too, and I got sorter 'fraid
      That she was mad, and, like a fool, come home; I wish I'd stayed!
      I'd like ter know, now, if she thinks that Clark's a pretty name—
      'Cause, if she do'n't, and fancies mine, we'll make 'em both the same.
      I think I'll go and ask her, 'cause 't would ease my mind a sight
      Ter know 't wa'n't quite so lonesome fer the Widder Clark ter-night.

## FRIDAY EVENING MEETINGS

      Oh, the Friday evening meetings in the vestry, long ago,
      When the prayers were long and fervent and the anthems staid and slow,
      Where the creed was like the pewbacks, of a pattern straight and stiff,
      And the congregation took it with no doubting "but" or "if,"
      Where the girls sat, fresh and blooming, with the old folks down before,
      And the boys, who came in later, took the benches near the door.

      Oh, the Friday evening meetings, how the ransomed sinners told
      Of their weary toils and trials ere they reached the blessed fold;
      How we trembled when the Deacon, with a saintly relish, spoke
      Of the fiery place of torment till we seemed to smell the smoke;
      And we all joined in "Old Hundred" till the rafters seemed to ring
      When the preacher said, "Now, brethren: Hallelujah! Let us sing."

      Oh, the Friday evening meetings, and the waiting 'round about,
      'Neath the lamplight, at the portal, just to see when she came out,
      And the whispered, anxious question, and the faintly murmured "Yes,"
      And the soft hand on your coat-sleeve, and the perfumed, rustling dress,—
      Oh, the Paradise of Heaven somehow seemed to show its worth
      When you walked home with an angel through a Paradise on earth.

      Oh, the Friday evening meetings, and the happy homeward stroll,
      While the moonlight softly mingled with the love-light in your soul;
      Then the lingering 'neath the lattice where the roses hung above,
      And the "good-night" kiss at parting, and the whispered word of love,—
      Ah, they lighted Life's dark highway with a sweet and sacred glow
      From the Friday evening meetings in the vestry, long ago.

## THE PARSON'S DAUGHTER

      Little foot, whose lightest pat
      Seems to glorify the mat,
      Waving hair and picture hat,
        Grace the nymphs have taught her;
      Gown the pink of fit and style,
      Lips that ravish when they smile,—
      Like a vision, down the aisle
        Comes the parson's daughter.

      As she passes, like a dart
      To each luckless fellow's heart
      Leaps a throbbing thrill and smart,
        When his eye has sought her;
      Tries he then his sight to bless
      With one glimpse of face or tress—
      Does she know it?—well, I guess!
        Parson's pretty daughter.

      Leans she now upon her glove
      Cheeks whose dimples tempt to love,
      And, with saintly look above,
        Hears her "Pa" exhort her;
      But, within those upturned eyes,
      Fair as sunny summer skies,
      Just a hint of mischief lies,—
        Parson's roguish daughter.

      From their azure depths askance,
      When the hymn-book gave the chance,
      Did I get one laughing glance?
        I was sure I caught her.
      Are her thoughts so far amiss
      As to stray, like mine, to bliss?
      For, last night, I stole a kiss
        From the parson's daughter.

## MY OLD GRAY NAG

      When the farm work's done, at the set of sun,
        And the supper's cleared away,
      And Ma, she sits on the porch and knits,
        And Dad, he puffs his clay;
      Then out I go ter the barn, yer know,
        With never a word ner sign,
      In the twilight dim I harness him—
        That old gray nag of mine.

      He's used ter me, and he knows, yer see,
        Down jest which lane ter turn;
      Fact is—well, yes—he's been, I guess,
        Quite times enough ter learn;
      And he knows the hedge by the brook's damp edge,
        Where the twinklin' fireflies shine,
      And he knows who waits by the pastur' gates—
        That old gray nag of mine.

      So he stops, yer see, fer he thinks, like me,
        That a buggy's made fer two;
      Then along the lane, with a lazy rein,
        He jogs in the shinin' dew;
      And he do'n't fergit he can loaf a bit
        In the shade of the birch and pine;
      Oh, he knows his road, and he knows his load—
        That old gray nag of mine.

      No, he ain't the sort that the big-bugs sport,
        Docked up in the latest style,
      But he suits us two, clean through and through,
        And, after a little while,
      When the cash I've saved brings the home we've craved,
        So snug, and our own design,
      He'll take us straight ter the parson's gate—
        That old gray nag of mine.

## THROUGH THE FOG

      The fog was so thick yer could cut it
        'Thout reachin' a foot over-side,
      The dory she'd nose up ter butt it,
        And then git discouraged an' slide;
      No noise but the thole-pins a-squeakin',
        Or, maybe, the swash of a wave,
      No feller ter cheer yer by speakin'—
        'Twas lonesomer, lots, than the grave.

      I set there an' thought of my trouble,
        I thought how I'd worked fer the cash
      That bust and went up like a bubble
        The day that the bank went ter smash.
      I thought how the fishin' was failin',
        How little this season I'd made,
      I thought of the child that was ailin',
        I thought of the bills ter be paid.

      "And," says I, "All my life I've been fightin'
        Through oceans of nothin' but fog;
      And never no harbor a-sightin'—
        Jest driftin' around like a log;
      No matter how sharp I'm a-spyin',
        I never see nothin' ahead:
      I'm sick and disgusted with tryin'—
        I jest wish ter God I was dead."

      It wa'n't more'n a minute, I'm certain,
        The words was jest out er my mouth,
      When up went the fog, like a curtain,
        And "puff" came the breeze from the south;
      And 'bout a mile off, by rough guessin',
        I see my own shanty on shore,
      And Mary, my wife and my blessin',
        God keep her, she stood in the door.

      And I says ter myself, "I'm a darlin';
        A chap with a woman like that,
      To set here a-grumblin' and snarlin',
        As sour as a sulky young brat—
      I'd better jest keep my helm steady,
        And not mind the fog that's adrift,
      For when the Lord gits good and ready,
        I reckon it's certain ter lift."

## THE BALLADE OF THE DREAM-SHIP

      My dream-ship's decks are of beaten gold,
        And her fluttering banners are brave of hue,
      And her shining sails are of satin fold,
        And her tall sides gleam where the warm waves woo:
        While the flung spray leaps in a diamond dew
      From her bright bow, dipping its dance of glee;
        For the skies are fair and the soft winds coo,
      Where my dream-ship sails o'er the silver sea.

      My dream-ship's journeys are long and bold,
        And the ports she visits are far and few;
      They lie by the rosy shores of old,
        'Mid the dear lost scenes my boyhood knew;
        Or, deep in the future's misty blue,
      By the purple islands of Arcady,—
        And Spain's fair turrets shine full in view,
      Where my dream-ship sails o'er the silver sea.

      My dream-ship's cargo is wealth untold,
        Rare blooms that the old home gardens grew,
      Sweet pictured faces, and loved songs trolled
        By lips long laid 'neath the churchyard yew;
        Or wondrous wishes not yet come true,
      And fame and glory that is to be;—
        Hope holds the wheel all the lone watch through,
      Where my dream-ship sails o'er the silver sea.

## ENVOY

      Heart's dearest, what though the storms may brew,
        And earth's ways darken for you and me?
      The breeze is fair—let us voyage anew,
        Where my dream-ship sails o'er the silver sea.

## LIFE'S PATHS

      It's A wonderful world we're in, my dear,
        A wonderful world, they say,
      And blest they be who may wander free
        Wherever a wish may stray;
      Who spread their sails to the arctic gales,
        Or bask in the tropic's bowers,
      While we must keep to the foot-path steep
        In this workaday life of ours.

      For smooth is the road for the few, my dear,
        And wide are the ways they roam:
      Our feet are led where the millions tread,
        In the worn, old lanes of home.
      And the years may flow for weal or woe,
        And the frost may follow the flowers,
      Our steps are bound to the self-same round
        In this workaday life of ours.

      But narrow our path may be, my dear,
        And simple the scenes we view,
      A heart like thine, and a love like mine,
        Will carry us bravely through.
      With a happy song we'll trudge along,
        And smile in the shine or showers,
      And we'll ease the pack on a brother's back
        By this workaday life of ours.

## THE MAYFLOWER

      In the gleam and gloom of the April weather,
        When the snows have flown in the brooklet's flood,
      And the Showers and Sunshine sport together,
        And the proud Bough boasts of the baby Bud;
      On the hillside brown, where the dead leaves linger
        In crackling layers, all crimped and curled,
      She parts their folds with a timid finger,
        And shyly peeps at the waking world.

      The roystering West Wind flies to greet her,
        And bids her haste, with a gleeful shout:
      The quickening Saplings bend to meet her,
        And the first green Grass-blades call, "Come out!"
      So, venturing forth with a dainty neatness,
        In gown of pink or in white arrayed,
      She comes once more in her fresh completeness,
        A modest, fair little Pilgrim Maid.

      Her fragrant petals, their beauties showing,
        Creep out to sprinkle the hill and dell,
      Like showers of Stars in the shadows glowing,
        Or Snowflakes blossoming where they fell;
      And the charmed Wood leaps into joyous blooming,
        As though't were touched by a Fairy's ring,
      And the glad Earth scents, in the rare perfuming,
        The first sweet breath of the new-born Spring.

## MAY MEMORIES

        To my office window, gray,
        Come the sunbeams in their play,
      Come the dancing, glancing sunbeams, airy fairies of the May;
        Like a breath of summer-time,
        Setting Memory's bells a-chime,
      Till their jingle seems to mingle with the measure of my rhyme.

        And above the tramp of feet,
        And the clamor of the street,
      I can hear the thrush's singing, ringing high and clear and sweet,—
        Hear the murmur of the breeze
        Through the bloom-starred apple trees,
      And the ripples softly splashing and the dashing of the seas;

        See the shadow and the shine
        Where the glossy branches twine,
      And the ocean's sleepy tuning mocks the crooning in the pine;
        Hear the catbird whistle shrill
        In the bushes by the rill,
      Where the violets toss and twinkle as they sprinkle vale and hill;

        Feel the tangled meadow-grass
        On my bare feet as I pass;
      See the clover bending over in a dew-bespangled mass;
        See the cottage by the shore,
        With the pansy beds before,
      And the old familiar places and the faces at the door.

        Oh, the skies of blissful blue,
        Oh, the woodland's verdant hue,—
      Oh, the lazy days of boyhood, when the world was fair and new!
        Still to me your tale is told
        In the summer's sunbeam's gold,
      And my truant fancy straying, goes a-Maying as of old.

## BIRDS'-NESTING TIME

      The spring sun flashes a rapier thrust
        Through the dingy school-house pane,
      A shining scimitar, free from rust,
      That cuts the cloud of the drifting dust,
        And scatters a golden rain;
      And the boy at the battered desk within
        Is dreaming a dream sublime,
      For study's a wrong, and school a sin,
      When the joys of woods and fields begin,
        And it's just birds'-nesting time.

      He dreams of a nook by the world unguessed,
        Where the thrush's song is sung,
      And the dainty yellowbird's fairy nest,
      Lined with the fluff from the cattail's crest,
        'Mid the juniper boughs is hung;
      And further on, by the elder hedge,
        Where the turtles come out to sleep,
      The marsh-hen builds, by the brooklet's edge,
      Her warm, wet home in the swampy sedge,
        'Mid the shadows so dark and deep.

      He knows of the spot by the old stone wall,
        Where the sunlight dapples the glade,
      And the sweet wild-cherry blooms softly fall,
      And hid in the meadow-grass rank and tall,
        The "Bob-white's" eggs are laid.
      He knows, where the sea-breeze sobs and sings,
        And the sand-hills meet the brine,
      The clamorous crows, with their whirring wings,
      Tell of their treasure that sways and swings
        In the top of the tasselled pine.

      And so he dreamed, with a happy face,
        Till the noontide recess came,
      And when't was over, ah, sad disgrace,
      The teacher, seeing an empty place,
        Marked "truant" against his name;
      While he, forgetful of book or rule,
        Sought only a tree to climb:
      For where is the boy who remembers school
      When the cowslip blows by the marshy
        And it's just birds'-nesting time?

## THE OLD SWORD ON THE WALL

        Where the warm spring sunlight, streaming
        Through the window, sets its gleaming,
      With a softened silver sparkle in the dim and dusky hall,
        With its tassel torn and tattered,
        And its blade, deep-bruised and battered,
      Like a veteran, scarred and weary, hangs the old sword on the wall.

        None can tell its stirring story,
        None can sing its deeds of glory,
      None can say which cause it struck for, or from what limp hand it fell;
        On the battle-field they found it,
        Where the dead lay thick around it—
      Friend and foe—a gory tangle—tossed and torn by shot and shell.

        Who, I wonder, was its wearer,
        Was its stricken soldier bearer?
      Was he some proud Southern stripling, tall and straight and brave and true?
        Dusky locks and lashes had he?
        Or was he some Northern laddie,
      Fresh and fair, with cheeks of roses, and with eyes and coat of blue?

        From New England's fields of daisies,
        Or from Dixie's bowered mazes,
      Rode he proudly forth to conflict? What, I wonder, was his name?
        Did some sister, wife, or mother,
        Mourn a husband, son, or brother?
      Did some sweetheart look with longing for a love who never came?

        Fruitless question! Fate forever
        Keeps its secret, answering never.
      But the grim old blade shall blossom on this mild Memorial Day;
        I will wreathe its hilt with roses
        For the soldier who reposes
      Somewhere 'neath the Southern grasses in his garb of blue or gray.

        May the flowers be fair above him,
        May the bright buds bend and love him,
      May his sleep be deep and dreamless till the last great bugle-call;
        And may North and South be nearer
        To each other's heart, and dearer,
      For the memory of their heroes and the old swords on the wall.

## NINETY-EIGHT IN THE SHADE

      Pavements a-frying in street and in square,
      Never a breeze in the blistering air,
      Never a place where a fellow can run
      Out of the shine of the sizzling sun:
      "General Humidity" having his way,
      Killing us off by the hundred a day;
      Mercury climbing the tube like a shot,—
      Suffering Caesar! I tell you it's hot!

      Collar kerflummoxed all over my neck,
      Necktie and bosom and wristbands a wreck,
      Handkerchief dripping and worn to a shred
      Mopping and scouring my face and my head;
      Simply ablaze from my head to my feet,
      Back all afire with the prickles of heat,—
      Not on my cuticle one easy spot,—
      Jiminy Moses! I tell you it's hot!

      Give me a fan and a seat in the shade,
      Bring me a bucket of iced lemonade;
      Dress me in naught but the thinnest of clothes,
      Start up the windmill and turn on the hose:
      Set me afloat from my toes to my chin,
      Open the ice-box and fasten me in,—
      If it should freeze me, why, that matters not,—
      Brimstone and blazes! I tell you it's HOT!

## SUMMER NIGHTS AT GRANDPA'S

      Summer nights at Grandpa's—ain't they soft and still!
      Just the curtains rustlin' on the window-sill,
      And the wind a-blowin', warm and wet and sweet—
      Smellin' like the meadows or the fields of wheat;
      Just the bullfrogs pipin' in amongst the grass,
      Where the water's shinin' like a lookin'-glass;
      Just a dog a-barkin' somewheres up along,
      So far off his yelpin' 's like a kind of song.

      Summer nights at Grandpa's—hear the crickets sing,
      And the water bubblin' down beside the spring;
      Hear the cattle chewin' fodder in the shed,
      And an owl a-hootin' high up overhead;
      Hear the "way-off noises," faint and awful far—
      So mixed-up a feller do'n't know what they are—
      But so sort er lazy that they seem ter keep
      Sayin' over 'n' over, "Sonny, go ter sleep."

      Summer nights at Grandpa's—ain't it fun ter lay
      In the early mornin' when it's gettin' day—
      When the sun is risin' and it's fresh and cool,
      And you 're feelin' happy coz there ain't no school?—
      When you hear the crowin' as the rooster wakes,
      And you think of breakfast and the buckwheat cakes;
      Sleepin' in the city's too much fuss and noise;
      Summer nights at Grandpa's are the things for boys.

## GRANDFATHER'S "SUMMER SWEETS"

      Grandfather's "summer sweets" are ripe.
        Out on the gnarled old tree,
      Out where the robin redbreasts pipe,
        And buzzes the bumblebee;
      Swinging high on the bending bough,
        Scenting the lazy breeze,
      What is the gods' ambrosia now
        To apples of gold like these?

      Ruddy the blush of their maiden cheeks
        After the sunbeam's kiss—
      Every quivering leaflet speaks,
        Telling a tale of bliss;
      Telling of dainties hung about,
        Each in a verdant wreath,
      Shimmering satin all without,
        Honey and cream beneath.

      Would ye haste to the banquet rare,
        Taste of the feast sublime?
      Brush from the brow the lines of care,
        Scoff at the touch of Time?
      Come in the glow of the olden days,
        Come with a youthful face,
      Come through the old familiar ways,
        Up from the dear, old place.

      Barefoot, trip through the meadow lane,
        Laughing at bruise and scratch;
      Come, with your hands all rich with stain
        Fresh from the blackberry patch;
      Come where the orchard spreads its store
        And the breath of the clover greets;
      Quick! they are waiting you here once more,—
        Grandfather's "summer sweets."

      Grandfather's "summer sweets" are ripe,
        Out on the gnarled, old tree—
      Out where the robin redbreasts pipe,
        And buzzes the bumblebee;
      Swinging high on the bending bough,
        Scenting the lazy breeze,
      What is the gods' ambrosia now
        To apples of gold like these?

## MIDSUMMER

      Sun like a furnace hung up overhead,
      Burnin' and blazin' and blisterin' red;
      Sky like an ocean, so blue and so deep,
      One little cloud-ship becalmed and asleep;
      Breezes all gone and the leaves hangin' still,
      Shimmer of heat on the medder and hill,—Labor
      and laziness callin' to me:
      "Hoe or the fishin'-pole—which'll it be?"

      There's the old cornfield out there in the sun,
      Showin' so plain that there's work ter be done;
      There's the mean weeds with their tops all a-sprout,
      Seemin' ter stump me ter come clean 'em out;
      But, there's the river, so clear and so cool,
      There's the white lilies afloat on the pool,
      Scentin' the shade 'neath the old maple tree—
      "Hoe or the fishin'-pole—which'll it be?"

      Dusty and dry droops the corn in the heat,
      Down by the river a robin sings sweet,
      Gray squirrels chatter as if they might say:
      "Who's the chump talkin' of workin' to-day?"
      Robin's song tells how the pickerel wait
      Under the lily-pads, hungry for bait;
      I ought ter make for that cornfield, I know:
      But, "Where's the fishin'-pole? Hang the old hoe!"

## "SEPTEMBER MORNIN'S"

      Oh, the cool September mornin's! now they're with us once agin,
      With the grasses wet and shinin', and the air so clear and thin,
      When the cheery face of Natur' seems ter want ter let yer know
      That she's done with lazy summer and is brimmin' full of "go";
      When yer hear the cattle callin' and the hens a-singin' out,
      And the pigeons happy cooin' as they flutter 'round about,
      And there's snap and fire and sparkle in the way a feller feels,
      Till he fairly wants ter holler and ter jump and crack his heels.

      There's a ringin', singin' gladness in the tunes the blackbirds pipe
      When they're tellin' from the pear-tree that the Bartletts's nigh ter ripe;
      There's a kind of jolly fatness where the Baldwin apples shine,
      And the juicy Concord clusters are a-purplin' on the vine;
      And the cornstalks, turnin' yaller and a-crinklin' up their leaves,
      Look as if they kind er hankered ter be bundled inter sheaves;
      And there's beamin', streamin' brightness jest a-gildin' all the place,
      And yer somehow seem ter feel it in yer heart and in yer face.

      Now the crowd of cranb'r'y pickers, every mornin' as they pass,
      Makes a feller think of turkey, with the usual kind of sass,
      Till a roguish face a-smilin' 'neath a bunnit or a hat,
      Makes him stop and think of somethin' that's a good deal sweeter 'n that;
      And the lightsome girlish figger trippin', skippin' down the lane,
      Kills his mem'ry full of sunshine, but it's sunshine mixed with rain,—
      For, yer see, it sets him dreamin' of Septembers that he knew
      When he went a cranb'r'y pickin' and a girl went with him, too.

      Oh, the cool September mornin's, why, their freshness seems ter roll
      Like a wave of life a-liftin' up yer everlastin' soul,
      And the earth and all that's on it seems a-bustin' inter rhyme
      So's ter sing a big thanksgivin' fer the comin' harvest-time;
      And I want ter jine the chorus and ter tell 'em fur and near
      That I hain't got wealth nor beauty, but I'm mighty glad I'm here;
      That I'm getting old and wrinkled, like the husks around the corn,
      But my heart is all the sweeter on a bright September morn.

## NOVEMBER'S COME

      Hey, you swelled-up turkey feller!
        Struttin' round so big and proud.
      Pretty quick I guess your beller
        Won't be goin' quite so loud.
      Say, I'd run and hide, I bet you,
        And I'd leave off eatin' some,
      Else the choppin'-block'll get you,—
        Don't you know November's come?

      Don't you know that Grandma's makin'
        Loads of mince and pun'kin pies?
      Don't you smell those goodies cookin'?
        Can't you see 'em? Where's your eyes?
      Tell that rooster there that's crowin',
        Cute folks now are keepin' mum;
      They don't show how fat they 're growin'
        When they know November's come.

      'Member when you tried ter lick me?
        Yes, you did, and hurt me, too!
      Thought't was big ter chase and pick me,—
        Well, I'll soon be pickin' you.
      Oh, I know you 're big and hearty,
        So you needn't strut and drum,—
      Better make your will out, smarty,
        'Cause, you know, November's come.

      "Gobble! gobble!" oh, no matter!
        Pretty quick you'll change your tune;
      You'll be dead and in a platter,
        And I'll gobble pretty soon.
      'F I was you I'd stop my puffin',
        And I'd look most awful glum;—
      Hope they give you lots of stuffin'!
        Ain't you glad November's come?

## THE WINTER NIGHTS AT HOME

      A stretch of hill and valley, swathed thick in robes of white,
      The buildings blots of blackness, the windows gems of light,
      A moon, now clear, now hidden, as in its headlong race
      The north wind drags the cloud-wrack in tatters o'er its face;
      Mailed twigs that click and clatter upon the tossing tree,
      And, like a giant's chanting, the deep voice of the sea,
      As 'mid the stranded ice-cakes the bursting breakers foam,—
      The old familiar picture—a winter night at home.

      The old familiar picture—the firelight rich and red,
      The lamplight soft and mellow, the shadowed beams o'erhead;
      And father with his paper, and mother, calm and sweet,
      Mending the red yarn stockings stubbed through by careless feet.
      The little attic bedroom, the window 'neath the eaves,
      Decked by the Frost King's brushes with silvered sprays and leaves;
      The rattling sash which gossips with idle gusts that roam
      About the ice-fringed gables—the winter nights at home.

      What would I give to climb them—those narrow stairs so steep,—
      And reach that little chamber, and sleep a boy's sweet sleep!
      What would I give to view it—that old house by the sea—
      Filled with the dear lost faces which made it home for me!
      The sobbing wind sings softly the song of long ago,
      And in that country churchyard the graves are draped in snow;
      But there, beyond the arches of Heaven's star-jeweled dome,
      Perhaps they know I'm dreaming of winter nights at home.

## "THE LITTLE FELLER'S STOCKIN'"

      O, it's Christmas Eve, and moonlight, and the Christmas air is chill,
      And the frosty Christmas holly shines and sparkles on the hill,
      And the Christmas sleigh-bells jingle and the Christmas laughter rings,
      As the last stray shoppers hurry, takin' home the Christmas things;
      And up yonder in the attic there's a little trundle bed
      Where there's Christmas dreams a-dancin' through a sleepy, curly head;
      And it's "Merry Christmas," Mary, once agin fer me and you,
      With the little feller's stockin' hangin' up beside the flue.

      'Tisn't silk, that little stockin', and it isn't much fer show,
      And the darns are pretty plenty 'round about the heel and toe,
      And the color's kind er faded, and it's sort er worn and old,
      But it really is surprisin' what a lot of love 'twill hold;
      And the little hand that hung it by the chimney there along
      Has a grip upon our heartstrings that is mighty firm and strong;
      So old Santy won't fergit it, though it isn't fine and new,—
      That plain little worsted stockin' hangin' up beside the flue.

      And the crops may fail and leave us with our plans all knocked ter smash,
      And the mortgage may hang heavy, and the bills use up the cash,
      But whenever comes the season, jest so long's we've got a dime,
      There'll be somethin' in that stockin'—won't there, Mary?—every time.
      And if in amongst our sunshine there's a shower or two of rain,
      Why, we'll face it bravely smilin', and we'll try not ter complain,
      Long as Christmas comes and finds us here together, me and you,
      With the little feller's stockin' hangin' up beside the flue.

## THE ANT AND THE GRASSHOPPER

      You know the story—it's centuries old—
      How the Ant and the Grasshopper met, we're told,
      On a blustering day, when the wind was cold
          And the trees were bare and brown;
      And the Grasshopper, being a careless blade,
      Who all the summer had danced and played,
      Now came to the rich old Ant for aid,
           And the latter "turned him down."

      It's only fancy, but I suppose
      That the Grasshopper wore his summer clothes,
      And stood there kicking his frozen toes
          And shaking his bones apart;
      And the Ant, with a sealskin coat and hat,
      Commanded the Grasshopper, brusque and flat,
      To "Dance through the winter," and things like that,
          Which he thought were "cute" and "smart."

      But, mind you, the Ant, all summer long,
      Had heard the Grasshopper's merry song,
      And had laughed with the rest of the happy throng
          At the bubbling notes of glee;
      And he said to himself, as his cash he lent,
      Or started out to collect his rent,
      "The shif'less fool do'n't charge a cent,—
          I'm getting the whole show free."

      I've never been told how the pair came out—
      The Grasshopper starved to death, no doubt,
      And the Ant grew richer, and had the gout,
          As most of his brethren do;
      I know that it's better to save one's pelf,
      And the Ant is considered a wise old elf,
      But I like the Grasshopper more myself,—
          Though that is between we two.

## THE CROAKER

      Once, by the edge of a pleasant pool,
      Under the bank, where 't was dark and cool,
      Where bushes over the water hung,
      And grasses nodded and rushes swung—
      Just where the brook flowed out of the bog—
      There lived a gouty and mean old Frog,
      Who'd sit all day in the mud, and soak,
      And do just nothing but croak and croak.

      'Till a Blackbird whistled: "I say, you know,
      What is the trouble down there below?
      Are you in sorrow, or pain, or what?"
      The Frog said: "Mine is a gruesome lot!
      Nothing but mud, and dirt, and slime,
      For me to look at the livelong time.
      'Tis a dismal world!" so he sadly spoke,
      And voiced his woes in a mournful croak.

      "But you're looking down!" the Blackbird said.
      "Look at the blossoms overhead;
      Look at the lovely summer skies;
      Look at the bees and butterflies—
      Look up, old fellow! Why, bless your soul,
      You're looking down in a muskrat's hole!"
      But still, with his gurgling sob and choke,
      The Frog continued to croak and croak.

      And a wise old Turtle, who boarded near,
      Said to the Blackbird: "Friend, see here:
      Don't shed your tears over him, for he
      Is wretched just 'cause he likes to be!
      He's one of the kind who won't be glad;
      It makes him happy to think he's sad.
      I'll tell you something—and it's no joke—
      Don't waste your pity on those who croak!"

## THE OLD-FASHIONED GARDEN

      Oh, those sweet old-fashioned posies, that were mother's pride and joy,
      In the sunny little garden where I wandered when a boy!
      Oh, the morning-glories twining 'mongst the shining sunflowers tall,
      And the clematis a-tangle in the angle of the wall!
      How the mignonette's sweet blooming was perfuming all the walks,
      Where the hollyhocks stood proudly with their blossom-dotted stalks;
      While the old-maids' pinks were nodding groups of gossips, here and there,
      And the bluebells swung so lightly in the lazy, hazy air!

      Then the sleepy poppies, stooping low their drooping, drowsy heads,
      And the modest young sweet-williams hiding in their shady beds!
      By the edges of the hedges, where the spiders' webs were spun,
      How the marigolds lay, yellow as the mellow summer sun
      That made all the grass a-dapple 'neath the leafy apple tree,
      Whence you heard the locust drumming and the humming of the bee;
      While the soft breeze in the trellis, where the roses used to grow,
      Sent the silken petals flying like a scented shower of snow!

      Oh, the quaint old-fashioned garden, and the pathways cool and sweet,
      With the dewy branches splashing flashing jewels o'er my feet!
      And the dear old-fashioned blossoms, and the old home where they grew,
      And the mother-hands that plucked them, and the mother-love I knew!
      Ah, of all earth's fragrant flowers in the bowers on her breast,
      Sure the blooms which memory brings us are the brightest and the best;
      And the fairest, rarest blossoms ne'er could win my love, I know,
      Like the sweet old-fashioned posies mother tended long ago.

## THE LIGHT-KEEPER

      For years I've seen the frothy lines go thund'rin' down the shore;
      For years the surge has tossed its kelp and wrack about my door;
      I've heard the sea-wind sing its song in whispers 'round the place,
      And fought it when it flung the sand, like needles, in my face.
      I've seen the sun-rays turn the roof ter blist'rin', tarry coal;
      I've seen the ice-drift clog the bay from foamin' shoal ter shoal;
      I've faced the winter's snow and sleet, I've felt the summer's shower,
      But every night I've lit the lamp up yonder in the tower.

      I've seen the sunset flood the earth with streams of rosy light,
      And every foot of sea-line specked with twinklin' sails of white;
      I've woke ter find the sky a mess of scud and smoky wreath,
      A blind wind-devil overhead and hell let loose beneath.
      And then ter watch the rollers pound on ledges, bars and rips,
      And pray fer them that go, O Lord, down ter the sea in ships!
      Ter see the lamp, when darkness comes, throw out its shinin' track,
      And think of that one gleamin' speck in all the world of black.

      And often, through a night like that, I've waited fer the day
      That broke and showed a lonesome sea, a sky all cold and gray;
      And, may be, on the spit below, where sea-gulls whirl and screech,
      I've seen a somethin' stretched among the fresh weed on the beach;
      A draggled, frozen somethin', in the ocean's tangled scum,
      That meant a woman waitin' fer a man who'd never come;
      And all the drop of comfort in my sorrer I could git
      Was this: "I done my best ter save; thank God, the lamp was lit."

      And there's lots of comfort, really, to a strugglin' mortal's breast
      In the sayin', if it's truthful, of "I done my level best";
      It seems ter me that's all there is: jest do your duty right,
      No matter if yer rule a land or if yer tend a light.
      My lot is humble, but I've kept that lamp a-burnin' clear,
      And so, I reckon, when I die I'll know which course ter steer;
      The waves may roar around me and the darkness hide the view,
      But the lights'll mark the channel and the Lord'll tow me through.

## THE LITTLE OLD HOUSE BY THE SHORE

      It stands at the bend where the road has its end,
        And the blackberries nod on the vine;
      And the sun flickers down to its gables of brown,
        Through the sweet-scented boughs of the pine.
      The roof-tree is racked and the windows are cracked,
        And the grasses grow high at the door,
      But hid in my heart is an altar, apart,
        To the little old house by the shore.

      For its portal so bare was a Paradise rare,
        With the blossoms that clustered above,
      When a mother's dear face gave a charm to the place
        As she sang at her labor of love.
      And the breeze, as it strays through the window and plays
        With the dust and the leaves on the floor,
      Is a memory sweet of the pattering feet
        In the little old house by the shore.

      And again in my ears, through the dream of the years,
        They whisper, the playmates of old,
      The brother whose eyes were a glimpse of the skies,
        The sister with ringlets of gold;
      And Father comes late to the path at the gate,
        As he did when the fishing was o'er,
      And the echoes ring out, at our welcoming shout,
        From the little old house by the shore.

      But the night-wind has blown and the vision has flown,
        And the sound of the children is still,
      And the shadowy mist, like a spirit, has kissed
        The graves by the church on the hill;
      But softly, afar, sing the waves on the bar,
        A song of the sunshine of yore:
      A lullaby deep for the loved ones who sleep
        Near the little old house by the shore.

## WHEN THE TIDE GOES OUT

      When the tide goes out, how the foam-flakes dance
        Through the wiry sedge-grass near the shore;
      How the ripples spark in the sunbeam's glance,
        As they madly tumble the pebbles o'er!
      The barnacled rocks emerging seem,
        As their beards of seaweed are tossed about,
      Like giants who wake from a troubled dream
        And laugh for joy when the tide goes out.

      When the tide goes out, how the shining sands,
        Like silver, glisten, and gleam, and glow;
      How the sea-gulls whirl, in their joyous bands,
        O'er the shoals where the breakers come and go!
      The coal-black driftwood, gleaming wet,
        Relic of by-gone vessel stout,
      With its clinging shells, seems a bar of jet,
        Studded with pearls, when the tide goes out.

      When the tide goes out, how the breezes blow
        The nodding plumes of the pine-trees through;
      How the far-off ships, like flakes of snow,
        Are lightly sprinkled upon the blue!
      The Sea, as he moves in his slow retreat,
        Like a warrior struggling for each redoubt,
      But with flashing lances the sand-bars meet
        And drive him back, when the tide goes out.

      When the tide goes out, how each limpid pool
        Reflects the sky and the fleecy cloud;
      How the rills, like children set free from school,
        Prattle and plash and sing aloud!
      The shore-birds cheerily call, the while
        They dart and circle in merry rout,—
      The face of the ocean seems to smile
        And the earth to laugh, when the tide goes out.

      When the tide goes out, as the years roll by,
        And Life sweeps on to the outer bar,
      And I feel the chill of the depths that lie
        Beyond the shoals where the breakers are,
      I will not rail at a kindly Fate,
        Or welcome Age with a peevish pout,
      But still, with a heart of Youth, await
        The final wave, when the tide goes out.

## THE WATCHERS

      When the great, gray fog comes in, and the damp clouds cloak the shore,
      And the tossing waves grow dim, and the white sails flash no more,
      Then, over the shrouded sea, where the winding mist-wreaths creep,
      The deep-voiced Watchers call, the Watchers who guard the Deep.

      "Hear! hear! hear! Hark to the word I bring!
      Toilers upon the sea, list to the Bell-buoy's ring!
      List, as I clash and clang! list, as I toss and toll!
      Under me yawns the grave, under me lies the shoal
      Where the whirling eddies wait to grapple the drowning crew,
      And the hungry quicksand hides the bones of the ship it slew.
      Swift on the outward tack! quick, to the seaward bear!
      Toilers upon the sea, here is the shoal! Beware!"

      "Hear! hear! hear! Hark to me, one and all!
      Toilers upon the sea, list to the Fog-horn's call!
      List to my buzzing cry! list, as I growl and groan:
      Here is the sullen shore where the white-toothed breakers moan;
      Where the silky ripples run with the wolf-like wave behind,
      To leap on the struggling wreck and worry and gnaw and grind,
      To toss on the cruel crag the dead with his streaming hair!
      Toilers upon the sea, here are the rocks! Beware!"

      "Hear! hear! hear! Hark to my stormy shriek!
      Toilers upon the sea, the Whistling-buoy would speak!
      List to my sobbing shout! list, for my word is brief:
      Death is beneath me here! death on the sunken reef
      Where the jagged ledge is hid and the slimy seaweeds grow,
      And the long kelp streamers wave in the dark green depths below,
      Where, under the shell-clad hulk, the gaunt shark makes his lair,—
      Toilers upon the sea, here is the reef! Beware!"

      And then, o'er the silent sea, an answer from unseen lips,
      Comes in through the great, gray fog, the word from the mist-bound
         ships,—
      A chorus of bell and horn, faint and afar and clear,—
      "Thanks, O Guard of the Deep! Watchers, we hear! we hear!"

## "THE REG'LAR ARMY MAN"

      He ain't no gold-laced "Belvidere,"
        Ter sparkle in the sun;
      He do'n't parade with gay cockade,
        And posies in his gun;
      He ain't no "pretty soldier boy,"
        So lovely, spick and span,—
      He wears a crust of tan and dust,
        The Reg'lar Army man;
          The marchin', parchin',
          Pipe-clay starchin',
      Reg'lar Army man.

      He ain't at home in Sunday-school,
        Nor yet a social tea,
      And on the day he gets his pay
        He's apt to spend it free;
      He ain't no temp'rance advocate,
        He likes ter fill the "can,"
      He's kind er rough, and maybe, tough,
        The Reg'lar Army man;
          The r'arin', tearin',
          Sometimes swearin',
        Reg'lar Army man.

      No State'll call him "noble son,"
        He ain't no ladies' pet,
      But, let a row start anyhow,
        They'll send for him, you bet!
      He "do'n't cut any ice" at all
        In Fash'n's social plan,—
      He gits the job ter face a mob,
        The Reg'lar Army man;
          The millin', drilling
          Made fer killin',
        Reg'lar Army man.

      They ain't no tears shed over him
        When he goes off ter war,
      He gits no speech nor prayerful "preach"
        From mayor or governor;
      He packs his little knapsack up
        And trots off in the van,
      Ter start the fight and start it right,
        The Reg'lar Army man;
          The rattlin', battlin',
          Colt or Gatlin',
        Reg'lar Army man.

      He makes no fuss about the job,
        He do'n't talk big or brave,—
      He knows he's in ter fight and win,
        Or help fill up a grave;
      He ain't no "Mama's darlin'," but
        He does the best he can,
      And he's the chap that wins the scrap,
        The Reg'lar Army man;
          The dandy, handy,
          Cool and sandy,
        Reg'lar Army man.

## FIREMAN O'RAFFERTY

      A cloud of cinder-dotted smoke, whose billows rise and swell,
      Thrust through by seething swords of flame that roar like blasts from hell;
      A floor whose charring timbers groan and creak beneath the tread,
      With starting planks that, gaping, show long lines of sullen red;
      Great, hissing, scalding jets of steam that, lifting now, disclose
      A crouching figure gripping tight the nozzle of a hose,
      The dripping, rubber-coated form, scarce seen amid the murk,
      Of Fireman Mike O'Rafferty attending to his work.

      Pressed close against the blistered floor, he strives the fire to drown,
      And slowly, surely, steadfastly, he fights the demon down;
      And then he seeks the window-frame, all sashless, blank and bare,
      And wipes his plucky Irish face and gasps a bit for air;
      Then, standing on the slimy ledge, as narrow as his feet,
      He hums a tune, and looks straight down six stories to the street;
      Far, far below he sees the crowd's pale faces flush and fade,
      But Fireman Mike O'Rafferty can't stop to be afraid.

      Sometimes he climbs long ladders, through a fiery, burning rain
      To reach a pallid face that glares behind a crackling pane;
      Sometimes he feels his foothold shake with giddy swing and sway,
      And barely leaps to safety as the crashing roof gives way;
      Sometimes, penned in and stifling fast, he waits, with courage grim,
      And hears the willing axes ply that strive to rescue him;
      But sometime, somewhere, somehow, help may come a bit too late
      For Fireman Mike O'Rafferty of Engine Twenty-eight.

      And then the morning paper may have half a column filled
      With, "Fire at Bullion's Warehouse," and the line, "A Fireman Killed";
      And, in a neat, cheap tenement, a wife may mourn her dead,
      And all the small O'Raffertys go fatherless to bed
      And he'll not be a hero, for, you see, he didn't fall
      On some blood-spattered battle-field, slain by a rifle-ball;
      But, maybe, on the other side, on God's great roll of fame,
      Plain Fireman Mike O'Rafferty'll be counted just the same.

## LITTLE BARE FEET

      Little bare feet, sunburned and brown,
      Patterin', patterin' up and down,
      Dancin' over the kitchen floor,
      Light as the foam-flakes on the shore,—
      Right on the go from morn till late,
      From the garden path ter the old front gate,—
      There hain't no music ter me so sweet
      As the patterin' sound of them little bare feet.

      When I mend my nets by the foamin' sea,
      Them little bare feet trot there with me,
      And a shrill little voice I love'll say:
      "Dran'pa, spin me a yarn ter-day."
      And I know when my dory comes ter land,
      There's a spry little form somewheres on hand;
      And the very fust sound my ears'll meet
      Is the welcomin' run of them little bare feet.

      Oh, little bare feet! how deep you've pressed
      Yer prints of love in my worn old breast!
      And I sometimes think, when I come ter die,
      'Twill be lonesome-like in the by and by;
      That up in Heaven I'll long ter hear
      That little child's voice, so sweet and clear;
      That even there, on the golden street,
      I'll miss the pat of them little bare feet.

## A RAINY DAY

      Kind er like a stormy day, take it all together,—
      Don't believe I'd want it jest only pleasant weather;
      If the sky was allers blue, guess I'd be complainin',
      And a-pesterin' around, wishin' it was rainin'.

      Like a stormy mornin' now, with the water dashin'
      From the eaves and from the spouts, foamin' and a-splashin',
      With the leaves and twigs around, shinin' wet and drippin',
      Shakin' in the wind with drops every-which-way skippin'.

      Like ter see the gusts of rain, where there's naught ter hinder,
      Sail acrost the fields and come "spat" against the winder,
      Streakin' down along the panes, floodin' sills and ledges,
      Makin' little fountains, like, in the sash's edges.

      Like ter see the brooks and ponds dimpled up all over,
      Like ter see the di'mon's shine on the bendin' clover,
      Like ter see the happy ducks in the puddles sailin'
      And the stuck-up rooster all draggled, wet and trailin'.

      But I like it best inside, with the fire a-gleamin',
      And myself, with chores all done, settin' round and dreaming
      With the kitten on my knee, and the kettle hummin',
      And the rain-drops on the roof, "Home, Sweet Home" a-drummin'.

      Kind er like a stormy day, take it all together,
      Don't believe I'd want it jest only pleasant weather;
      If the sky was allers blue, guess I'd be complaining
      And a-pesterin' around, wishin' it was rainin'.

## THE HAND-ORGAN BALL

      When Twilight her soft robe of shadow spreads down.
        And hushed is the roar and the din,
      When Evening is cooling the sweltering town,
        'Tis then that the frolics begin;
      And up in dim "Finnegan's Court," on the pavement,
        Shut in by the loom of the tenement's wall,
      'Neath the swinging arc-light, on a warm summer's night,
        They gather to dance at the hand-organ ball.

      'Tis not a society function, you see,
        But quite an informal affair;
      The costumes are varied, yet simple and free,
        And gems are exceedingly rare;
      The ladies are gowned in their calicoes, fetching,
        And coatless and cool are the gentlemen, all.
      In a jacket, they say, one's not rated au fait
        By the finicky guests at the hand-organ ball.

      There's "Ikey," the newsboy, and "Muggsy" who "shines";
        There's Beppo who peddles "banan'";
      There's A. Lincoln Johnson, whose "Pa" kalsomines—
        His skin has a very deep tan;
      There's Rosy, the cash-girl, and Mame, who ties bundles,
        And Maggie, who works in the factory, tall;
      She's much in demand, for she "pivots so grand,"
        She's really the belle of the hand-organ ball.

      Professor Spaghetti the music supplies,
        From his hurdy-gurdy the waltz is sublime;
      His fair daughter Rosa, whose tambourine flies,
        Is merrily thumping the rollicking time;
      The Widow McCann pats the tune with her slipper,
        The peanut-man hums as he peers from his stall,
      And Officer Quinn for a moment looks in
        To see the new steps at the hand-organ ball.

      The concert-hall tune echoes down the dark street,
        The mothers lean out from the windows to see,
      While soft sounds the pat of the dancers' bare feet,
        And tenement babies crow loud in their glee;
      And labor-worn fathers are laughing and chatting,—
        Forgot for an hour is grim poverty's thrall;—
      There's joy here to-night, 'neath the swinging arc-light,
        In "Finnegan's Court," at the hand-organ ball.

## "JIM"

      Want to see me, hey, old chap?
      Want to curl up in my lap,
        Do yer, Jim?
      See him sit and purr and blink—
      Don't yer bet he knows I think
        Lots of him?

      Little kitten, nothin' more,
      When we found him at the door.
        In the cold,
      And the baby, half undressed,
      Picked him up, and he was jest
        All she'd hold.

      Put him up fer me to see,
      And she says, so 'cute, says she,
        "Baby's cat."
      And we never had the heart
      Fer to keep them two apart
        After that.

      Seem's if I must hear the beat
      Of her toddlin' little feet
        'Round about;
      Seem to see her tucked in bed,
      With the kitten's furry head
        Peekin' out.

      Seem's if I could hear her say,
      In the cunnin' baby way
        That she had:
      "Say 'dood-night' to Jimmie, do,
      'Coz if 'oo fordetted to
        He'd feel bad."

      Miss her dreadful, don't we, boy?
      Day do'n't seem to bring no joy
        With the dawn;
      Look's if night was everywhere,—
      But there's glory over there
        Where she's gone.

      Seems as if my heart would break,
      But I love yer for her sake,
          Don't I, Jim?
      See him sit and purr and blink,
      Don't yer bet he knows I think
          Lots of him?

## IN MOTHER'S ROOM

      In Mother's room still stands the chair
      Beside the sunny window, where
        The flowers she loved now lightly stir
        In April's breeze, as though they were
      Forlorn without her loving care.

      Her books, her work-box, all are there,
      And still the snowy curtains bear
        The soft, sweet scent of lavender
          In Mother's room.

      Oh, spot so cool, and fresh, and fair,
      Where dwelt a soul so pure and rare,
        On me your fragrant peace confer,
        Make my life sweet with thoughts of her,
      As lavender makes sweet the air
          In Mother's room.

## SUNSET-LAND

      Climb to my knee, little boy, little boy,—
        If you look, as the sun sinks low,
      Where the cloud-hills rise in the western skies,
        Each one with its crest aglow,
      O'er the rosy sea, where the purple isles
        Have beaches of golden sand,
      To the fleecy height of the great cloud, white,
      You may catch a gleam of the twinkling light
        At the harbor of Sunset-land.

      It's a wonderful place, little boy, little boy,
        And its city is Sugarplum Town,
      Where the slightest breeze through the candy trees
        Will tumble the bon-bons down;
      Where the fountains sprinkle their lemonade
        In syrupy, cooling streams;
      And they pave each street with a goody, sweet,
      And mark them off in a manner neat,
        With borders of chocolate creams.

      It's a children's town, little boy, little boy,
        With a great big jail, you know,
      Where "grown-ups" stay who are heard to say,
        "Now don't!" or "You mustn't do so."
      And half of the time it is Fourth of July,
        And 'tis Christmas all the rest,
      With plenty of toys that will make a noise,
      For Santa is king of this realm of joys,
        And knows what a lad likes best.

      Shall I tell you the way, little boy, little boy,
        To get to this country, bright?
      When you're snug in bed, and your prayers are said,
        You must shut up your eyelids tight;
      And wait till the sleepy old Sandman comes
        And gives you his kindly hand,
      And then you'll float in a drowsy boat,
      O'er the sea of rose to the cloud, remote,
        And the wonderful Sunset-land.

## THE SURF ALONG THE SHORE

      Ye children of the mountain, sing of your craggy peaks,
      Your valleys forest laden, your cliffs where Echo speaks;
      And ye, who by the prairies your childhood's joys have seen,
      Sing of your waving grasses, your velvet miles of green:
      But when my memory wanders down to the dear old home
      I hear, amid my dreaming, the seething of the foam,
      The wet wind through the pine trees, the sobbing crash and roar,
      The mighty surge and thunder of the surf along the shore.

      I see upon the sand-dunes the beach-grass sway and swing,
      I see the whirling sea-birds sweep by on graceful wing,
      I see the silver breakers leap high on shoal and bar,
      And hear the bell-buoy tolling his lonely note afar.
      The green salt-meadows fling me their salty, sweet perfume,
      I hear, through miles of dimness, the watchful fog-horn boom;
      Once more, beneath the blackness of night's great roof-tree high,
      The wild geese chant their marches athwart the arching sky.

      The dear old Cape! I love it! I love its hills of sand,
      The sea-wind singing o'er it, the seaweed on its strand;
      The bright blue ocean 'round it, the clear blue sky o'erhead;
      The fishing boats, the dripping nets, the white sails filled and spread;—
      For each heart has its picture, and each its own home song,
      The sights and sounds which move it when Youth's fair memories throng;
      And when, down dreamland pathways, a boy, I stroll once more,
      I hear the mighty music of the surf along the shore.

## AT EVENTIDE

      The tired breezes are tucked to rest
        In the cloud-beds far away;
      The waves are pressed to the placid breast
        Of the dreaming, gleaming bay;
      The shore line swims in a hazy heat,
        Asleep in the sea and sky,
      And the muffled beat where the breakers meet
        Is a soft, sweet lullaby.

      The pine-clad hill has a crimson crown
        Of glittering sunset glows;
      The roofs of brown in the distant town
        Are bathed in a blush of rose;
      The radiant ripples shine and shift
        In shimmering shreds of gold;
      The seaweeds lift and drowse and drift,
        And the jellies fill and fold.

      The great sun sinks, and the gray fog heaps
        His cloak on the silent sea;
      The night-wind creeps where the ocean sleeps,
        And the wavelets wake in glee;
      Across the bay, like a silver star,
        There twinkles the harbor-light,
      And faint and far from the outer bar
        The sea-birds call "Good-night."

## INDEX TO FIRST LINES

      A cloud of cinder-dotted smoke, whose billows rise and swell

      A solemn Sabbath stillness lies along the Mudville lanes

      A stretch of hill and valley, swathed thick in robes of white

      Almost every other evenin', jest as reg'lar as the clock

      "Blessed are the poor in spirit": there, I'll just remember that

      Climb to my knee, little boy, little boy,—

      For years I've seen the frothy lines go thund'rin' down the shore

      From the window of the chapel softly sounds an organ's note

      Grandfather's "summer sweets" are ripe

      He ain't no gold-laced "Belvidere"

      Hey, you swelled-up turkey feller!

      Home from college came the stripling, calm and cool and debonair

      I hain't no great detective, like yer read about,—the kind

      I never was naturally vicious;

      I remember, when a youngster, all the happy hours I spent

      I s'pose I hain't progressive, but I swan, it seems ter me

      I'll write, for I'm witty, a popular ditty

      I'm pretty nearly certain that 't was 'bout two weeks ago,—

      I've got a little yaller dog, a wuthless kind of chap

      In Mother's room still stands the chair

      In the gleam and gloom of the April weather

      It's a wonderful world we're in, my dear

      It's alone in the dark of the old wagon-shed

      It's getting on ter winter now, the nights are crisp and chill

      It stands at the bend where the road has its end

      Jason White has come ter town

      Just a simple little picture of a sunny country road

      Kind er like a stormy day, take it all together,—

      Little bare feet, sunburned and brown,

      Little foot, whose lightest pat

      Me and Billy's in the woodshed; Ma said, "Run out-doors and play;

      My dream-ship's decks are of beaten gold

      My sister's best feller is 'most six-foot-three

      My son Hezekiah's a painter; yes, that's the purfession he's at;

      Now Councilman O'Hoolihan do'n't b'lave in annixation

      O, it's Christmas Eve, and moonlight, and the Christmas air is chill

      O you boys grown gray and bearded, you that used ter chum with me

      Oh, the cool September mornin's! now they 're with us once agin

      Oh, the Friday evening meetings in the vestry, long ago

      Oh! the horns are all a-tootin' as we rattle through the town

      Oh, the song of the Sea—

      Oh, the story-book boy! he's a wonderful youth

      Oh, the wild November wind

      Oh! they've swept the parlor carpet, and they've dusted every chair

      Oh, those sweet old-fashioned posies, that were mother's pride and joy

      Old Dan'l Hanks he says this town

      On a log behind the pigsty of a modest little farm

      Once, by the edge of a pleasant pool

      Our Aunt 'Mandy thinks that boys

      Our Sary Emma is possessed ter be at somethin' queer;

      Pavements a-frying in street and in square

      Say, I've got a little brother

      She's little and modest and purty

      Sometimes when we're in school, and it's the afternoon and late

      South Pokus is religious,—that's the honest, livin' truth;

      Summer nights at Grandpa's—ain't they soft and still!

      Sun like a furnace hung up overhead

      Sure, Felix McCarty he lived all alone

      The fog was so thick yer could cut it

      The spring sun flashes a rapier thrust

      The tired breezes are tucked to rest

      To my office window, gray

      Up in the attic I found them, locked in the cedar chest

      Want to see me, hey, old chap?

      We'd never thought of takin' 'em,—'twas Mary Ann's idee,—

      When Ezry, that's my sister's son, came home from furrin parts

      When Papa's sick, my goodness sakes!

      When the farm work's done, at the set of sun

      When the great, gray fog comes in, and the damp clouds cloak the shore

      When the hot summer daylight is dyin'

      When the Lord breathes his wrath above the bosom of the waters

      When the tide goes out, how the foam-flakes dance

      When the toil of day is over

      When Twilight her soft robe of shadow spreads down

      Where leap the long Atlantic swells

      Where the warm spring sunlight, streaming

      Ye children of the mountain, sing of your craggy peaks

      You know the story—it's centuries old—

THE END

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